Database / Artworks
Artworks

Panel
Mariano Fortuny Y Madrazo
Cotton, satin weave; printed · 1920
Art Institute of Chicago

Panel
Mariano Fortuny Y Madrazo
Cotton, satin weave; printed · 1920
Art Institute of Chicago

"Mother-in-Law" Quilt
Lulu Bennett
Appliquéd and embroidered quilt; dyed and printed cotton, silk, rayon and acetate plain, twill and satin weave fabrics; cotton embroidery threads · 1920
Art Institute of Chicago

Textile
Herman A. Elsberg, American
woven textiles, textile — medium: silk, metallic thread technique: compound satin weave with supplementary weft · 1919
Cooper Hewitt, Smithsonian Design Museum

Fountains and Palm Fronds
F. Schumacher & Co
Rayon and cotton, warp-float faced 7:1 satin weave with self-patterning ground wefts bound in satin and plain weave derived alternating float weave; woven on loom with Jacquard attachment · 1916
Art Institute of Chicago

Panel (Dress or Furnishing Fabric)
Atelier Martine
Silk, satin weave; block printed · 1915
Art Institute of Chicago

View through a Window from a Table with Fruit and Wine
Alberto Fabio Lorenzi
Silk and cotton, warp-float faced 7:1 satin weave self-patterned by areas of weft-float faced 1:3 'Z' twill interlacings and plain interlacings · 1915
Art Institute of Chicago

Panel (Dress Frabric)
Maurice Dufrêne
Silk and gilt-metal-strip-wrapped cotton,
warp-float faced satin weave, self-patterned by reversing of faces (satin damask) · 1915
Art Institute of Chicago

Les Altheas
Raoul Dufy
Silk, satin weave; screen printed · 1914
Art Institute of Chicago

Fragment Entitled "Fruits"
François Vernay
Silk, satin weave with plain interlacings of secondary binding warps and self-patterning ground wefts and brocading wefts · 1914
Art Institute of Chicago

Pair of Tango Shoes
Costa
Machine-made lace; backed with silk warp-float faced 7:1 satin weave; silk, warp-float faced 15:1 satin weave with supplementary pile warps foaming cut solid velvet ribbon wrap rhinestone and metal buckle's ribbon ties; silk warp-float faced 7:1 satin weave; silk loops and plain weave edge; leather · 1914
Art Institute of Chicago

"Top Sheets" Tobacco Premium Quilt
Theresa Zett Smith
Pieced and embroidered quilt; napped and printed cotton plain and twill weave fabrics and silk satin weave fabric; silk embroidery threads · 1913
Art Institute of Chicago

Fragment
Johann Backhausen und Söhne
Cotton and linen, warp-float faced satin weave self-patterned by areas of plain interlacing and main warp and ground weft floats · 1912
Art Institute of Chicago

Bedcover
Erna E. (Hucke) Postel
Cotton, variety of plain weaves; some self-patterned; some with supplementary patterning; some with areas of twill weave; some with areas of satin weave; some printed in a variety of techniques; pieced; quilted · 1912
Art Institute of Chicago

Summer Sports
Alberto Fabio Lorenzi
Silk and cotton; areas of warp-float faced turned satin weave, weft-faced twill weave and plain weave tying half of the ground wefts on face and half on reverse · 1910
Art Institute of Chicago

Partially Worked Panel Intended as a Pillow
Richardson Silk Company
Cotton, warp-float faced 3:1 satin weave; stenciled; embroidered with silk in satin stitches · 1910
Art Institute of Chicago

Panel
Warner and Sons Limited
Silk and cotton, warp-float faced satin weave with two-color supplementary pile warps forming cut and uncut voided velvet · 1910
Art Institute of Chicago

Hand Bag
H.E. Varren Company
Linen, plain weave; stenciled; embroidered with silk in buttonhole, satin, and stem stitches; button and buttonhole loop in silk, warp-float faced 4:1 satin weave · 1910
Art Institute of Chicago

Bedcover
Mertie Amalia Postel
Cotton, warp-float faced 4:1 satin weave; pieced; embroidered with cotton in detached chain and stem stitches; French knots; quilted with cotton · 1910
Art Institute of Chicago

La Cour de Chine
Raoul Dufy
Silk, satin weave with self-patterning ground wefts bound by main warps in twill interlacings · 1908
Art Institute of Chicago

Coat (Three-quarter Length with Attached Scarf)
Mariano Fortuny Y Madrazo
Silk, plain weave with supplementary warp forming cut pile; printed; lined with silk, warp-float faced satin weave · 1906
Art Institute of Chicago

The Bride
Ann Macbeth
Wild silk, plain weave; appliquéd with silk, satin weave; embroidered with silk- and gold-leaf-paper-strip wrapped silk in detached chain, satin and stem stitches; laid work, couching and French knots; and glass beads · 1905
Art Institute of Chicago

Portière
George Washington Maher, American
Cotton and silk, plain weave with pile warps forming cut solid velvet; appliquéd with silk and cotton, satin damask weave; linen and gilt-strip-wrapped linen satin weave; cotton and silk plain weaves; embroidered with silk, cotton, linen, and gilt-metal-strip-wrapped linen threads · 1901
Art Institute of Chicago

Portière
George Washington Maher
Cotton and silk, plain weave with pile warps forming cut solid velvet; appliquéd with silk and cotton, satin damask weave; linen and gilt-strip-wrapped linen satin weave; cotton and silk plain weaves; embroidered with silk, cotton, linen, and gilt-metal-strip-wrapped linen threads · 1901
Art Institute of Chicago