Database / Artworks
Artworks
Plate Eight, from The Dartmouth Portraits
Jim Dine
Drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper · 1975
Art Institute of Chicago
Plate Two, from The Dartmouth Portraits
Jim Dine
Drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper · 1975
Art Institute of Chicago
Spoon Pier
Claes Oldenburg
Color soft ground etching from four copper plates, sugar lift, and aquatint, on off-white wove paper · 1975
Art Institute of Chicago
Plate five, from The Dartmouth Portraits
Jim Dine
Drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper · 1975
Art Institute of Chicago
Trees (Bäume)
Georg Baselitz
Etching, soft ground etching, aquatint and drypoint · 1974
Museum of Modern Art
Symphonic Metamorphosis #3
Vera Berdich
Color photo-etching with hard and soft ground etching on white wove paper · 1973
Art Institute of Chicago
White 10-13, from A la pintura
Robert Motherwell
Color soft ground etching from two copper plates, with leterpress, on white wove paper · 1972
Art Institute of Chicago
To the Palette, from A la pintura
Robert Motherwell
Color lift-ground aquatint and soft ground etching from two copper plates, with letterpress, on white wove paper · 1971
Art Institute of Chicago
Plate One, from The Dartmouth Portraits
Jim Dine
Drypoint, sanded and reworked with hard ground and soft ground etching and aquatint, on ivory laid paper · 1971
Art Institute of Chicago
Sloth, from Seven Deadly Sins
Charles Klabunde
Etching, aquatint, and soft ground etching in brown and black from two plates on white wove paper · 1971
Art Institute of Chicago
A la pintura: frontispiece
Robert Motherwell
Aquatint in crimson and soft ground etching in red on white wove paper · 1971
Art Institute of Chicago
Plate (folio 6) from One Day
Eduard Flor
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts · 1971
Museum of Modern Art
Plate (folio 12) from One Day
Eduard Flor
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts · 1971
Museum of Modern Art
Plate (folio 10) from One Day
Eduard Flor
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts · 1971
Museum of Modern Art
Plate (folio 14) from One Day
Eduard Flor
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts · 1971
Museum of Modern Art
Plate (folio 8) from One Day
Eduard Flor
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts · 1971
Museum of Modern Art
Plate (folio 2) from One Day
Eduard Flor
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts · 1971
Museum of Modern Art
Plate (folio 4) from One Day
Eduard Flor
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts · 1971
Museum of Modern Art
A la pintura: To the Paintbrush
Robert Motherwell
Soft ground etching and aquatint in black on white wove paper · 1969
Art Institute of Chicago
To the Paintbrush, from A la pintura
Robert Motherwell
Color soft ground etching with aquatint from one copper plate, with letterpress, on white wove paper · 1969
Art Institute of Chicago
The Devil's Picnic
Vera Berdich
Color photo-etching, with soft ground etching and aquatint, on white wove paper · 1969
Art Institute of Chicago
A la pintura: To the Paintbrush
Robert Motherwell
Soft ground etching in ochre, with letterpress in black and gray, on white wove paper · 1968
Art Institute of Chicago
A la pintura: White 10-13
Robert Motherwell
Soft ground etching in black on white wove paper · 1968
Art Institute of Chicago
A la pintura: White 10-13
Robert Motherwell
Etching and soft ground etching in blue and burnt sienna on white wove paper · 1968
Art Institute of Chicago