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Artworks

Les Feuilles (No. 3)
Edouard Bénédictus
Cotton and rayon, warp-float faced 7:1 satin weave of two-color complementary wefts self-patterned by areas of weft-float faced 1:7 and 1:15 satin interlacings and weft-float faced 1:3 'Z' twill interlacings · 1924
Art Institute of Chicago

Cinéraires (No. 4)
Edouard Bénédictus
Cotton and rayon, warp-float faced 7:1 satin weave of two-color complementary ground wefts self-patterned by areas of weft-float faced 1:7 satin interlacings, weft-float faced 1:3 'Z' twill interlacings and areas of paired warp and weft plain weave · 1924
Art Institute of Chicago

Cinéraires (No. 4)
Edouard Bénédictus
Cotton and rayon, warp-float faced 7:1 satin weave of two-color complementary ground wefts self-patterned by areas of weft-float faced 1:7 satin interlacings, weft-float faced 1:3 'Z' twill interlacings and areas of paired warp and weft plain weave · 1924
Art Institute of Chicago

Three Fragments "Les Feuilles" (No. 3)
Edouard Bénédictus
Cotton and rayon, warp-float faced 7:1 satin weave of two-color complementary wefts self-patterned by areas of weft-float faced 1:7 and 1:15 satin interlacings and weft-float faced 1:3 'Z' twill interlacings · 1924
Art Institute of Chicago

Claudia (Furnishing Fabric)
Dagobert Peche
Cotton and jute, warp-float faced satin weave self-patterned by areas of twill weave; woven on loom with Jacquard attachment · 1923
Art Institute of Chicago

Claudia (Furnishing Fabric)
Dagobert Peche
Cotton and jute, warp-float faced satin weave self-patterned by areas of twill weave; woven on loom with Jacquard attachment · 1923
Art Institute of Chicago

Claudia (Furnishing Fabric)
Dagobert Peche
Cotton and jute, warp-float faced satin weave self-patterned by areas of twill weave; woven on loom with Jacquard attachment · 1923
Art Institute of Chicago

Claudia (Furnishing Fabric)
Dagobert Peche
Cotton and jute, warp-float faced satin weave self-patterned by areas of twill weave; woven on loom with Jacquard attachment · 1923
Art Institute of Chicago

Claudia (Furnishing Fabric)
Dagobert Peche
Cotton and jute, warp-float faced satin weave self-patterned by areas of twill weave; woven on loom with Jacquard attachment · 1923
Art Institute of Chicago

Claudia (Furnishing Fabric)
Dagobert Peche
Cotton and jute, warp-float faced satin weave self-patterned by areas of twill weave; woven on loom with Jacquard attachment · 1923
Art Institute of Chicago

Claudia (Furnishing Fabric)
Dagobert Peche
Cotton and jute, warp-float faced satin weave self-patterned by areas of twill weave; woven on loom with Jacquard attachment · 1923
Art Institute of Chicago

Les Cactus (No. 5)
Edouard Bénédictus
Cotton and rayon, warp-float faced 7:1 satin weave of two-color complementary wefts self-patterned by areas of weft-float faced 1:7 and 1:15 satin interlacings, weft-float faced 1:3 'Z' twill interlacings and areas of paired warp and weft plain weave; woven on loom with Jacquard attachment · 1923
Art Institute of Chicago

Les Ananas (No. 10)
Edouard Bénédictus
Cotton and rayon, satin weave of complementary wefts self-patterned by areas of satin interlacings and areas of plain weave · 1923
Art Institute of Chicago

Campanules (No. 8)
Edouard Bénédictus
Cotton and rayon, warp-float faced 7:1 satin weave of two-color complementary ground wefts self-patterned by areas of weft-float faced 1:7 and 1:15 twill interlacings and areas of paired warp and weft plain weave · 1923
Art Institute of Chicago

Fragment "Zenias" or "Zinias" (No. 15)
Edouard Bénédictus
Cotton and rayon, warp-float faced 7:1 satin weave of two-color complementary ground wefts self-patterned by weft-float faced 1:15 satin interlacings, weft-float faced 1:3 'Z' twill interlacings and areas of paired warp and weft plain weave · 1923
Art Institute of Chicago

Two Fragments "Les Cactus" (No. 5)
Edouard Bénédictus
Cotton and rayon, warp-float faced 7:1 satin weave of two-color complementary wefts self-patterned by areas of weft-float faced 1:7 and 1:15 satin interlacings, weft-float faced 1:3 'Z' twill interlacings and areas of paired warp and weft plain weave; woven on loom with Jacquard attachment · 1923
Art Institute of Chicago

Fragment "Bulgare" (No. 6)
Edouard Bénédictus
Cotton and rayon, warp-float faced 7:1 satin weave of two-color complementary ground wefts self-patterned by areas of weft-float faced 1:15 satin interlacings, weft-float faced 1:2 and 1:3 'Z' twill interlacings and areas of paired warp and weft plain weave · 1923
Art Institute of Chicago

Panel and Fragment "Les Liserons" or "Volubilis" (No. 13)
Edouard Bénédictus
Cotton and rayon, satin weave of complementary ground wefts self-patterned by areas of satin and twill interlacings · 1923
Art Institute of Chicago

Rhomben (Rhombus) (Dress or Furnishing Fabric)
Wiener Werkstätte
Cotton and rayon, double faced complementary warp satin weave self-patterned by areas of twill interlacing · 1922
Art Institute of Chicago

Kelty
W. J. Coombes
Silk and cotton, 7:1 warp-float faced satin weave with 1:2 'Z' twill interlacing of secondary binding warps and supplementary patterning wefts · 1922
Art Institute of Chicago

Panel
Coudurier-Fructus-Descher
Silk and gilt-metal-strip-wrapped cotton, warp and weft resist-dyed (warp and weft ikat) warp-float faced 4:1 satin weave with supplementary patterning wefts; woven on a loom with a Jacquard attachment · 1920
Art Institute of Chicago

Panel (Dress or Furnishing Fabric)
Atelier Martine
Silk, satin weave; screen printed · 1920
Art Institute of Chicago

Panel
Maison Henry Bertrand
Rayon and acetate, warp-float faced 7:1 satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts and self-patterned ground wefts · 1920
Art Institute of Chicago

Panel
Cheney Brothers
Silk and rayon, warp-float faced satin weave self-patterned by areas of twill and plain weaves · 1920
Art Institute of Chicago