Database / Artworks
Artworks
Sketches of Figures and Foliage (recto); Profile of Charles Laval with Palm Tree and Other Sketches (verso)
Paul Gauguin
Black fabricated chalk with watercolor, on mottled blue wove paper with blue fibers, altered to light gray (recto); black fabricated chalk, with pen and brown ink, on mottled blue wove paper with blue fibers, altered to bluish-gray (verso) (removed from a sketchbook) · 1887
Art Institute of Chicago
Unfinished Landscape Sketch (Recto); Quick Sketch of Trees in Wind (Verso)
William Trost Richards, American
landscapes, sketchbook folio — graphite on cream wove paper · 1885
Cooper Hewitt, Smithsonian Design Museum
Seated Figure and a Cow; Three Studies of a Child's Head
Paul Gauguin
graphite, pen and brown ink on end papers of sketchbook cover · 1884
National Gallery of Art
Sketchbook
Gustave Caillebotte
Sketchbook containing 40 drawings: 30 in graphite, 7 in watercolor over graphite, and 3 in graphite and brush and gray wash, on 40 sheets of cream wove paper bound in brown cloth · 1883
Art Institute of Chicago
Sketchbook, 1880
Henri de Toulouse-Lautrec
Sketchbook of drawings containing 47 leaves including both end sheets by the artist. The media are pencil, black grease crayon and occasionally pen and ink and watercolor. Drawings on both sides of each leaf except 7 · 1880
Art Institute of Chicago
Sketchbook: Souvenir of Naples
Unknown Artist
Sketchbook with faded calfskin binding, pink endpapers and 56 views of Naples arranged two a page on 28 facing pages: pages 1-24 in watercolor over graphite, pages 25-28 in gouache. · 1821
The Metropolitan Museum of Art
Madonna Enthroned
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Romulus and Remus Suckled the Wolf; Romulus Dedicates to Jove Feretrius the Spoils of Conquered King Acronius, Two Studies after Carracci
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
The Madonna and Child in Glory, Study after Dosso Dossi
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Apollo with Lyre, Fame, Abundance, Beauty and Two Putti on Clouds, Study after Marcantonio Franceschini
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brown wash, over black chalk white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Remus Kills King Amulius; Remus Led in Chains before King Amulius; Two Studies After Carracci
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
The Madonna and Child Enthroned with Saints; Study after Panetti or Costa
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Lamentation over the Body
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Lunette with Saints Peter and Paul, Matthew and the Prophet Isaiah, Study after Sebastiano del Piombo
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over black chalk on heavy white wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Blinded Soldier, Detail from the Conversion of St. Paul, Study after Agostino Carracci
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Four Herms, Studies after the Carracci
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Remus Drives Away and Kills the Robbers of the Herds; Santuary for the Fugitives on the Campidoglio, Two Studies after Carracci
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
The Nativity, Study after Carlo Cignani
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
The Rape of the Sabines
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
The Betrayal of Christ
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Studies after Four Statues on the Tomb of Julius II, after Michelangelo: Moses; Madonna and Child; Leah, Virtue; Rachel, Religion
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
Saint Sebastian, Detail of Polyptich with the Virgin Enthroned, Study after Dosso Dossi
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
The Battle Between the Romans and the Sabines; Apparition of Romulus to Proculus, Two Studies after the Carracci; Candelabrum
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum
The Pride of Romulus: The Mocking of the Old Captain of the Veii; Two Studies after Carracci
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over black chalk on white heavy wove paper · 1821
Cooper Hewitt, Smithsonian Design Museum