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Artworks
![Proofs for four plates of "Alfabeto in Sogno" [Dream Alphabet]: Letter I](/api/images/artworks/smithsonian/chndm_1944-24-8-c.jpg)
Proofs for four plates of "Alfabeto in Sogno" [Dream Alphabet]: Letter I
Giuseppe Maria Mitelli
Red crayon on white laid paper · 1683
Cooper Hewitt, Smithsonian Design Museum
![Proofs of four plates of "Alfabeto in Sogno" [Dream Alphabet]: Letter K](/api/images/artworks/smithsonian/chndm_1944-24-8-d.jpg)
Proofs of four plates of "Alfabeto in Sogno" [Dream Alphabet]: Letter K
Giuseppe Maria Mitelli
White laid paper with red brayon · 1683
Cooper Hewitt, Smithsonian Design Museum

Salome Receives the Head of St. John the Baptist
Domenico Piola, Italian
Black crayon, pen and ink, brush and sepia wash on paper · 1675
Cooper Hewitt, Smithsonian Design Museum

Moses and the Brazen Serpent
François Verdier
Black crayon and brush and black and gray wash, heightened with traces of white gouache, on tan laid paper (pieced together), laid down on tan wove card · 1671
Art Institute of Chicago

Presentation of the Virgin
François Verdier
Black crayon and brush and gray wash, with black chalk, heightened with white chalk, on brown laid paper, laid down on cream laid paper · 1671
Art Institute of Chicago

Abraham's Sacrifice of Isaac
Giacinto Calandrucci
Black crayon on cream laid paper · 1666
Art Institute of Chicago

Peasants Listening to Itinerant Musicians
Giovanni Andrea Coppola, Italian
Red crayon, pen and brown ink on paper; verso: pen and ink, brush and sepia wash · 1665
Cooper Hewitt, Smithsonian Design Museum

Study of a nude elderly man, Bacchus or one of his companions
Giovanni Battista Merano, Italian
Black, red crayon, brush and white heightening on blue-grey paper · 1660
Cooper Hewitt, Smithsonian Design Museum

Boreas and Orithyia
Stefano Pozzi
Black chalk and black crayon, heightened with touches of white chalk, squared in black chalk on blue laid paper, laid down on ivory laid card · 1654
Art Institute of Chicago

Boreas and Orithyia
Stefano Pozzi
Black chalk and black crayon, heightened with touches of white chalk, squared in black chalk on blue laid paper, laid down on ivory laid card · 1654
Art Institute of Chicago

Standing Bearded Man
Luca Giordano
Red chalk, with touches of black crayon, on cream laid paper prepared with a red chalk wash, laid down on cream laid paper · 1652
Art Institute of Chicago

Sketch of Spandrel Decoration with Allegorical Seated Female Figure and Putti
Luca Giordano
Pen and brown ink, and brush and brown wash, with touches of black crayon, over traces of graphite, on ivory laid paper, laid down on ivory wove paper · 1652
Art Institute of Chicago

Market near a Canal
Jan van Goyen
Black crayon and brush and brown and gray washes on ivory laid paper · 1651
Art Institute of Chicago

Drawing: A hanging left hand
Carlo Maratti, Italian
Black crayon on light gray paper · 1650
Cooper Hewitt, Smithsonian Design Museum

Study: A left hand in a leaning position
Giovanni Andrea Sirani, Italian
Black crayon on rough grey-blue paper · 1650
Cooper Hewitt, Smithsonian Design Museum

Studies: The Cloth of a Kneeling Woman. The Head of a Young Woman
Carlo Maratti, Italian
Black crayon with white heightening on rough blue paper · 1650
Cooper Hewitt, Smithsonian Design Museum

A Torso of the Dead Christ
Carlo Maratti, Italian
Red crayon, white heightening on blue paper · 1650
Cooper Hewitt, Smithsonian Design Museum

Miracle of the Loaves and Fishes
Marco Tintoretto
Pen and brown ink, with brown crayon, with touches of white chalk, on brown laid paper · 1648
Art Institute of Chicago

Miracle of the Loaves and Fishes
Domenico Tintoretto
Pen and brown ink, with brown crayon, with touches of white chalk, on brown laid paper · 1648
Art Institute of Chicago

Miracle of the Loaves and Fishes
Domenico Tintoretto
Pen and brown ink, with brown crayon, with touches of white chalk, on brown laid paper · 1648
Art Institute of Chicago

Miracle of the Loaves and Fishes
Tintoretto
Pen and brown ink, with brown crayon, with touches of white chalk, on brown laid paper · 1648
Art Institute of Chicago

South American Landscape
W. Stubbs
Black crayon on cream laid paper, tipped on cream wove card · 1630
Art Institute of Chicago

A Forest Interior, with a Seated Figure
Saftleven, Herman, the elder
Black chalk and brush and brown wash, with touches of black crayon and traces of opaque white watercolor, ruled in pen and black ink at edges, on ivory laid paper · 1629
Art Institute of Chicago

A Forest Interior, with a Seated Figure
Herman Saftleven
Black chalk and brush and brown wash, with touches of black crayon and traces of opaque white watercolor, ruled in pen and black ink at edges, on ivory laid paper · 1629
Art Institute of Chicago