Database / Artworks
Artworks
Black-eyed Fight Dog
Tony Fitzpatrick
Etching, soft ground etching, and spit bite aquatint in black on cream Japanese paper, laid down on white wove paper (chine collé) · 1991
Art Institute of Chicago
Trilogy No. II
Eldzier Cortor
Etching, soft ground etching, and aquatint in red on cream wove paper · 1989
Art Institute of Chicago
Conversion to Her
Francesco Clemente
Aquatint and soft ground etching on white wove paper · 1986
Art Institute of Chicago
Los siete pecados capitales (The Seven Deadly Sins)
Leonel Góngora
Illustrated book with 21 lithographs (5 with screenprint), 3 aquatints (with etching, soft ground etching, and/or lift ground aquatint), 1 etching and soft ground etching, and 1 woodcut; and 1 etching (wrapper front) · 1986
Museum of Modern Art
Bronze by Gold, from Imaging Ulysses
Richard Hamilton
Soft ground etching, lift-ground aquatint, engraving, scraping and burnishing, in twenty-three colors from five plates on white wove paper · 1985
Art Institute of Chicago
David's Pool at Night
Howard Hodgkin
Soft ground etching and aquatint with hand-coloring in black ink on white wove paper · 1985
Art Institute of Chicago
Leopold Bloom, from Imaging Ulysses
Richard Hamilton
Soft ground etching, roulette, engraving and aquatint on white wove paper · 1983
Art Institute of Chicago
Immobile Sun XXI-C
Adja Yunkers
Color soft ground etching, aquatint, and screenprint on white wove paper · 1983
Art Institute of Chicago
Rhoom for Error
William T. Wiley
Soft ground etching and monotype on white wove paper · 1983
Art Institute of Chicago
A Moment Into Eternity II
Adja Yunkers
Color soft ground etching, aquatint, lithograph, and screenprint on white wove paper · 1982
Art Institute of Chicago
Stage Struck
Laddie John Dill
Color soft ground etching, aquatint, and hand burnishing on white wove paper · 1982
Art Institute of Chicago
In Horne's House, from Imaging Ulysses
Richard Hamilton
Soft ground etching, lift-ground and spit-bite aquatint, line and stipple etching, and engraving on white wove paper · 1981
Art Institute of Chicago
Nancy Outside in July XIX: The Fish in the Wind
Jim Dine
Hard and soft ground etching and aquatint from three copper plates in white ink on white wove paper, painted in black acrylic · 1981
Art Institute of Chicago
Nancy Outside in July XIII: Dissolving in Eden
Jim Dine
Hard and soft ground etching and aquatint from four copper plates in black, pink, turquoise, and yellow inks on white wove paper · 1981
Art Institute of Chicago
Nancy Outside in July XXV: Charcoal Cyclamen
Jim Dine
Hard and soft ground etching and aquatint from two copper plates in black and cream inks, with charcoal on pinkish cream wove paper · 1981
Art Institute of Chicago
Nancy Outside in July XXII: Ten Layers of Gray
Jim Dine
Hard and soft ground etching and aquatint from eight copper plates on white wove paper · 1981
Art Institute of Chicago
Nancy Outside in July XXIV: Brilliant Dutch Gloss
Jim Dine
Hard and soft ground etching, drypoint, and aquatint from two copper plates in gray and black inks, with enamel paint on white wove paper · 1981
Art Institute of Chicago
Nancy Outside in July XII: Green Leaves
Jim Dine
Hard and soft ground etching, aquatint, and spitbite on white wove paper · 1981
Art Institute of Chicago
Nancy Outside in July XVIII: Full of Expression
Jim Dine
Photogravure, hard and soft ground etching, and aquatint from two copper plates, with pastel on white wove paper · 1981
Art Institute of Chicago
Nancy Outside in July XIV: Wrestling with Spirits
Jim Dine
Hard and soft ground etching and aquatint from three copper plates, in blue, gray, and black inks on white wove paper · 1981
Art Institute of Chicago
Tondo
Francesco Clemente
Soft ground etching and aquatint · 1981
Museum of Modern Art
Nancy Outside in July XI: Red Sweater in Paris
Jim Dine
Hard and soft ground etching, drypoint and aquatint from four copper plates in turquoise, buff and black inks, with hand-painting in acrylic on white wove paper · 1980
Art Institute of Chicago
Nancy Outside in July VII
Jim Dine
Hard and soft ground etching, drypoint, and engraving from one copper plate, with watercolor and crayon on white wove paper · 1980
Art Institute of Chicago
Nancy Outside in July VIII
Jim Dine
Hard and soft ground etching, drypoint and engraving from one copper plate on gray wove paper · 1980
Art Institute of Chicago