Database / Artworks

Artworks

0 records · Silk and cotton
Spider's Web Crossing
Spider's Web Crossing
Keiko Kobayashi
silk and cotton embroidery threads · 1990
Art Institute of Chicago
Linear
Linear
Joseph R. Bobrowicz
Silk and cotton, plain weave; screen printed · 1950
Art Institute of Chicago
Sample (Drapery Fabric)
Sample (Drapery Fabric)
Dorothy Liebes
Rayon, wool, cotton and rayon, cotton and metal foil, silk and cotton, cotton and cellulose acetate, polyvinyl chloride, and metal foil laminated in cellulose acetate film, combined twill weaves with bands of plain weave · 1947
Art Institute of Chicago
Black-White-Red
Black-White-Red
Anni Albers
Silk and cotton, plain weave double cloth of paired warps and wefts · 1926
Art Institute of Chicago
Panel (pon. 10665)
Panel (pon. 10665)
André Mare
Silk and cotton, warp-float faced satin weave self-patterned by ground weft floats and bound in weft-float faced satin interlacings · 1925
Art Institute of Chicago
Madeira (Furnishing Fabric)
Madeira (Furnishing Fabric)
Edward Wormley
Silk and cotton, plain weave · 1925
Art Institute of Chicago
Woman's Beaded Breast-Cover (ne kouk)
Woman's Beaded Breast-Cover (ne kouk)
Khumi Chin
Cotton, plain weave with patterning wefts; ends embroidered with cotton in double running stitches; all edges finished with cotton, glass-bead and seed-pod fringe terminating in outer silk or silk and cotton-knotted fringe · 1925
Art Institute of Chicago
La Promenade
La Promenade
Bianchini Férier
Silk and cotton, areas of warp-float faced satin weave, plain weave, and twill weave; with weft floats on reverse face in plain weave areas · 1924
Art Institute of Chicago
Kelty
Kelty
W. J. Coombes
Silk and cotton, 7:1 warp-float faced satin weave with 1:2 'Z' twill interlacing of secondary binding warps and supplementary patterning wefts · 1922
Art Institute of Chicago
View through a Window from a Table with Fruit and Wine
View through a Window from a Table with Fruit and Wine
Alberto Fabio Lorenzi
Silk and cotton, warp-float faced 7:1 satin weave self-patterned by areas of weft-float faced 1:3 'Z' twill interlacings and plain interlacings · 1915
Art Institute of Chicago
Santa Sofia
Santa Sofia
Josef Hoffmann
Silk and cotton, plain weave; block printed · 1910
Art Institute of Chicago
Summer Sports
Summer Sports
Alberto Fabio Lorenzi
Silk and cotton; areas of warp-float faced turned satin weave, weft-faced twill weave and plain weave tying half of the ground wefts on face and half on reverse · 1910
Art Institute of Chicago
Panel
Panel
Warner and Sons Limited
Silk and cotton, warp-float faced satin weave with two-color supplementary pile warps forming cut and uncut voided velvet · 1910
Art Institute of Chicago
Panel (Upholstery Fabric)
Panel (Upholstery Fabric)
Josef Hoffmann
Silk and cotton, plain weave with supplementary patterning wefts and self-patterned by complementary ground wefts bound in twill interlacings; woven on loom with Jacquard attachment · 1909
Art Institute of Chicago
Two Fragments
Two Fragments
Wiener Werkstätte
Silk and cotton, plain weave self-patterned by two-color complementary ground wefts · 1903
Art Institute of Chicago
Portière
Portière
George Washington Maher, American
Cotton and silk, plain weave with pile warps forming cut solid velvet; appliquéd with silk and cotton, satin damask weave; linen and gilt-strip-wrapped linen satin weave; cotton and silk plain weaves; embroidered with silk, cotton, linen, and gilt-metal-strip-wrapped linen threads · 1901
Art Institute of Chicago
Portière
Portière
George Washington Maher
Cotton and silk, plain weave with pile warps forming cut solid velvet; appliquéd with silk and cotton, satin damask weave; linen and gilt-strip-wrapped linen satin weave; cotton and silk plain weaves; embroidered with silk, cotton, linen, and gilt-metal-strip-wrapped linen threads · 1901
Art Institute of Chicago
Portière
Portière
George Washington Maher
Cotton and silk, plain weave with pile warps forming cut solid velvet; appliquéd with silk and cotton, satin damask weave; linen and gilt-strip-wrapped linen satin weave; cotton and silk plain weaves; embroidered with silk, cotton, linen, and gilt-metal-strip-wrapped linen threads · 1901
Art Institute of Chicago
Skirt (Corte)
Skirt (Corte)
Maya
Cotton, plain weave; joined with silk and cotton in cretan stitches · 1901
Art Institute of Chicago
Woman's Ceremonial Skirt (tapis)
Woman's Ceremonial Skirt (tapis)
Abung
Two panels joined; silk and cotton, plain weave; embroidered with cotton and gilt-metal-strip wrapped cotton; laidwork and couching · 1901
Art Institute of Chicago
Panel (Dress or Furnishing Fabric)
Panel (Dress or Furnishing Fabric)
Joseph Maria Olbrich
Silk and cotton, warp-faced weft-ribbed plain weave; watered (moiré); appliquée with silk and cotton, warp-faced weft-ribbed plain weave and warp-float faced satin weave; embroidered with silk and cotton, in chain and overcast stitches · 1901
Art Institute of Chicago
Pair of Shoes
Pair of Shoes
Ida Ou Nadif
Leather; shoe stitched with cotton and silk; trimmed with wool, plain weave; embroidered with silk, cotton and gilt-metal-strip-wrapped silk in satin and stem stitches; couching; silk and cotton wrapped cut tassels · 1900
Art Institute of Chicago
Headscarf
Headscarf
Ida Ou Nadif
Wool and linen, plain weave; embroidered with wool, silk, cotton, and linen in chequered chain, double running, herringbone, threaded herringbone, pattern darning, satin, and stem stitches; silk-, cotton- and linen- wrapped cut tassels; top edge: linen and wool, weft twining; warp fringe wrapped with wool and embroidered with silk in compound cross stitches: lower edge: silk, centered weft twining; edged with cotton wrapped cord; silk and cotton wrapped cut tassels · 1900
Art Institute of Chicago
Panel
Panel
Hubert Von Herkomer
Silk and cotton, plain weave with supplementary pile warps forming cut voided velvet · 1890
Art Institute of Chicago