WATTS INDEX/database

Database / Artworks

Artworks

209 records · Portfolio of twelve lithographs
Karl Moor and His Father (Karl Moor und sein Vater) from The Robbers (Die Räuber)
Karl Moor and His Father (Karl Moor und sein Vater) from The Robbers (Die Räuber)
Lovis Corinth
Lithograph from a portfolio of twelve lithographs · 1923
Museum of Modern Art
Heading for Act 3 (Kopfstück Zum 3. Akt) from The Robbers (Die Räuber)
Heading for Act 3 (Kopfstück Zum 3. Akt) from The Robbers (Die Räuber)
Lovis Corinth
Lithograph from a portfolio of twelve lithographs · 1923
Museum of Modern Art
Heading for Act 4: Karl Moor and Kosinsky on Horseback by Count Moor's Castle (Kopfstück Zum 4. Akt: Karl Moor und Kosinsky zu Pferde vor der Burg des Grafen Moor) from The Robbers (Die Räuber)
Heading for Act 4: Karl Moor and Kosinsky on Horseback by Count Moor's Castle (Kopfstück Zum 4. Akt: Karl Moor und Kosinsky zu Pferde vor der Burg des Grafen Moor) from The Robbers (Die Räuber)
Lovis Corinth
Lithograph from a portfolio of twelve lithographs · 1923
Museum of Modern Art
Resting on a Summer Evening (Rast am Sommerabend) from The Robbers (Die Räuber)
Resting on a Summer Evening (Rast am Sommerabend) from The Robbers (Die Räuber)
Lovis Corinth
Lithograph from a portfolio of twelve lithographs · 1923
Museum of Modern Art
Closing Illustration (Schlussbild) from The Robbers (Die Räuber)
Closing Illustration (Schlussbild) from The Robbers (Die Räuber)
Lovis Corinth
Lithograph from a portfolio of twelve lithographs · 1923
Museum of Modern Art
Karl Has Killed Amalia (Karl hat Amalien getötet) from The Robbers (Die Räuber)
Karl Has Killed Amalia (Karl hat Amalien getötet) from The Robbers (Die Räuber)
Lovis Corinth
Lithograph from a portfolio of twelve lithographs · 1923
Museum of Modern Art
The Young Hunter Catches Sight of Aline (Der junge Jäger erblickt Aline) from The Queen of Golconda (Die Königin von Golkonde)
The Young Hunter Catches Sight of Aline (Der junge Jäger erblickt Aline) from The Queen of Golconda (Die Königin von Golkonde)
Lovis Corinth
One from a portfolio of twelve lithographs · 1920
Museum of Modern Art
Aline and Her Lover in Old Age in the Valley of Their Youth (Aline und der Geliebte als alte Leute in ihrem Jugendtal) from The Queen of Golconda (Die Königin von Golkonde)
Aline and Her Lover in Old Age in the Valley of Their Youth (Aline und der Geliebte als alte Leute in ihrem Jugendtal) from The Queen of Golconda (Die Königin von Golkonde)
Lovis Corinth
One from a portfolio of twelve lithographs · 1920
Museum of Modern Art
The Young Hunter Greets Aline (Der junge Jäger begrüsst Aline) from The Queen of Golconda (Die Königin von Golkonde)
The Young Hunter Greets Aline (Der junge Jäger begrüsst Aline) from The Queen of Golconda (Die Königin von Golkonde)
Lovis Corinth
One from a portfolio of twelve lithographs · 1920
Museum of Modern Art
Aline Falls (Aline kommt zu Fall) from The Queen of Golconda (Die Königin von Golkonde)
Aline Falls (Aline kommt zu Fall) from The Queen of Golconda (Die Königin von Golkonde)
Lovis Corinth
One from a portfolio of twelve lithographs · 1920
Museum of Modern Art
Aline Adorned as Queen Again (Aline wird wieder als Königin geschmückt) from The Queen of Golconda (Die Königin von Golkonde)
Aline Adorned as Queen Again (Aline wird wieder als Königin geschmückt) from The Queen of Golconda (Die Königin von Golkonde)
Lovis Corinth
One from a portfolio of twelve lithographs · 1920
Museum of Modern Art
Reunion with Aline, Now a Countess (Wiedervereinigung mit der zur Gräfin emporgestiegenen Aline) from The Queen of Golconda (Die Königin von Golkonde)
Reunion with Aline, Now a Countess (Wiedervereinigung mit der zur Gräfin emporgestiegenen Aline) from The Queen of Golconda (Die Königin von Golkonde)
Lovis Corinth
One from a portfolio of twelve lithographs · 1920
Museum of Modern Art
Aline Falls into the Hands of Corsairs (Aline fällt in die Hand der Korsaren) from The Queen of Golconda (Die Königin von Golkonde)
Aline Falls into the Hands of Corsairs (Aline fällt in die Hand der Korsaren) from The Queen of Golconda (Die Königin von Golkonde)
Lovis Corinth
One from a portfolio of twelve lithographs · 1920
Museum of Modern Art
Aline and the President (Aline und der Präsident) from The Queen of Golconda (Die Königin von Golkonde)
Aline and the President (Aline und der Präsident) from The Queen of Golconda (Die Königin von Golkonde)
Lovis Corinth
One from a portfolio of twelve lithographs · 1920
Museum of Modern Art
Aline and the Minister (Aline und der Pfarrer) from The Queen of Golconda (Die Königin von Golkonde)
Aline and the Minister (Aline und der Pfarrer) from The Queen of Golconda (Die Königin von Golkonde)
Lovis Corinth
One from a portfolio of twelve lithographs · 1920
Museum of Modern Art
The King and Queen of Golconda on Their Thrones (König und Königin von Golkonde auf dem Thron) from The Queen of Golconda (Die Königin von Golkonde)
The King and Queen of Golconda on Their Thrones (König und Königin von Golkonde auf dem Thron) from The Queen of Golconda (Die Königin von Golkonde)
Lovis Corinth
One from a portfolio of twelve lithographs · 1920
Museum of Modern Art
Aline Gives the Thirsty Hunter a Drink (Aline gibt dem durstigen Jäger zu trinken) from The Queen of Golconda (Die Königin von Golkonde)
Aline Gives the Thirsty Hunter a Drink (Aline gibt dem durstigen Jäger zu trinken) from The Queen of Golconda (Die Königin von Golkonde)
Lovis Corinth
One from a portfolio of twelve lithographs · 1920
Museum of Modern Art
Reliving the Experience of Their Youth (Die Wiederholung des Jugenderlebnisses) from The Queen of Golconda (Die Königin von Golkonde)
Reliving the Experience of Their Youth (Die Wiederholung des Jugenderlebnisses) from The Queen of Golconda (Die Königin von Golkonde)
Lovis Corinth
One from a portfolio of twelve lithographs · 1920
Museum of Modern Art
The Face of Woman (Des Gesicht des Weibes) from The Bound Columbus (Der gefesselte Columbus)
The Face of Woman (Des Gesicht des Weibes) from The Bound Columbus (Der gefesselte Columbus)
Oskar Kokoschka
Lithograph from a portfolio of twelve lithographs · 1916
Museum of Modern Art
Woman Triumphs over Corpse (Das Weib triumphiert über den Toten) (plate 11) from The Bound Columbus (Der gefesselte Columbus)
Woman Triumphs over Corpse (Das Weib triumphiert über den Toten) (plate 11) from The Bound Columbus (Der gefesselte Columbus)
Oskar Kokoschka
Lithograph from a portfolio of twelve lithographs · 1916
Museum of Modern Art
The Last Judgement (Das jüngste Gericht) (plate 3) from The Bound Columbus (Der gefesselte Columbus)
The Last Judgement (Das jüngste Gericht) (plate 3) from The Bound Columbus (Der gefesselte Columbus)
Oskar Kokoschka
Lithograph from a portfolio of twelve lithographs · 1916
Museum of Modern Art
At the Crossroads (Am Scheidewege) (plate 7) from The Bound Columbus (Der gefesselte Columbus)
At the Crossroads (Am Scheidewege) (plate 7) from The Bound Columbus (Der gefesselte Columbus)
Oskar Kokoschka
Lithograph from a portfolio of twelve lithographs · 1916
Museum of Modern Art
Encounter (Begegnung) (plate 9) from The Bound Columbus (Der gefesselte Columbus)
Encounter (Begegnung) (plate 9) from The Bound Columbus (Der gefesselte Columbus)
Oskar Kokoschka
Lithograph from a portfolio of twelve lithographs · 1916
Museum of Modern Art
The Clear Face (Das reine Gesicht) (plate 12) from The Bound Columbus (Der gefesselte Columbus)
The Clear Face (Das reine Gesicht) (plate 12) from The Bound Columbus (Der gefesselte Columbus)
Oskar Kokoschka
Lithograph from a portfolio of twelve lithographs · 1916
Museum of Modern Art
Go to pageof 9