Database / Artworks
Artworks
Glorious Remembrance of September 16th
Manuel Manilla
Photo relief etching on green wove paper · 1850
Art Institute of Chicago
Heads of Saw-Bill Duck and Two Crocodiles
John Ruskin
Relief etching on paper · 1839
Art Institute of Chicago
On Homer's Poetry (and) On Virgil
William Blake
relief etching · 1822
National Gallery of Art
'The Man Sweeping the Interpreter's Parlour,' from Bunyan's Pilgrim's progress
William Blake
Relief etching and white line engraving on ivory wove paper · 1820
Art Institute of Chicago
The Chaining of Orc
William Blake
relief etching · 1812
National Gallery of Art
My Old Mother-in-Law is Always Ready to Scold without Any Reason
Manuel Manilla
Relief engraving or photo relief etching on violet wove paper · 1800
Art Institute of Chicago
La Calavera de D. Juan Tenorio (The Calavera of D. Juan Tenorio)
Manuel Manilla
Photo relief etching on pink wove paper · 1800
Art Institute of Chicago
![The Soul Hovering Over the Body [from Marriage of Heaven and Hell," plate 14]](https://api.nga.gov/iiif/503d8aad-69f1-4b47-b675-922ebabfd18a/full/!800,800/0/default.jpg)
The Soul Hovering Over the Body [from Marriage of Heaven and Hell," plate 14]
William Blake
relief etching, color-printed · 1796
National Gallery of Art
Plate 2 of ‘Urizen’: ‘Teach these Souls to Fly’
William Blake
Relief etching, ink and watercolour on paper · 1796
Tate
God Judging Adam
William Blake
Relief etching, ink and watercolour on paper · 1795
Tate
Frontispiece to ‘Visions of the Daughters of Albion’
William Blake
Relief etching, ink and watercolour on paper · 1795
Tate
Plate 4 of ‘Visions of the Daughters of Albion’
William Blake
Relief etching, ink and watercolour on paper · 1795
Tate
![Dream of Thiralatha [from "America," cancelled plate d]](https://api.nga.gov/iiif/37b1092b-c3a9-4511-a195-a62c81cda062/full/!800,800/0/default.jpg)
Dream of Thiralatha [from "America," cancelled plate d]
William Blake
relief etching, color-printed (with hand-coloring?) · 1794
National Gallery of Art
Joseph of Arimathea Preaching to the Britons
William Blake
relief etching, color-printed, with pen and watercolor · 1794
National Gallery of Art
Songs of Innocence and of Experience: Infant Sorrow
William Blake
Relief etching on paper · 1794
Tate
‘Songs of Innocence and of Experience’: ‘Spring’
William Blake
Relief etching on paper · 1794
Tate
‘Songs of Innocence and of Experience’: ‘Infant Sorrow’
William Blake
Relief etching on paper · 1794
Tate
‘Europe’: Fragment of Pages 3 and 4
William Blake
Relief etching and watercolour on paper · 1794
Tate
Restrike from fragment of cancelled plate for "A Prophecy"
William Blake
relief etching//plate inked with black from card · 1793
National Gallery of Art
Restrike from fragment of cancelled plate for "A Prophecy"
William Blake
relief etching//pulled on colored background, madeby rolling up the other side of the plate with inks and running it through the press · 1793
National Gallery of Art
Restrike from fragment of cancelled plate for "A Prophecy"
William Blake
relief etching//intaglio print · 1793
National Gallery of Art
Restrike from fragment of cancelled plate for "A Prophecy"
William Blake
relief etching//plate inked from a very stiff piece of card with ink rolled on to that in graduated color · 1793
National Gallery of Art
Restrike from fragment of cancelled plate for "A Prophecy"
William Blake
relief etching//plate inked by transferring ink from another plate thinly coated with ink · 1793
National Gallery of Art
Restrike from fragment of cancelled plate for "A Prophecy"
William Blake
relief etching//effect of inking with an ordinary gelatin roller · 1793
National Gallery of Art