Database / Artworks
Artworks
Allegory of the Elevation of Cardinal Deacon Oddone Colonna to the Papal Chair as Pope Martin V
Benedetto Luti
Pen and brown ink and brush and brown wash, over black and red chalk, heightened with white opaque watercolor, on joined sheets of laid paper, mounted to paperboard · 1700
Art Institute of Chicago
Allegory of the Elevation of Cardinal Deacon Oddone Colonna to the Papal Chair as Pope Martin V
Benedetto Luti
Pen and brown ink and brush and brown wash, over black and red chalk, heightened with white opaque watercolor, on joined sheets of laid paper, mounted to paperboard · 1700
Art Institute of Chicago
Apollo and the Muses
Bartholomaeus Spranger
Pen and brown ink, with brush and brown wash, over red chalk, heightened with white chalk, on blue laid paper, laid down on cream laid paper · 1695
Art Institute of Chicago
Study
Giuseppe Nogari
Red chalk, heightened with white gouache, over traces of graphite on tan laid paper, laid down on cream laid paper · 1689
Art Institute of Chicago
Study
Giuseppe Nogari
Red chalk, heightened with white gouache, over traces of graphite on tan laid paper, laid down on cream laid paper · 1689
Art Institute of Chicago
Male Nude Seen from Behind
Mytens, Daniel, II
Red chalk, heightened with white chalk, with traces of black chalk, on tan laid paper · 1672
Art Institute of Chicago
Male Nude Seen from Behind
Daniel Mytens, II
Red chalk, heightened with white chalk, with traces of black chalk, on tan laid paper · 1672
Art Institute of Chicago
Perseus and Minerva before a Temple
Jan Goeree
pen and brown ink, brush and brown and gray wash, over traces of red chalk, heightened with white gouache; framing lines in brown ink · 1670
Cleveland Museum of Art
Perseus and Minerva before a Temple
Jan Goeree
pen and brown ink, brush and brown and gray wash, over traces of red chalk, heightened with white gouache; framing lines in brown ink · 1670
Cleveland Museum of Art
Female Head
Pietro Dandini
Red chalk, heightened with white chalk, on brown laid paper, laid down on board · 1666
Art Institute of Chicago
Madonna Seated on Clouds and Sketch of Angel's Wing
Michel Corneille
Black and red chalk, heightened with white chalk, on tan laid paper, laid down on blue wove card · 1660
Art Institute of Chicago
Madonna Seated on Clouds and Sketch of Angel's Wing
Michel Ange Corneille
Black and red chalk, heightened with white chalk, on tan laid paper, laid down on blue wove card · 1660
Art Institute of Chicago
The Last Supper
Philips de Koninck
Pen and brown ink, brush and brown wash, over traces of red chalk, heightened with white gouache; framing lines in pen and brown ink. Laid down. · 1655
The Metropolitan Museum of Art
The Adoration of the Shepherds
Giuseppe Passeri
pen and brown ink with brown wash over red chalk, heightened with white on laid paper, squared for transfer · 1654
National Gallery of Art
Fantastic Landscape with a Man Sleeping on a Rock
Bartolomeo Biscaino
red chalk, heightened with white gouache on light tan laid paper · 1650
National Gallery of Art
Head of Child
Carlo Maratti
Red chalk, heightened with white chalk, on blue laid paper, laid down on ivory laid paper · 1645
Art Institute of Chicago
Head of Child
Carlo Maratti
Red chalk, heightened with white chalk, on blue laid paper, laid down on ivory laid paper · 1645
Art Institute of Chicago
The Vision of St. John of the Cross
Charles de La Fosse
Black chalk, over red chalk, heightened with white on gray paper · 1645
The Metropolitan Museum of Art
Study of a Young Girl Drinking from a Glass
Jacob Jordaens
Black and red chalk, heightened with white chalk, on light brown paper; framing lines in pen and brown ink · 1640
The Metropolitan Museum of Art
Death of Sapphira
François Verdier
Red chalk, heightened with white chalk, on brown laid paper, laid down on cream laid paper · 1639
Art Institute of Chicago
Neptune
Theodoor van Thulden
Black and red chalk, heightened with white chalk, on tan laid paper · 1626
Art Institute of Chicago
Neptune
Theodoor van Thulden
Black and red chalk, heightened with white chalk, on tan laid paper · 1626
Art Institute of Chicago
Head of the Virgin
Giacomo Cavedone
black crayon (rubbed in places) with red chalk, heightened with white crayon · 1609
Cleveland Museum of Art
Head of the Virgin
Giacomo Cavedone, Italian
black crayon (rubbed in places) with red chalk, heightened with white crayon · 1609
Cleveland Museum of Art