Artworks

El Lissitzky

Book with letterpress and offset lithography, in black and red, on cream wove paper, stapled along spine · 1922

Anton Lavinskii

Cover with letterpress lettering on front, back, and spine · 1922

Mary Reynolds

Fully bound in leather, title and author written across leather covers and spine in palladium and blind lettering; decorated end leaves; original paper covers bound in · 1914

Frank Lloyd Wright

Clear and yellow glass in zinc cames mounted in original pine frame · 1907

Bamileke

Raffia and porcupine quills · 1901

Carlo Bugatti

copper (metal), walnut (hardwood), parchment (animal material), tin (metal), ivory, silk, pine (wood) · 1900

Carlo Bugatti

ivory, parchment (animal material), pine (wood), walnut (hardwood), silk, tin (metal), ebony (wood), copper (metal) · 1900

Frank Lloyd Wright

Oak and pine · 1896

Paul Gauguin

Wood-block print, printed twice in yellow ocher and black inks, over a yellow ink tone block, and transferred golden-yellow, green, and orange oil-based media, some containing beeswax and conifer resin (probably pine resin), with brush and black ink and diluted yellow printing ink, on cream Japanese paper · 1893

Paul Gauguin

Wood-block print, printed twice in golden-brown and black inks, with selective wiping of the black ink, over a selectively inked yellow tone block, and transferred deep-yellow, red, and orange oil-based media, some containing beeswax and conifer resin (probably pine resin), with hand-applied dark yellow and brown gouache, on cream Japanese paper (previously mounted on mottled blue wove paper laid down on cream wove card [a presentation mount]) · 1893

Paul Gauguin

Wood-block print, printed twice in yellow ocher and black inks, with selective wiping of the black ink, over a yellow ink tone block, transferred golden-yellow, green, and red-orange, and stenciled red oil-based media, some containing beeswax and conifer resin (probably pine resin), on cream wove paper · 1893

Paul Gauguin

Wood-block print, printed twice in yellow ocher and black inks, over yellow ink tone block, and transferred golden-yellow, green, red-orange, and red oil-based media, some containing beeswax and conifer resin (probably pine resin), on cream Japanese paper · 1893

Paul Gauguin

Wood-block print, printed twice in brown and black inks, over a yellow, silver-gray and brownish-orange ink tone block, and transferred yellow, green, red, and orange oil-based media, some containing beeswax and conifer resin (probably pine resin), on ivory Japanese paper, laid down on cream wove card · 1893

Paul Gauguin

Wood-block print, printed twice in pale orange and black ink, over transferred yellow, pink, orange, blue and green oil-based media, with traces of conifer resin (probably pine resin), on cream wove Japanese paper, laid down on cream wove Japanese paper · 1893

Paul Gauguin

Wood-block print, printed in black ink with traces of residual brown ink, with selective wiping, over solvent-thinned and transferred and stenciled yellow, orange, red, blue, and green oil-based media, some containing beeswax and conifer resin (probably pine resin), with touches of brush and black ink, on medium-weight, smooth, pink wove paper (faded to tan) · 1893

Paul Gauguin

Wood-block print in black ink, with touches of reddish-brown watercolor and black ink, over yellow ink tone block and transferred golden-yellow, orange, and green oil-based media, some containing beeswax and conifer resin (probably pine resin), on cream Japanese paper, laid down on heavy cream wove card · 1893

John Haley Bellamy

White pine · 1890

Samuel Anderson Robb

Paint on white pine · 1888

Louis Comfort Tiffany, American

Painted pine · 1885

Louis Comfort Tiffany

Painted pine · 1885

Dakota Mace

Porcupine quills, leather, beads, shell, and feathers · 1880

Dakota Gearheart

Porcupine quills, leather, beads, shell, and feathers · 1880

Dakota X

Porcupine quills, leather, beads, shell, and feathers · 1880

Dakota Jackson

Porcupine quills, leather, beads, shell, and feathers · 1880