Database / Artworks
Artworks

Panel
Mathevon et Bouvard
Silk, satin weave with twill interlacings of secondary binding warps and patterning and brocading wefts · 1860
Art Institute of Chicago

Panel
Mathevon et Bouvard
Silk and linen, warp-float faced 7:1 satin weave with 1:2 'S' or weft-float faced 1:2 twill interlacings of secondary binding warps and supplementary patterning and brocading wefts · 1860
Art Institute of Chicago

Panel
Mathevon et Bouvard
Silk and linen, warp-float faced 7:1 satin weave with twill interlacings of secondary binding warps and supplementary patterning and brocading wefts · 1860
Art Institute of Chicago

Woman's Surcoat
Han-Chinese
Body: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped wild silk in laid work and couching; neck, front, hem, sides and sleeves: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk wrapped cotton in knot, satin and stem stitches; laid work and couching; edged with silk, warp-float faced 7:1 satin weave; sleeve bands: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, satin and stem stitches; laid work and couching; three ribbons: silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton, plain weave self-patterned by main warp floats (narrowest has gold-leaf-over-lacquered-strip-wrapped silk); lined with silk, plain weave · 1860
Art Institute of Chicago

Panel
Mathevon et Bouvard
Silk, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet · 1860
Art Institute of Chicago

Panel (Furnishing Fabric)
Mathevon et Bouvard
Silk, satin weave with twill interlacings of secondary binding warps and patterning and brocading wefts · 1860
Art Institute of Chicago

Hanging
Maison Mathevon et Bouvard, French
woven textiles, hanging — medium: silk technique: lampas; 7&1 satin weave supplemented by a 1s2 twill weave (interlaced connection a 2s1 twill). there are two continuous wefts in each shed of the twill: yellow for the background, and red to create the effect of damask. all other colors are brocaded. · 1850
Cooper Hewitt, Smithsonian Design Museum

Buzi (Court Rank Badge)
Manchu
Silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, split, and straight stitches; laid work and couching; lined with silk, plain weave · 1850
Art Institute of Chicago

Vestment (For a First-degree Taoist Priest)
Han-Chinese
Silk and cotton, plain weaves and silk, plain weave self-patterned by ground weft floats; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton in chain, eyelet, and satin stitches; laid work and couching; collar and edge trim: silk, warp-float faced 4:1 and 6:1 satin weaves; lined with ramie, plain weave · 1850
Art Institute of Chicago

Boy's Baijia Pao ("One Hundred Household" Robe)
Han-Chinese
Silk, warp-float faced 3:1 'Z' twill weaves self-patterned by areas of plain weave; pieced; medallions with under drawing in black pigment and trimmed with cords of gold-leaf-over-lacquered-paper-strip-wrapped silk couched with silk; neck facing: silk, warp-float faced 7:1 satin weave; embroidered in satin, single satin, and stem stitches; trimmed with braid of silk, 2:2 oblique interlacing and with ribbon of silk and cotton, warp-float faced 7:1 satin weave with supplementary patterning warps and self-patterned by main warp floats; ties: silk, warp-float faced 3:1 'Z' twill weave self-patterned by areas of plain weave; lined with silk, plain weave · 1850
Art Institute of Chicago

Myddelton Biddulph Armorial Medallion
Augustus Welby Northmore Pugin
Linen, plain weave; appliquéd with medallion of silk, satin weave; appliquéd with padded linen, plain weave; embroidered with wool, silk, cotton and silk- wrapped cotton and silk and cotton tubular braided cord in satin, single satin, split, and stem stitches; laidwork and couching; glass eye and appliquéd with silk, plain weave with supplementary pile warps forming cut solid velvet; embroidered with silk and silk-wrapped cotton in paper padded satin stitches; couching · 1841
Art Institute of Chicago

Myddelton Biddulph Armorial Medallion
Augustus Welby Northmore Pugin
Linen, plain weave; appliquéd with medallion of silk, satin weave; appliquéd with padded linen, plain weave; embroidered with wool, silk, cotton and silk- wrapped cotton and silk and cotton tubular braided cord in satin, single satin, split, and stem stitches; laidwork and couching; glass eye and appliquéd with silk, plain weave with supplementary pile warps forming cut solid velvet; embroidered with silk and silk-wrapped cotton in paper padded satin stitches; couching · 1841
Art Institute of Chicago

Pair of Shoes
Gundry & Sons
Leather and silk, satin weave · 1840
Art Institute of Chicago

Empress' Jifu (Semiformal Court Robe)
Manchu
Silk, warp-float faced 2:1 'S' twill weave; embroidered with silk, gold-leaf-over-lacquered-paper-strip-wrapped silk, and gilt- and silvered-metal-strip-wrapped silk in knot, satin, and stem stitches; laid work and couching; sleeves: silk, weft-float faced 1:5 and warp-float faced 2:1 twill damask weave; edging and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 5:1 satin weave with weft-float faced 1:2 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts; lined with silk, plain weave; metal buttons · 1840
Art Institute of Chicago

Man's Jifu (Semiformal Court Robe)
Manchu
Silk and gold-leafed-paper-strip-wrapped silk, slit tapestry weave; embroidered in padded satin and stem stitches; painted; edged with silk and gold-leaf-paper-strip-wrapped silk in warp-float faced satin weave with weft-float faced twill interlacings of secondary binding warps and supplementary patterning wefts; metal buttons · 1840
Art Institute of Chicago

Fragment
Gertrude Rapp
Silk, satin weave with supplementary patterning warps and pile warps forming cut voided velvet · 1838
Art Institute of Chicago

"Lone Star" Variation Quilt
Ruth Hart
Silk, stripes of warp-float faced 7:1 satin weave, warp-float faced 7:1 warp chevron twill weave and plain weave; pieced; stars: silk, warp-float faced 7:1 and 4:1 satin and plain weaves; some self-patterned by complementary ground wefts or by warp and weft floats; some in stripe of both weaves with supplementary patterning warps; some with impressed patterning; some warp ikat dyed; some printed; and silk and cotton, plain weave self-patterned by weft floats; pieced; quilted with silk threads; edged with ribbon of silk, stripes of warp-float facd 4:1 satin weave and plain weave with extended weft loops; backing: cotton, plain weave; glazed; batting: cotton · 1835
Art Institute of Chicago

Fragment
Gertrude Rapp
Silk, warp-float faced satin weave with supplementary patterning warps and self-patterned by ground weft floats and areas of plain weve; woven on loom with Jacquard attachment · 1830
Art Institute of Chicago

The Harp that Once through Tara's Halls
Mary R. Glenn
Silk, satin weave; embroidered with silk and silk chenille yarns in satin, single satin, split, and stem stitches; couching; painted; lined and edged with linen, plain weave · 1827
Art Institute of Chicago

Buzi (Court Rank Badge)
Manchu
Silk, warp-float faced 7:1 satin weave; embroidered with silk and gilt-metal-strip-wrapped silk in knot, satin, and stem stitches; laid work and couching; lined with silk, plain weave · 1825
Art Institute of Chicago

Emperor's Jifu (Semiformal Court Robe)
Manchu
Silk, slit tapestry weave; painted details; upper sleeves: silk, satin weave self-patterned by areas of twill weave; lower sleeves: silk, twill weave; impressed ribs · 1825
Art Institute of Chicago

Buzi (Court Rank Badge)
Manchu
Silk, warp-float faced 7:1 satin weave; embroidered with silk and gilt-metal-strip-wrapped silk in knot, satin, and stem stitches; laid work and couching; lined with silk, plain weave · 1825
Art Institute of Chicago

Emperor's Jifu (Semiformal Court Robe)
Manchu
Silk, slit tapestry weave; painted details; upper sleeves: silk, satin weave self-patterned by areas of twill weave; lower sleeves: silk, twill weave; impressed ribs · 1825
Art Institute of Chicago

Woman's Waitao (Semiformal Domestic Surcoat)
Han-Chinese
Silk, warp-float faced 7:1 satin weave; embroidered in knot, satin, and stem stitches; sleeve bands: silk, plain weave self-patterned by ground weft floats and areas of 1:1 gauze crossings; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, satin, and split stitches; laid work and couching; edged with silk, warp-float faced 7:1 satin weave with supplementary patterning wefts bound by secondary binding warps and self-patterned by ground weft floats; ribbon: silk and silver-leaf-over-lacquered-paper-strip-wrapped cotton, plain weave with supplementary patterning warps; trim, closures, and ties: silk, warp-float faced 4:1 satin weave; lined with silk, 3:1 twill damask weave; sleeve inner lining: cotton, plain weave · 1820
Art Institute of Chicago