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Artworks

50 records · Red chalk, heightened with white
Reclining Nude
Reclining Nude
Jean-Louis Forain
Black chalk, with traces of red chalk, heightened with white chalk, on blue laid paper · 1872
Art Institute of Chicago
Head of a Boy with a Turban
Head of a Boy with a Turban
Giovanni Domenico Tiepolo
Red chalk, heightened with white chalk, on blue laid paper · 1801
Art Institute of Chicago
Cléombrote and Léonidas
Cléombrote and Léonidas
François-Xavier Fabre
Pen and black and brown ink, with brush and brown wash and touches of blue gouache, over red chalk, heightened with white gouache, on blue laid paper, laid down on gray laid paper · 1795
Art Institute of Chicago
Landscape with Buildings by a Stream
Landscape with Buildings by a Stream
Thomas Gainsborough
Charcoal and red chalk, heightened with white chalk, on gray-brown laid paper, laid down on gray-brown laid paper · 1782
Art Institute of Chicago
The Notary: A Study for "The Marriage Contract"
The Notary: A Study for "The Marriage Contract"
Jean Baptiste Greuze
Black chalk with stumping, with red chalk, heightened with white chalk, on tan laid paper, laid down on card · 1761
Art Institute of Chicago
The Last Communion of St. Mary Magdalen, after Benedetto Luti
The Last Communion of St. Mary Magdalen, after Benedetto Luti
Louis Jean Jacques Durameau
Red chalk, heightened with white; framing lines in pen and brown ink · 1756
The Metropolitan Museum of Art
Venus
Venus
François Boucher
black chalk with touches of red chalk, heightened with white chalk on gray paper · 1754
National Gallery of Art
Study after Apollo Revealing his Divinity before the Shepherdess Isse
Study after Apollo Revealing his Divinity before the Shepherdess Isse
Studio
Black chalk, with stumping and red chalk, heightened with white chalk, on buff laid paper, laid down on cream laid card · 1750
Art Institute of Chicago
Study after Apollo Revealing his Divinity before the Shepherdess Isse
Study after Apollo Revealing his Divinity before the Shepherdess Isse
Studio of François Boucher
Black chalk, with stumping and red chalk, heightened with white chalk, on buff laid paper, laid down on cream laid card · 1750
Art Institute of Chicago
Study of a Triton
Study of a Triton
Studio of François Boucher
Black chalk, with stumping with traces of red chalk, heightened with white chalk and traces of graphite, on tan laid paper · 1748
Art Institute of Chicago
Study of a Triton
Study of a Triton
François Boucher, French
Black chalk, with stumping with traces of red chalk, heightened with white chalk and traces of graphite, on tan laid paper · 1748
Art Institute of Chicago
Study of a Triton
Study of a Triton
Pupil of François Boucher
Black chalk, with stumping with traces of red chalk, heightened with white chalk and traces of graphite, on tan laid paper · 1748
Art Institute of Chicago
Study of a Triton
Study of a Triton
François Boucher
Black chalk, with stumping with traces of red chalk, heightened with white chalk and traces of graphite, on tan laid paper · 1748
Art Institute of Chicago
Academic Study of a Reclining Male Nude
Academic Study of a Reclining Male Nude
Studio of François Boucher
Black chalk, with stumping and touches of red chalk, heightened with white chalk, on cream laid paper, laid down on cream laid paper · 1745
Art Institute of Chicago
Academic Study of a Reclining Male Nude
Academic Study of a Reclining Male Nude
François Boucher, French
Black chalk, with stumping and touches of red chalk, heightened with white chalk, on cream laid paper, laid down on cream laid paper · 1745
Art Institute of Chicago
Academic Study of a Reclining Male Nude
Academic Study of a Reclining Male Nude
Pupil of François Boucher
Black chalk, with stumping and touches of red chalk, heightened with white chalk, on cream laid paper, laid down on cream laid paper · 1745
Art Institute of Chicago
Academic Study of a Reclining Male Nude
Academic Study of a Reclining Male Nude
François Boucher
Black chalk, with stumping and touches of red chalk, heightened with white chalk, on cream laid paper, laid down on cream laid paper · 1745
Art Institute of Chicago
Study of a Woman
Study of a Woman
Nicolas Lancret
Black and red chalk, heightened with white chalk, on tannish-gray laid paper · 1733
Art Institute of Chicago
Fountain with Two Tritons Blowing Conch Shells
Fountain with Two Tritons Blowing Conch Shells
François Boucher, French
Black chalk with stumping, and red chalk, heightened with white chalk on beige laid paper · 1731
Cleveland Museum of Art
Fountain with Two Tritons Blowing Conch Shells
Fountain with Two Tritons Blowing Conch Shells
François Boucher
Black chalk with stumping, and red chalk, heightened with white chalk on beige laid paper · 1731
Cleveland Museum of Art
Kneeling Nude Youth with Raised Clasped Hands
Kneeling Nude Youth with Raised Clasped Hands
Etienne Jeaurat
Red chalk, heightened with white, on beige paper. · 1725
The Metropolitan Museum of Art
Head of a Young Girl
Head of a Young Girl
Jacques Dumont le Romain
Red chalk, heightened with white, on beige paper · 1710
The Metropolitan Museum of Art
Study of a Young Woman with a Watering Jug
Study of a Young Woman with a Watering Jug
Nicolas Lancret
Black chalk, with touches of red chalk, heightened with white chalk, on brownish-gray laid paper · 1710
Art Institute of Chicago
Allegory of the Elevation of Cardinal Deacon Oddone Colonna to the Papal Chair as Pope Martin V
Allegory of the Elevation of Cardinal Deacon Oddone Colonna to the Papal Chair as Pope Martin V
Benedetto Luti
Pen and brown ink and brush and brown wash, over black and red chalk, heightened with white opaque watercolor, on joined sheets of laid paper, mounted to paperboard · 1700
Art Institute of Chicago
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