Database / Artworks
Artworks
Plate Six, from The Dartmouth Portraits
Jim Dine
Drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper · 1975
Art Institute of Chicago
Plate Nine, from The Dartmouth Portraits
Jim Dine
Drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper · 1975
Art Institute of Chicago
Plate Seven, from The Dartmouth Portraits
Jim Dine
Drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper · 1975
Art Institute of Chicago
Plate Three, from The Dartmouth Portraits
Jim Dine
Drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper · 1975
Art Institute of Chicago
Plate Four, from The Dartmouth Portraits
Jim Dine
Drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper · 1975
Art Institute of Chicago
Plate Eight, from The Dartmouth Portraits
Jim Dine
Drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper · 1975
Art Institute of Chicago
Plate Two, from The Dartmouth Portraits
Jim Dine
Drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper · 1975
Art Institute of Chicago
Plate five, from The Dartmouth Portraits
Jim Dine
Drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper · 1975
Art Institute of Chicago
Corpse and Mirror II
Jasper Johns
Oil and sand on four joined canvases, with artist's painted frame · 1974
Art Institute of Chicago
Stück Natur (Piece of Nature)
Günter Zamp Kelp
Glass, moss, sand, plastic, paper and hemp · 1973
Museum of Modern Art
Collected Works (part two)
Patrick Hughes
Commercial gloss paint, sand, wood, gold and silver paint on hardboard · 1971
Tate
Plate One, from The Dartmouth Portraits
Jim Dine
Drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper · 1971
Art Institute of Chicago
Untitled
Eugenio Espinoza
Acrylic on canvas with sand · 1971
Museum of Modern Art
Untitled
Blinky Palermo
Crayon on sandpaper with gouache on printed paper · 1971
Museum of Modern Art
Untitled
Laddie John Dill
Sand, soil, gravel, plate glass, and argon tubing · 1969
Museum of Modern Art
Zinnias
Naomi Savage
Negative-positive sandwich · 1969
Museum of Modern Art
4 casb 2 ‘67
Barry Flanagan
Canvas and sand · 1967
Tate
Resistance
Ulla Wiggen
Acrylic and sand on board · 1967
Museum of Modern Art
Fluxsand Hide and Seek
Robert Watts
Plastic box with offset label, containing sand and objects in various media · 1967
Museum of Modern Art
ringn ‘66
Barry Flanagan
Sand · 1966
Tate
Tropicália, Penetrables PN 2 ‘Purity is a myth’ and PN 3 ‘Imagetical’
Hélio Oiticica
Wooden frames, cotton fabric, plastic sheets, carpet, nylon fabric, patchouli root, cinnamon sticks, sand, plants, metal · 1966
Tate
sand muslin 2
Barry Flanagan
Sand and muslin · 1966
Tate
Plastika Pupeny
Věra Janoušková
sandstone · 1965
Tomorrow's Saint, from Twelve Etchings
William Gropper
Etching, roulette and sandpaper work on ivory wove paper · 1965
Art Institute of Chicago