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362 records · Soft ground etching
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Nancy Outside in July IX: March in Paris (Tulips)
Nancy Outside in July IX: March in Paris (Tulips)
Jim Dine
Hard and soft ground etching, drypoint, engraving and aquatint from one copper plate, with pastel and watercolor on white wove paper · 1980
Art Institute of Chicago
Nancy Outside in July X: Young and Blue
Nancy Outside in July X: Young and Blue
Jim Dine
Hard and soft ground etching, drypoint and aquatint from three copper plates in brown, rose, blue-green, and black inks, with hand-painting on buff wove paper · 1980
Art Institute of Chicago
After Lunch
After Lunch
Howard Hodgkin
Soft ground etching and aquatint, with hand-coloring with gouache, on buff wove paper · 1980
Art Institute of Chicago
Ashland Series #1
Ashland Series #1
Laddie John Dill
Color soft ground etching, aquatint, and hand burnishing on white wove paper · 1980
Art Institute of Chicago
Ashland Series #4
Ashland Series #4
Laddie John Dill
Soft ground etching, aquatint and burnishing on white wove paper · 1980
Art Institute of Chicago
L'Abbatoire VI
L'Abbatoire VI
Eldzier Cortor
Soft ground etching and aquatint, with flat bite, from two cut plates in black and red on ivory wove paper · 1980
Art Institute of Chicago
L'Abbatoire III
L'Abbatoire III
Eldzier Cortor
Soft ground etching and aquatint, with flat bite, in black and red on white wove paper · 1980
Art Institute of Chicago
Nancy Outside in July VI, Flowers of the Holy Land
Nancy Outside in July VI, Flowers of the Holy Land
Jim Dine
Hard and soft ground etching and drypoint from two copper plates, with hand-coloring on pinkish cream wove paper · 1979
Art Institute of Chicago
Nancy Outside in July V
Nancy Outside in July V
Jim Dine
Hard and soft ground etching and drypoint from one copper plate on golden cream mulberry paper · 1978
Art Institute of Chicago
Nancy Outside in July II
Nancy Outside in July II
Jim Dine
Hard and soft ground etching from one copper plate on golden cream mulberry paper · 1978
Art Institute of Chicago
Nancy Outside in July III
Nancy Outside in July III
Jim Dine
Hard and soft ground etching, aquatint, roulette and drypoint from two copper plates on paper · 1978
Art Institute of Chicago
Nancy Outside in July IV
Nancy Outside in July IV
Jim Dine
Hard and soft ground etching, aquatint, and drypoint on paper · 1978
Art Institute of Chicago
Nancy Outside in July I
Nancy Outside in July I
Jim Dine
Hard and soft ground etching and aquatint from three copper plates in green, cream, and black inks, with watercolor on ivory wove paper · 1978
Art Institute of Chicago
Demeter's Ladder, from Proscinomi, Oracles
Demeter's Ladder, from Proscinomi, Oracles
Joe Tilson
Soft ground etching, aquatint and screenprint on white wove paper · 1978
Art Institute of Chicago
Green Shoes
Green Shoes
William T. Wiley
Color soft ground etching and aquatint on cream wove paper · 1977
Art Institute of Chicago
S. W. Hayter Discovers Viscosity Printing, from The History of Printmaking
S. W. Hayter Discovers Viscosity Printing, from The History of Printmaking
Warrington Colescott
Color soft ground etching and aquatint, with vibrograver, relief rolls through stencils on cream wove paper · 1976
Art Institute of Chicago
Plate 4, from The Pocket Size Tlingit Coffin
Plate 4, from The Pocket Size Tlingit Coffin
Gérard Titus-Carmel
Soft ground etching and drypoint on white wove paper · 1976
Art Institute of Chicago
Plate 2, from The Pocket Size Tlingit Coffin
Plate 2, from The Pocket Size Tlingit Coffin
Gérard Titus-Carmel
Soft ground etching on white wove paper · 1976
Art Institute of Chicago
A Brief History of Flight, from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio
A Brief History of Flight, from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio
Warrington Colescott
Color soft ground etching, with vibrograver, and viscosity inking on paper · 1975
Art Institute of Chicago
Plate Six, from The Dartmouth Portraits
Plate Six, from The Dartmouth Portraits
Jim Dine
Drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper · 1975
Art Institute of Chicago
Plate Nine, from The Dartmouth Portraits
Plate Nine, from The Dartmouth Portraits
Jim Dine
Drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper · 1975
Art Institute of Chicago
Plate Seven, from The Dartmouth Portraits
Plate Seven, from The Dartmouth Portraits
Jim Dine
Drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper · 1975
Art Institute of Chicago
Plate Three, from The Dartmouth Portraits
Plate Three, from The Dartmouth Portraits
Jim Dine
Drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper · 1975
Art Institute of Chicago
Plate Four, from The Dartmouth Portraits
Plate Four, from The Dartmouth Portraits
Jim Dine
Drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper · 1975
Art Institute of Chicago
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