Database / Artworks
Artworks
Prayer for Truth I. Icon Matheu, Chef Anthony, James Brown and Tonnex, from the series "The Royal House of Allure"
Sabelo Mlangeni
Gelatin silver print · 2019
Art Institute of Chicago
Warrior Rider
Robert Nava
Crayon, grease pencil, brush and tempera, and graphite pencil, with smudging, on off-white wove paper · 2019
Art Institute of Chicago
Pulling off James Brown’s skinny flowery pants (Icon Matheu, makeup artist Akanbi Ade), from the series "The Royal House of Allure"
Sabelo Mlangeni
Gelatin silver print · 2019
Art Institute of Chicago
Rehearsals, from the series "The Royal House of Allure"
Sabelo Mlangeni
Gelatin silver print · 2019
Art Institute of Chicago
Accretion
Marshall Brown
Collage on archival paper · 2019
Art Institute of Chicago
Pierre Huyghe
Irma Boom
Book · 2019
Art Institute of Chicago
French Fashion, Women, and the First World War
Irma Boom
Book · 2019
Art Institute of Chicago
![Landscapes of [Re]Construction](/api/images/artworks/aic/260219.jpg)
Landscapes of [Re]Construction
Emmanuel Pratt
Mixed media collage, paper, reclaimed nails, and thread over reclaimed wood · 2019
Art Institute of Chicago
Studio Creole, A Brief History of World Literature
Irma Boom
Book · 2019
Art Institute of Chicago
Untitled
Elisabeth Wild
Collage of cut, photomechanically printed papers, with traces of black porous-tip pen · 2019
Art Institute of Chicago
Untitled, from the series "Jaguar Informative"
Yná Kabe Rodríguez
Ink on paper · 2019
Art Institute of Chicago
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers · 2019
Art Institute of Chicago
Leslie Hewitt Reading 2.1511: That Is How a Picture Is Attached to Reality: It Reaches Right Out to It
Arthur Ou
Gelatin silver print · 2019
Art Institute of Chicago
Uche, All Dressed Up, from the series "The Royal House of Allure"
Sabelo Mlangeni
Inkjet print · 2019
Art Institute of Chicago
Paul Mpagi Sepuya Reading 4.0311: One Name Stands for One Thing, Another for Another Thing, and They Are Combined With One Another. In This Way the Whole Group—Like A Tableau Vivant—Presents a State of Affairs.
Arthur Ou
Gelatin silver print · 2019
Art Institute of Chicago
Toolkit for La Rentrada
Maria Elena Pombo
Avocado seeds, avocado seed brick, avocado seed taparita, avocado seed plastic, avocado
seed leather, avocado seed glass, avocado seed powder, avocado seed oil, avocado seed
water, glycerin, sodium alginate, sargassum algae, tropical pine resin brick, tropical pine resin, and glass containers · 2019
Art Institute of Chicago
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers · 2019
Art Institute of Chicago
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers · 2019
Art Institute of Chicago
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers, with traces of red porous-point pen · 2019
Art Institute of Chicago
Plan for an American House
Marshall Brown
Graphite pencil and colored pencils on vellum drafting film · 2019
Art Institute of Chicago
Prayers Answered
Delores Juanico
Earthenware, slip made from minerals and wild spinach (Cleome serrulata) · 2019
Art Institute of Chicago
Lucas Blalock Reading 3.221: Objects Can Only Be Named. Signs Are Their Representatives. I Can Only Speak About Them: I Cannot Put Them Into Words. Propositions Can Only Say How Things Are, Not What They Are.
Arthur Ou
Gelatin silver print · 2019
Art Institute of Chicago
Untitled (Nina challenge #1)
Amanda Williams
Collage of torn, printed, and metallic foil papers on white wove paper · 2019
Art Institute of Chicago
Room 28, North, Madlener House
Nelly Agassi
Gold gilt bullion wire, cloths of gold and silver with metallicized cotton, wool felt, and cotton thread on linen blend · 2019
Art Institute of Chicago