Database / Artworks
Artworks
Box Sofa
Duncan Phyfe
Rosewood and gilded wood, with ormolu mounts, die-stamped brass inlay inset with rosewood, brass stringing, gilt-brass castors, and upholstery · 1820
Art Institute of Chicago
The man wots got the whip hand of 'em all
William Heath
hand coloring on paper · 1820
Rijksmuseum
The Leeches, Messieurs, the Leeches!
Edmé Jean Pigal
Lithograph in black with hand-coloring on cream wove paper · 1820
Art Institute of Chicago
Costumes civils et militaires de la monarchie française de 1200 à 1820
Hippolyte Lecomte
hand coloring on paper · 1820
Rijksmuseum
jonge vrouw in een ochtendjurk
Hippolyte Lecomte
hand coloring on paper · 1820
Rijksmuseum
Norfolk; From Gosport, Virginia, plate five of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Lynnhaven Bay, plate one of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Title Page , Vignette, and plate one of the first number of Picturesque Views of American Scenery
John Hill
Aquatint with stipple and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Burning of Savannah, plate four of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
View By Moonlight, Near Fayetteville, plate three of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
View above the Falls of Schuylkill, plate three of the first number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Lynnhaven Bay, plate one of the second number of Picturesque Views of American Scenery
John William Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Norfolk; From Gosport, Virginia, plate five of the second number of Picturesque Views of American Scenery
John William Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
View By Moonlight, Near Fayetteville, plate three of the second number of Picturesque Views of American Scenery
John William Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Title Page , Vignette, and plate one of the first number of Picturesque Views of American Scenery
John William Hill
Aquatint with stipple and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
View above the Falls of Schuylkill, plate three of the first number of Picturesque Views of American Scenery
John William Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Burning of Savannah, plate four of the second number of Picturesque Views of American Scenery
John William Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Lynnhaven Bay, plate one of the second number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Burning of Savannah, plate four of the second number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
View By Moonlight, Near Fayetteville, plate three of the second number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Norfolk; From Gosport, Virginia, plate five of the second number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Title Page , Vignette, and plate one of the first number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with stipple and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
View above the Falls of Schuylkill, plate three of the first number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Title Page , Vignette, and plate one of the first number of Picturesque Views of American Scenery
John William Hill
Aquatint with stipple and hand-coloring on cream wove paper · 1819
Art Institute of Chicago