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Artworks

71 records · Ribbon
Woman's Changfu (Informal Court Robe)
Woman's Changfu (Informal Court Robe)
Manchu
Silk, plain gauze weave; embroidered in back and stem stitches; sleeve facings: silk, plain gauze weave; embroidered in back, knot, overcast, stem, and straight stitches; laid work and couching; ribbon: silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton, plain weave with supplementary patterning warps and extended weft loop fringe; sleeves trimmed with silk, plain weave; metal buttons · 1875
Art Institute of Chicago
Woman's Qun (Semiformal Domestic Skirt)
Woman's Qun (Semiformal Domestic Skirt)
Chinese
Silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton in knot, single satin, satin, split, and stem stitches; laid work and couching; ribbons: silk, plain weave with supplementary patterning warps; trimmed with silk, warp-float faced 4:1 satin weave; waistband: cotton, plain weave; lined with silk, plain weave · 1870
Art Institute of Chicago
Cover
Cover
Frances Kingsley Reed, American
embroidery & stitching, cover — medium: silk technique: embroidered on patchwork of woven fabric and ribbons · 1870
Cooper Hewitt, Smithsonian Design Museum
Woman's Majia (Semiformal or Informal Domestic Vest)
Woman's Majia (Semiformal or Informal Domestic Vest)
Manchu
Silk, 7:1 satin damask weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in satin, single satin, and stem stitches; laid work and couching; ribbon: silk and silver-leaf-over-lacquered-paper-strip-wrapped cotton, plain weave with supplementary patterning warps; facings: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in satin and single satin stitches; laid work and couching; corner cut outs edged with silk, warp-float faced 7:1 satin weave under laid with silk, warp-float faced 3:1 twill weave self-patterned by areas of plain weave; trim and closures: silk, warp-float faced 7:1 satin weave; lined with silk, 3:1, 1:1, 3:1, 1:1... twill weave; metal buttons · 1870
Art Institute of Chicago
Woman's Ao (Short Robe)
Woman's Ao (Short Robe)
Han-Chinese
Silk, 7:1 satin damask weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, satin, and stem stitches; laid work and couching; sleeve bands: silk, warp-float faced 7:1 satin weave; embroidered with silk, gold-leaf-over-lacquered-paper-strip-wrapped wild silk, and gilt-metal-strip-wrapped silk in eyelet, feather, knot, satin, single satin, and stem stitches; laid work and couching; ribbons: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, complementary warp 7:1 satin weave with plain interlacings of secondary binding warps and self-patterning ground wefts; trim and closures: silk, warp-float faced 7:1 and 4:1 satin weaves; lined with silk, plain weave · 1870
Art Institute of Chicago
Woman's Qun (Semiformal Domestic Skirt)
Woman's Qun (Semiformal Domestic Skirt)
Han-Chinese
Silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton in knot, single satin, satin, split, and stem stitches; laid work and couching; ribbons: silk, plain weave with supplementary patterning warps; trimmed with silk, warp-float faced 4:1 satin weave; waistband: cotton, plain weave; lined with silk, plain weave · 1870
Art Institute of Chicago
Stonewall Jackson
Stonewall Jackson
Thomas Stevens
Woven silk ribbon · 1863
National Portrait Gallery
Woman's Surcoat
Woman's Surcoat
Han-Chinese
Body: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped wild silk in laid work and couching; neck, front, hem, sides and sleeves: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk wrapped cotton in knot, satin and stem stitches; laid work and couching; edged with silk, warp-float faced 7:1 satin weave; sleeve bands: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, satin and stem stitches; laid work and couching; three ribbons: silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton, plain weave self-patterned by main warp floats (narrowest has gold-leaf-over-lacquered-strip-wrapped silk); lined with silk, plain weave · 1860
Art Institute of Chicago
Pair of Moccasins
Pair of Moccasins
Potawatomi
Hide, silk ribbon, and glass beads · 1860
Art Institute of Chicago
Boy's Baijia Pao ("One Hundred Household" Robe)
Boy's Baijia Pao ("One Hundred Household" Robe)
Han-Chinese
Silk, warp-float faced 3:1 'Z' twill weaves self-patterned by areas of plain weave; pieced; medallions with under drawing in black pigment and trimmed with cords of gold-leaf-over-lacquered-paper-strip-wrapped silk couched with silk; neck facing: silk, warp-float faced 7:1 satin weave; embroidered in satin, single satin, and stem stitches; trimmed with braid of silk, 2:2 oblique interlacing and with ribbon of silk and cotton, warp-float faced 7:1 satin weave with supplementary patterning warps and self-patterned by main warp floats; ties: silk, warp-float faced 3:1 'Z' twill weave self-patterned by areas of plain weave; lined with silk, plain weave · 1850
Art Institute of Chicago
"Lone Star" Variation Quilt
"Lone Star" Variation Quilt
Ruth Hart
Silk, stripes of warp-float faced 7:1 satin weave, warp-float faced 7:1 warp chevron twill weave and plain weave; pieced; stars: silk, warp-float faced 7:1 and 4:1 satin and plain weaves; some self-patterned by complementary ground wefts or by warp and weft floats; some in stripe of both weaves with supplementary patterning warps; some with impressed patterning; some warp ikat dyed; some printed; and silk and cotton, plain weave self-patterned by weft floats; pieced; quilted with silk threads; edged with ribbon of silk, stripes of warp-float facd 4:1 satin weave and plain weave with extended weft loops; backing: cotton, plain weave; glazed; batting: cotton · 1835
Art Institute of Chicago
Woman's Waitao (Semiformal Domestic Surcoat)
Woman's Waitao (Semiformal Domestic Surcoat)
Han-Chinese
Silk, warp-float faced 7:1 satin weave; embroidered in knot, satin, and stem stitches; sleeve bands: silk, plain weave self-patterned by ground weft floats and areas of 1:1 gauze crossings; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, satin, and split stitches; laid work and couching; edged with silk, warp-float faced 7:1 satin weave with supplementary patterning wefts bound by secondary binding warps and self-patterned by ground weft floats; ribbon: silk and silver-leaf-over-lacquered-paper-strip-wrapped cotton, plain weave with supplementary patterning warps; trim, closures, and ties: silk, warp-float faced 4:1 satin weave; lined with silk, 3:1 twill damask weave; sleeve inner lining: cotton, plain weave · 1820
Art Institute of Chicago
Woman's Ao (Short Robe)
Woman's Ao (Short Robe)
Han-Chinese
Silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, single satin, and satin stitches; laid work and couching; sleeve bands: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton in herringbone, knot, single satin, satin, and stem stitches; laid work and couching; ribbons: silk and gold- and silver-leaf-over-lacquered-paper-strip-wrapped cotton, warp-float faced 7:1 satin weave self-patterned by main warp floats; trimmed with silk, warp-float faced 4:1 satin weave; lined with silk, plain weave · 1800
Art Institute of Chicago
Brisé fan with depiction of allegorical figure of Music
Brisé fan with depiction of allegorical figure of Music
Francesco Bartolozzi
Pierced, gilded, and painted ivory; painted paper; printed and painted silk ribbon; glass · 1775
The Metropolitan Museum of Art
Fragment of a Bowl
Fragment of a Bowl
Ancient Roman
Glass, ribbon technique · -25
Art Institute of Chicago
Bowl Fragment
Bowl Fragment
Ancient Roman
Glass, ribbon technique · -100
Art Institute of Chicago
Bowl Fragment
Bowl Fragment
Ancient Roman
Glass, ribbon technique · -100
Art Institute of Chicago
Bowl Fragment
Bowl Fragment
Ancient Roman
Glass, ribbon technique · -100
Art Institute of Chicago
Bowl Fragment
Bowl Fragment
Ancient Roman
Glass, ribbon technique · -100
Art Institute of Chicago
Bowl Fragment
Bowl Fragment
Ancient Roman
Glass, ribbon technique · -100
Art Institute of Chicago
Bowl Fragment
Bowl Fragment
Ancient Roman
Glass, ribbon technique · -100
Art Institute of Chicago
Brisé fan
Brisé fan
Sarah Cooper Hewitt, American
costume & accessories, brisé fan — pierced bone sticks, silk ribbon
Cooper Hewitt, Smithsonian Design Museum
Masks and props
Masks and props
Joan Jonas
Rubber, papier-mache, metal mesh, fabric, ribbon, fabric, plastic, wood, glass, stone, and other materials
Museum of Modern Art
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