Database / Artworks
Artworks
The Annunciation, Study after Orazio Samacchini, Forli
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and light brown wash over black chalk on white laid paper · 1810
Cooper Hewitt, Smithsonian Design Museum
Motifs from the Tempio Malatestiano, Rimini
Felice Giani, Italian
architecture, sketchbook folio — pen and brown ink, brush and brown wash over traces of black chalk on white laid paper · 1810
Cooper Hewitt, Smithsonian Design Museum
Three Studies of a Head with Diadem and Braided Hair, after Raphael
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash over traces of black chalk on white laid paper · 1810
Cooper Hewitt, Smithsonian Design Museum
Fortitude and Winged Genius
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white wove paper · 1810
Cooper Hewitt, Smithsonian Design Museum
Diana and Callisto
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over black chalk on white laid paper · 1810
Cooper Hewitt, Smithsonian Design Museum
Two Standing Angels Holding Wreath
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brown wash, over black chalk on white laid paper · 1810
Cooper Hewitt, Smithsonian Design Museum
Sketchbook Page: Ceiling and Architectural Details, Tempio Malatestiano, Rimini
Felice Giani, Italian
architecture, sketchbook folio — pen and brown ink, brush and light brown wash over traces of black chalk on white laid paper · 1810
Cooper Hewitt, Smithsonian Design Museum
Four Figures with a Goat, on Clouds, Study after Rubens
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white laid paper · 1810
Cooper Hewitt, Smithsonian Design Museum
The Annunciation, Study after Innocenza da Imola
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and light brown wash over black chalk on white laid paper · 1810
Cooper Hewitt, Smithsonian Design Museum
Holy Trinity with the Dead Christ in Glory after Palma Giovane; Adoration of the Magi, Study after Lodovico Carracci
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and dark brown wash over traces of black chalk on white laid paper · 1810
Cooper Hewitt, Smithsonian Design Museum
Venus and Cupid
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk white wove paper · 1810
Cooper Hewitt, Smithsonian Design Museum
Temperance and Two Winged Angles
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash, over traces of black chalk on white wove paper · 1810
Cooper Hewitt, Smithsonian Design Museum
Ecstasy of St. Theresa after Circle of Francesco Albani
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash over traces of black chalk on white laid paper · 1810
Cooper Hewitt, Smithsonian Design Museum
Pope Gregorio VII and Four Angels, Study after Raphael "Persons of the Papacy"; Antique Bench
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash over traces of black chalk on white laid paper · 1810
Cooper Hewitt, Smithsonian Design Museum
St. Anthony and the Hermits, Study after Lodovico Carracci
Felice Giani, Italian
figures, sketchbook folio — pen and brown ink, brush and brown wash over traces of black chalk on white laid paper · 1809
Cooper Hewitt, Smithsonian Design Museum
Sketchbook
Cherubino Alberti
Sketchbook · 1550
Art Institute of Chicago