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Artworks

77 records · Satin damask
Panel
Panel
Henri Stéphany
Cotton and silk, satin weave self patterned by reversing of faces (satin damask) · 1925
Art Institute of Chicago
Fragment "Les Feuilles" (No. 3)
Fragment "Les Feuilles" (No. 3)
Edouard Bénédictus
Cotton and rayon, 7:1 satin damask weave with supplementary patterning wefts and self-patterned by areas of weft-float faced 1:3 'Z' twill weave · 1924
Art Institute of Chicago
Panel (Dress Frabric)
Panel (Dress Frabric)
Maurice Dufrêne
Silk and gilt-metal-strip-wrapped cotton, warp-float faced satin weave, self-patterned by reversing of faces (satin damask) · 1915
Art Institute of Chicago
Portière
Portière
George Washington Maher, American
Cotton and silk, plain weave with pile warps forming cut solid velvet; appliquéd with silk and cotton, satin damask weave; linen and gilt-strip-wrapped linen satin weave; cotton and silk plain weaves; embroidered with silk, cotton, linen, and gilt-metal-strip-wrapped linen threads · 1901
Art Institute of Chicago
Portière
Portière
George Washington Maher
Cotton and silk, plain weave with pile warps forming cut solid velvet; appliquéd with silk and cotton, satin damask weave; linen and gilt-strip-wrapped linen satin weave; cotton and silk plain weaves; embroidered with silk, cotton, linen, and gilt-metal-strip-wrapped linen threads · 1901
Art Institute of Chicago
Portière
Portière
George Washington Maher
Cotton and silk, plain weave with pile warps forming cut solid velvet; appliquéd with silk and cotton, satin damask weave; linen and gilt-strip-wrapped linen satin weave; cotton and silk plain weaves; embroidered with silk, cotton, linen, and gilt-metal-strip-wrapped linen threads · 1901
Art Institute of Chicago
Panel
Panel
Silver Studio
Silk, satin damask patterned by extended plain weave with areas of self-patterning wefts bound in twill interlacings · 1900
Art Institute of Chicago
Flora's Retinue: Pink
Flora's Retinue: Pink
Walter Crane, English
woven textiles, doily — medium: linen warp, silk weft technique: 4&1 satin damask · 1891
Cooper Hewitt, Smithsonian Design Museum
Flora's Retinue: Poppy
Flora's Retinue: Poppy
Walter Crane, English
woven textiles, doily — medium: linen warp, silk weft technique: 4&1 satin damask · 1891
Cooper Hewitt, Smithsonian Design Museum
Flora's Retinue: Lily
Flora's Retinue: Lily
Walter Crane, English
woven textiles, doily — medium: linen warp, silk weft technique: 4 & 1 satin damask · 1891
Cooper Hewitt, Smithsonian Design Museum
Flora's Retinue: Daisy
Flora's Retinue: Daisy
Walter Crane, English
woven textiles, doily — medium: linen warp, silk weft technique: 4 & 1 satin damask · 1891
Cooper Hewitt, Smithsonian Design Museum
Flora's Retinue: Rose
Flora's Retinue: Rose
Walter Crane, English
woven textiles, doily — medium: linen warp, silk weft technique: 4 & 1 satin damask · 1891
Cooper Hewitt, Smithsonian Design Museum
Napkin
Napkin
Walter Crane
Linen, 7:1 satin damask weave; inscription embroidered with cotton in satin stitches · 1890
Art Institute of Chicago
Woman's Semiformal Domestic Magua (Short Coat)
Woman's Semiformal Domestic Magua (Short Coat)
Manchu
Silk, warp-float faced 7:1 satin damask weave; facings: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 7:1 satin weave with plain interlacings of secondary binding warps and self-patterning ground wefts; ribbons: silk, plain weave with supplementary patterning warps, one with extended ground weft loop fringe, silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, plain weave with supplementary patterning warps, and silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 5:1 satin weave with plain interlacings of secondary binding warps and self-patterning ground wefts; sleeve facings: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in flat, knot, and Pekinese stitches; sleeve bands: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in satin and stem stitches; laid work and couching; trim and closures: silk, warp-float faced 7:1 satin weave; lined with silk, warp-float faced 3:1 'Z' twill weave self-patterned by areas of plain weave · 1880
Art Institute of Chicago
Woman's Ao (Short Robe)
Woman's Ao (Short Robe)
Han-Chinese
Silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, satin and stem stitches; laid work and couching; sleeve facing: silk, 7:1 satin damask weave; embroidered with silk and gilt-metal-strip-wrapped silk in knot, satin, single satin, split, and stem stitches (under drawing in black ink or graphite); edging and cloud collar: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-wrapped silk in satin and stem stitches; laid work and couching; collar: silk, 7:1 satin damask weave; ribbons: silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton, stripes of 7:1 satin weave and stripes of plain weave with supplementary patterning warps and of silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton, stripes of 7:1 satin weave, and stripes of plain weave with supplementary patterning warps; tapes: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, 1:1 oblique interlacing and silk, plain weave with self-patterning main warp floats; trim and closures: silk, warp-float faced 7:1 satin weave; lined with silk, plain weave · 1875
Art Institute of Chicago
Bridal Long Pao (Dragon Robe)
Bridal Long Pao (Dragon Robe)
Han-Chinese
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 7:1 satin weave with supplementary brocading wefts bound in weft-float faced 1:2 'Z' twill interlacings; painted details; closures, ties, and lining: silk, 4:1 satin damask weave; metal clasps and knotted button · 1875
Art Institute of Chicago
Woman's Long Pao (Formal Domestic Robe)
Woman's Long Pao (Formal Domestic Robe)
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; painted details; trimmed with braid of gilt-metal-strip-wrapped silk, 2:2 twill oblique interlacing; edging and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 7:1 satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts; body lined with silk, 4:1 satin damask weave; sleeves lined with silk, warp-float faced 7:1 satin weave · 1870
Art Institute of Chicago
Woman's Majia (Semiformal or Informal Domestic Vest)
Woman's Majia (Semiformal or Informal Domestic Vest)
Manchu
Silk, 7:1 satin damask weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in satin, single satin, and stem stitches; laid work and couching; ribbon: silk and silver-leaf-over-lacquered-paper-strip-wrapped cotton, plain weave with supplementary patterning warps; facings: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in satin and single satin stitches; laid work and couching; corner cut outs edged with silk, warp-float faced 7:1 satin weave under laid with silk, warp-float faced 3:1 twill weave self-patterned by areas of plain weave; trim and closures: silk, warp-float faced 7:1 satin weave; lined with silk, 3:1, 1:1, 3:1, 1:1... twill weave; metal buttons · 1870
Art Institute of Chicago
Woman's Ao (Short Robe)
Woman's Ao (Short Robe)
Han-Chinese
Silk, 7:1 satin damask weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, satin, and stem stitches; laid work and couching; sleeve bands: silk, warp-float faced 7:1 satin weave; embroidered with silk, gold-leaf-over-lacquered-paper-strip-wrapped wild silk, and gilt-metal-strip-wrapped silk in eyelet, feather, knot, satin, single satin, and stem stitches; laid work and couching; ribbons: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, complementary warp 7:1 satin weave with plain interlacings of secondary binding warps and self-patterning ground wefts; trim and closures: silk, warp-float faced 7:1 and 4:1 satin weaves; lined with silk, plain weave · 1870
Art Institute of Chicago
Cushion Cover
Cushion Cover
Manchu
Silk, warp-float faced 7:1 satin weave; appliquéd with silk, warp-float faced 4:1 satin weave over paper and over gold leaf on lacquered paper; two panels joined; edged with four-strand warp twining; lined with silk, 4:1 satin damask weave · 1800
Art Institute of Chicago
Emperor's Jifu (Semiformal Court Robe)
Emperor's Jifu (Semiformal Court Robe)
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; embroidered with silk in satin and stem stitches; painted details; sleeves: bands of silk, plain weave and of silk and gilt-metal-strip-wrapped silk, plain weave; edging and closures: silk, cotton, and gold-leaf-over-lacquered-paper-strip-wrapped cotton, satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts; lined with silk, satin damask weave; sleeves lined with cotton, plain weave; metal buttons · 1790
Art Institute of Chicago
Empress' Jifu (Semiformal Court Robe)
Empress' Jifu (Semiformal Court Robe)
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit and dovetailed tapestry weave with interlaced outlining wefts; painted details; trimmed with cords of gilt-metal-strip-wrapped silk couched with silk; sleeves: silk, warp-float faced 7:1 satin weave self-patterned by areas of plain weave; edging and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 5:1 satin weave with weft-float faced 1:2 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts; lined with silk, 4:1 satin damask weave; cuffs lined with silk, 4:1 satin weave; metal buttons · 1790
Art Institute of Chicago
Vestment (For a First-degree Taoist Priest)
Vestment (For a First-degree Taoist Priest)
Han-Chinese
Silk, warp-float faced 7:1 satin weave; embroidered with silk, cotton, gold-leaf-over-lacquered-paper-strip-wrapped cotton, gilt-metal-strip-wrapped cotton, and gold-leaf-over-lacquered paper in satin stitches; laid work and couching; edged with silk, warp-float faced 7:1 satin weave; lined with silk, 4:1 satin damask weave · 1775
Art Institute of Chicago
Panel
Panel
Anna Maria Garthwaite
Silk, satin damask weave · 1754
Art Institute of Chicago
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