Database / Artworks
Artworks
A la pintura: White 10-13
Robert Motherwell
Etching and soft ground etching in blue and burnt sienna on white wove paper · 1968
Art Institute of Chicago
A la pintura: Blue 5
Robert Motherwell
Soft ground etching in ultramarine blue on white wove paper · 1968
Art Institute of Chicago
A la pintura: To the Paintbrush
Robert Motherwell
Soft ground etching in ochre, with letterpress in black and gray, on white wove paper · 1968
Art Institute of Chicago
A la pintura: To the Paintbrush
Robert Motherwell
Soft ground etching in ochre, with letterpress in black and gray, on white wove paper · 1968
Art Institute of Chicago
A la pintura: White 10-13
Robert Motherwell
Etching and soft ground etching in blue and ochre on white wove paper · 1968
Art Institute of Chicago
A la pintura: White 10-13
Robert Motherwell
Etching and soft ground etching in ultramarine blue and ochre on white wove paper · 1968
Art Institute of Chicago
A la pintura: White 10-13
Robert Motherwell
Etching and soft ground etching in burnt sienna and blue on white wove paper · 1968
Art Institute of Chicago
A la pintura: White 10-13
Robert Motherwell
Etching and soft ground etching in yellow ochre and ultramarine blue on white wove paper · 1968
Art Institute of Chicago
A la pintura: To the Palette
Robert Motherwell
Aquatint, line etching, and lift-ground aquatint in orange, and soft ground etching in black, on white wove paper · 1968
Art Institute of Chicago
A la pintura: White 10-13
Robert Motherwell
Etching and soft ground etching, with acid-tint, in black on white wove paper · 1968
Art Institute of Chicago
A la pintura: White 10-13
Robert Motherwell
Aquatint and soft ground etching in blue-green and buff on white wove paper · 1968
Art Institute of Chicago
A la pintura: White 10-13
Robert Motherwell
Etching and soft ground etching in blue and burnt sienna on white wove paper · 1968
Art Institute of Chicago
Auracle Bane
Vera Berdich
Color photo-etching and soft ground etching on white wove paper · 1968
Art Institute of Chicago
The Devil's Picnic
Vera Berdich
Color photo-etching, with soft ground etching and aquatint, on white wove paper · 1968
Art Institute of Chicago
Etching, Engraving, Soft Ground, and Aquatint (City Complex), plate 43 from 101 Prints
Norman Roland Eppink
Etching, engraving, soft ground etching, and acquaint in black on ivory wove paper · 1967
Art Institute of Chicago
Etching, Engraving, Soft Ground, Aquatint, and Embossing (City Complex), plate 44 from 101 Prints
Norman Roland Eppink
Etching, engraving, soft ground etching, and acquaint in black, with embossing, on ivory wove paper · 1967
Art Institute of Chicago
Etching, Engraving, and Soft Ground (City Complex), plate 42 from 101 Prints
Norman Roland Eppink
Etching, engraving, and soft ground etching in black on ivory wove paper · 1967
Art Institute of Chicago
Soft Ground Aquatint (The Remains), plate 32 from 101 Prints
Norman Roland Eppink
Soft ground etching in black on ivory wove paper · 1967
Art Institute of Chicago
Portfolio Box, from Fifth Stone, Sixth Stone
Lee Bontecou
Soft ground etching and aquatint from one plate in black ink, with letterpress in black ink, on ivory muslin · 1967
Art Institute of Chicago
Cover, from Fifth Stone, Sixth Stone
Lee Bontecou
Soft ground etching and aquatint from one plate in black ink on ivory muslin, laid down on board · 1967
Art Institute of Chicago
Genocide, plate III (folio 6) from Judgments
Roberto Matta
One from an illustrated book with six soft ground etching and aquatints (one with roulette) and one soft ground etching · 1967
Museum of Modern Art
After the Nuremberg Trial, plate V (folio 8) from Judgments
Roberto Matta
One from an illustrated book with six soft ground etching and aquatints (one with roulette) and one soft ground etching · 1967
Museum of Modern Art
Nuremberg Judgment, plate IV (folio 7) from Judgment
Roberto Matta
Soft ground etching and aquatint with roulette from an illustrated book with six soft ground etching and aquatints (one with roulette) and one soft ground etching · 1967
Museum of Modern Art
To Be Read in One's Own Mirror after Looking at Oneself, plate VII (folio 10) from Judgments
Roberto Matta
Soft ground etching from an illustrated book with six soft ground etching and aquatints (one with roulette) and one soft ground etching · 1967
Museum of Modern Art