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Artworks

98,525 records · Polyautograph on paper · Art Institute Chicago
Tatiana Krongberg Reading 5.511: How Can Logic—All-Embracing Logic, Which Mirrors the World—Use Such Peculiar Crotchets and Contrivances? Only Because They Are All Connected With One Another in an Infinitely Fine Network, the Great Mirror
Tatiana Krongberg Reading 5.511: How Can Logic—All-Embracing Logic, Which Mirrors the World—Use Such Peculiar Crotchets and Contrivances? Only Because They Are All Connected With One Another in an Infinitely Fine Network, the Great Mirror
Arthur Ou
Gelatin silver print · 2018
Art Institute of Chicago
Rock Anatomy
Rock Anatomy
Abraham Oghobase
Inkjet print · 2018
Art Institute of Chicago
Marker Drawing of Trompe-l’Oeil Still Life with a Flower Garland and a Curtain
Marker Drawing of Trompe-l’Oeil Still Life with a Flower Garland and a Curtain
Mika Horibuchi
Oil on linen · 2018
Art Institute of Chicago
Santiniketan Studies (A Century Before Us II): Tagore (Jade)
Santiniketan Studies (A Century Before Us II): Tagore (Jade)
The Otolith Group
Inkjet print, photomontage · 2018
Art Institute of Chicago
Glasur Stykke #42
Glasur Stykke #42
Anders Ruhwald
Glazed earthenware · 2018
Art Institute of Chicago
Viktoria Binschtok Reading 6.13: Logic Is Not a Body of Doctrine, but a Mirror-Image of the World. Logic Is Transcendental
Viktoria Binschtok Reading 6.13: Logic Is Not a Body of Doctrine, but a Mirror-Image of the World. Logic Is Transcendental
Arthur Ou
Gelatin silver print · 2018
Art Institute of Chicago
Black youth protest at the World Social Forum against the genocide of black people (Protesto de jovens negros no Forum social mundial contra o genocidio do povo negro)
Black youth protest at the World Social Forum against the genocide of black people (Protesto de jovens negros no Forum social mundial contra o genocidio do povo negro)
Lázaro Roberto
Gelatin silver print · 2018
Art Institute of Chicago
Burn One
Burn One
D'Angelo Lovell Williams
Inkjet print · 2018
Art Institute of Chicago
All Directions At Once
All Directions At Once
Luiza Prado de Oliveira Martins
Installation; single-channel video, color, silent, 10 minutes 55 seconds; wallpaper · 2018
Art Institute of Chicago
JB and Bobby
JB and Bobby
Nathaniel Mary Quinn
Charcoal, gouache, and soft pastel on coventry vellum paper, cut and collaged onto white wove paper · 2018
Art Institute of Chicago
Lisa Tan Reading 2.223: In Order to Tell Whether the Picture Is True or False We Must Compare It With Reality
Lisa Tan Reading 2.223: In Order to Tell Whether the Picture Is True or False We Must Compare It With Reality
Arthur Ou
Gelatin silver print · 2018
Art Institute of Chicago
Small Wonders
Small Wonders
Irma Boom
Book · 2017
Art Institute of Chicago
Ray Yoshida Says Hi
Ray Yoshida Says Hi
Luis Romero
Translucent and opaque acrylic paint on torn cardboard and watercolor paper, stapled onto cardboard, stapled onto brown card · 2017
Art Institute of Chicago
The Last Seduction / La Seducción Fatal: La Niña Sorprendida
The Last Seduction / La Seducción Fatal: La Niña Sorprendida
Oli Rodriguez
Inkjet print · 2017
Art Institute of Chicago
man standing juggling three balls by candlelight
man standing juggling three balls by candlelight
Andrew Lord
ceramic, steel rod, gold leaf, and epoxy · 2017
Art Institute of Chicago
Untitled
Untitled
Mathias Poledna
Steel and paint · 2017
Art Institute of Chicago
Untitled
Untitled
Mathias Poledna
Steel and paint · 2017
Art Institute of Chicago
Green Hills of Earth (2)
Green Hills of Earth (2)
Carroll Dunham
Urethane, acrylic and pencil on linen · 2017
Art Institute of Chicago
Green Hills of Earth (1)
Green Hills of Earth (1)
Carroll Dunham
Urethane, acrylic and pencil on linen · 2017
Art Institute of Chicago
Bao Shi Shan Luo Ying 宝石山 落英 2 Plate
Bao Shi Shan Luo Ying 宝石山 落英 2 Plate
Shanchun Yan
Copper plate · 2017
Art Institute of Chicago
Pembury Estate
Pembury Estate
Stan Douglas
Digital chromogenic print mounted on Dibond aluminum · 2017
Art Institute of Chicago
Neo-Huaco #1 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Neo-Huaco #1 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Ana De Orbegoso
Resin and silver plate · 2017
Art Institute of Chicago
Two Towers Model
Two Towers Model
PRODUCTORA
Styrene and paint · 2017
Art Institute of Chicago
Night Moor at Maple Bridge
Night Moor at Maple Bridge
Wang Dongling
Acrylic on plexi glass board, framed · 2017
Art Institute of Chicago
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