Database / Artworks
Artworks

"Florida Pictorial" Quilt
Federal Works Agency
Appliquéd and embroidered quilt; dyed and printed cotton plain and satin weave fabrics; cotton embroidery threads · 1939
Art Institute of Chicago

Anakreon (Dress or Furnishing Fabric)
Josef Frank
Cotton, satin weave; screen printed · 1937
Art Institute of Chicago

Ships Quilt
Marie Alsop
Cotton, plain weaves; pieced; appliquéd with cotton, plain and satin weaves; embroidered with cotton in back, single back, buttonhole, cross, eyelet, running, satin, single satin and stem stitches; French knots; quilted with cotton thread · 1937
Art Institute of Chicago

Drapery Panel
Jean Beaumont
Silk, satin weave with supplementary warps binding self-patterning wefts and supplementary patterning wefts in twill and plain interlacings · 1935
Art Institute of Chicago

Clouds (Proto-type) (Furnishing Fabric)
Ben Rose
Nylon, weft-float faced satin weave self-patterned by areas of satin weave and twill interlacings and by main warps and ground weft floats; woven on loom with Jacquard attachment · 1933
Art Institute of Chicago

West Wind
Duncan Grant
Rayon and cotton, satin weave; screen printed · 1931
Art Institute of Chicago

Bag
Germaine Mingot
Silk and rayon, warp-float faced satin weave with supplementary patterning wefts and self-patterned by areas of ground weft floats and by reversing of faces; beaded with glass beads, metal beads, semi-precious stones and pearls; metal paillettes · 1930
Art Institute of Chicago

Panel
F. Schumacher & Co
Silk, wild silk and gold gilt strip wound around silk and wild silk fiber core, warp-float faced satin weave with supplementary brocading wefts tied in twill interlacing and self-patterned by ground wefts tied by supplementary binding warps in plain weave backed by twill interlacing · 1928
Art Institute of Chicago

Panel
F. Schumacher & Co
Silk, wild silk, warp-float faced satin weave with supplementary brocading wefts tied in twill interlacing and self-patterned by ground wefts tied by supplementary binding warps in plain weave backed by twill interlacing · 1928
Art Institute of Chicago

Panel
Sofia Widen
Silk and gilt strip on silk core; warp-float faced turned satin weave (satin damask) · 1928
Art Institute of Chicago

Thun
Friedl Dicker
Cotton and rayon, warp-faced satin weave self-patterned by ground weft floats and areas of twill and satin weaves; woven on loom with Jacquard attachment · 1927
Art Institute of Chicago

Kansas (Dress or Furnishing Fabric)
Mathilde Flögl
Cotton and rayon, satin weave self-patterned by reversing of faces · 1927
Art Institute of Chicago

Kanton (Dress or Furnishing Fabric)
Julius Zimpel
Cotton and gilt-metal-strip-wrapped cotton, satin weave self-patterned by reversing of faces and by areas of diamond twill weave; woven on loom with Jacquard attachment · 1927
Art Institute of Chicago

Tanne (Pine Tree) (Dress or Furnishing Fabric)
Lotte Calm
Cotton and rayon, satin weave self-patterned by turning of faces and areas of twill and satin weaves; woven on loom with Jacquard attachment · 1926
Art Institute of Chicago

Sample
F. Schumacher & Co
Linen and cotton, two-color complementary wefts in plain, twill, and satin weaves · 1925
Art Institute of Chicago

Panel (pon. 10665)
André Mare
Silk and cotton, warp-float faced satin weave self-patterned by ground weft floats and bound in weft-float faced satin interlacings · 1925
Art Institute of Chicago

Lucrezia
Mariano Fortuny Y Madrazo
Cotton, satin weave; printed · 1925
Art Institute of Chicago

Panel
André Mare
Silk, satin weave self-patterned by areas of twill weave · 1925
Art Institute of Chicago

Panel
Henri Stéphany
Cotton and silk, satin weave self patterned by reversing of faces (satin damask) · 1925
Art Institute of Chicago

La Promenade
Bianchini Férier
Silk and cotton, areas of warp-float faced satin weave, plain weave, and twill weave; with weft floats on reverse face in plain weave areas · 1924
Art Institute of Chicago

Cinéraires (No. 4)
Edouard Bénédictus
Cotton and rayon, warp-float faced 7:1 satin weave of two-color complementary ground wefts self-patterned by areas of weft-float faced 1:7 satin interlacings, weft-float faced 1:3 'Z' twill interlacings and areas of paired warp and weft plain weave · 1924
Art Institute of Chicago

Les Feuilles (No. 3)
Edouard Bénédictus
Cotton and rayon, warp-float faced 7:1 satin weave of two-color complementary wefts self-patterned by areas of weft-float faced 1:7 and 1:15 satin interlacings and weft-float faced 1:3 'Z' twill interlacings · 1924
Art Institute of Chicago

Cinéraires (No. 4)
Edouard Bénédictus
Cotton and rayon, warp-float faced 7:1 satin weave of two-color complementary ground wefts self-patterned by areas of weft-float faced 1:7 satin interlacings, weft-float faced 1:3 'Z' twill interlacings and areas of paired warp and weft plain weave · 1924
Art Institute of Chicago

Cinéraires (No. 4)
Edouard Bénédictus
Cotton and rayon, warp-float faced 7:1 satin weave of two-color complementary ground wefts self-patterned by areas of weft-float faced 1:7 satin interlacings, weft-float faced 1:3 'Z' twill interlacings and areas of paired warp and weft plain weave · 1924
Art Institute of Chicago