Database / Artworks
Artworks
May Day, Moscow
Diego Rivera
Watercolor and pencil on graph paper from a disbound sketchbook · 1928
Museum of Modern Art
May Day, Moscow
Diego Rivera
Watercolor and pencil on graph paper from a disbound sketchbook · 1928
Museum of Modern Art
May Day, Moscow
Diego Rivera
Watercolor and pencil on graph paper from a disbound sketchbook · 1928
Museum of Modern Art
May Day, Moscow
Diego Rivera
Watercolor and crayon on graph paper from a disbound sketchbook · 1928
Museum of Modern Art
May Day, Moscow
Diego Rivera
Watercolor and crayon on graph paper from a disbound sketchbook · 1928
Museum of Modern Art
May Day, Moscow
Diego Rivera
Watercolor and pencil on graph paper from a disbound sketchbook · 1928
Museum of Modern Art
House Near Guildford, England, Travel Sketch
C. Herrick Hammond
Watercolor and ink over graphite on sketchbook paper · 1905
Art Institute of Chicago
Sketch of Maori Woman and Child
Paul Gauguin
Pen and brown ink (originally purple), with touches of graphite on cream wove irregularly shaped paper, discolored to tan (removed from a sketchbook) · 1891
Art Institute of Chicago
![Sketches of Figures, Hands, and Feet (related to the painting Aha oe feii? [What! Are You Jealous?])](/api/images/artworks/aic/159078.jpg)
Sketches of Figures, Hands, and Feet (related to the painting Aha oe feii? [What! Are You Jealous?])
Paul Gauguin
Black fabricated chalk with pen and brown ink (originally purple) on cream wove paper (removed from a sketchbook) · 1891
Art Institute of Chicago
Sketch of Man with a Hat and Fragment of Woman’s Shoulder
Paul Gauguin
Graphite on cream wove irregularly shaped paper, discolored to tan (removed from a sketchbook) · 1891
Art Institute of Chicago
![Seated Tahitian Women (related to the painting Nafea faa ipoipo [When Will You Marry?]) and Other Sketches](/api/images/artworks/aic/159115.jpg)
Seated Tahitian Women (related to the painting Nafea faa ipoipo [When Will You Marry?]) and Other Sketches
Paul Gauguin
Black fabricated chalk and pen and brown ink (originally purple), with traces of graphite on cream wove paper (removed from a sketchbook) · 1891
Art Institute of Chicago
Sketches of Crouching and Standing Figures, a Pig, and a Hut at Water’s Edge
Paul Gauguin
Graphite and watercolor on cream wove paper, discolored to tan (removed from a sketchbook) · 1891
Art Institute of Chicago
Sketches of Children, a Woman, and Profiles (recto), Sketches of Horses and Child (verso)
Paul Gauguin
Graphite and blue gouache, with pen and pale yellow ink (originally purple) and watercolor (recto); graphite, over pen and pale yellow ink (originally purple) and watercolor (verso); on cream wove paper, discolored to tan (removed from a sketchbook) · 1891
Art Institute of Chicago
Sketches of Various Animals and Head (recto), Sketches of a Head, Figure in Profile, Anatomical Details, and Animals (verso)
Paul Gauguin
Graphite (recto); graphite, with pen and pale-yellow ink (originally purple) (verso); on cream wove paper, discolored to tan (removed from a sketchbook) · 1891
Art Institute of Chicago
Seated Tahitian Woman (recto); Standing Tahitian Woman (verso)
Paul Gauguin
Pen and brown ink (originally purple, est.), with graphite, on cream wove paper (recto); pen and brown ink (originally purple, est.), with traces of graphite, on cream wove paper; removed from a sketchbook and trimmed · 1891
Art Institute of Chicago
Sketches of Standing Figures and Animals
Paul Gauguin
Graphite and watercolor on cream wove paper, discolored to tan (removed from a sketchbook) · 1891
Art Institute of Chicago
Head of a Tahitian Woman (recto), Sketches of Anatomical Details (verso)
Paul Gauguin
Pen and brown ink (originally purple) (recto); graphite (verso); on cream wove paper, discolored to tan (removed from a sketchbook) · 1891
Art Institute of Chicago
Sketches of Figures, Pandanus Leaf, and Vanilla Plant
Paul Gauguin
black fabricated chalk and watercolor on cream wove paper (removed from a sketchbook) · 1891
Art Institute of Chicago
![Sketches of Seated Figures and Chickens (recto), Nude Female Torso (related to the painting Te a no areois [The Seed of the Areoi]) (verso), from the Carnet de Tahiti (Tahitian sketchbook)](/api/images/artworks/aic/113796.jpg)
Sketches of Seated Figures and Chickens (recto), Nude Female Torso (related to the painting Te a no areois [The Seed of the Areoi]) (verso), from the Carnet de Tahiti (Tahitian sketchbook)
Paul Gauguin
Graphite (recto); graphite with traces of green watercolor offset (verso); on cream wove paper (removed from a sketchbook) · 1891
Art Institute of Chicago
Sketches of Tahitian Residence with Color Notations and Dogs
Paul Gauguin
Black fabricated chalk, with black fabricated chalk offset, on cream wove paper (removed from a sketchbook) · 1891
Art Institute of Chicago
Tahitian Eve (related to the painting Parau ne te varua ino) (recto); Fragment of Inscription (related to Cahier pour Aline) (verso)
Paul Gauguin
Pen and brownish-black ink (originally dark purple), over pen and brown ink (originally purple) (recto) and graphite (verso) on cream wove paper (discolored to tan) (removed from a sketchbook) · 1891
Art Institute of Chicago
Seated Tahitian Woman (recto), Sketches of Roosters and Chickens (verso)
Paul Gauguin
Black fabricated chalk, selectively blended, with touches of brush and gray gouache, over traces of black fabricated chalk offset (recto); graphite (verso); on ivory wove paper (removed from a sketchbook) · 1891
Art Institute of Chicago
Study of Wind in Trees
William Trost Richards, American
landscapes, sketchbook folio — pen and black ink on off-white wove paper · 1890
Cooper Hewitt, Smithsonian Design Museum
Ocean View with Light Breaking through Dark Sky
William Trost Richards, American
seascapes, sketchbook folio — pen and black ink on off-white wove paper · 1890
Cooper Hewitt, Smithsonian Design Museum