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Artworks

Soldiers Defending the Master Race, plate II (folio 5) from Judgments
Roberto Matta
One from an illustrated book with six soft ground etching and aquatints (one with roulette) and one soft ground etching · 1967
Museum of Modern Art

Blitz, plate I (folio 4) from Judgements
Roberto Matta
One from an illustrated book with six soft ground etching and aquatints (one with roulette) and one soft ground etching · 1967
Museum of Modern Art

Judgements
Roberto Matta
Illustrated book with six soft ground etching and aquatints (one with roulette) and one soft ground etching · 1967
Museum of Modern Art

Tomorrow, the World..., plate VI (folio 9) from Judgments
Roberto Matta
One from an illustrated book with six soft ground etching and aquatints (one with roulette) and one soft ground etching · 1967
Museum of Modern Art

Attack and Defense at Little Bohemia, from Dillinger
Warrington Colescott
Hard and soft ground etching, drypoint and open-bite etching, with a la poupee inking, and relief rolls through stencils, printed in color on white wove paper · 1966
Art Institute of Chicago

Breakout from the Indiana Pen, from Dillinger
Warrington Colescott
Color hard and soft ground etching, drypoint and aquatint, with vibrograver, and relief rolls through stencils on heavy white wove paper · 1966
Art Institute of Chicago

Plate (folio 9) from Parcours
Henri Michaux
Soft ground etching, printed in black · 1966
Museum of Modern Art

Plate (folio 5) from Parcours
Henri Michaux
Soft ground etching · 1966
Museum of Modern Art

Plate (folio 8) from Parcours
Henri Michaux
Soft ground etching, printed in black · 1966
Museum of Modern Art

Plate (folio 6) from Parcours
Henri Michaux
Soft ground etching · 1966
Museum of Modern Art

Plate (folio 4) from Parcours
Henri Michaux
Soft ground etching · 1966
Museum of Modern Art

Plate (folio 3) from Parcours
Henri Michaux
Soft ground etching, printed in black · 1966
Museum of Modern Art

Double page plate (pages 28 and 29) from L'albero poeta
Pietro Cascella
Soft ground etching from an illustrated book with ten prints · 1966
Museum of Modern Art

Plate (pages 63) from L'albero poeta
Giò Pomodoro
Soft ground etching and collagraph from an illustrated book with ten prints · 1966
Museum of Modern Art

Plate (page 33) from L'albero poeta
Francesco Somaini
Soft ground etching and embossing from an illustrated book with ten prints · 1966
Museum of Modern Art

Christmas with Ziggy
Warrington Colescott
Color etching, drypoint, hard and soft ground etching, with roulette and vibrograver on ivory laid paper · 1965
Art Institute of Chicago

The Death of Dillinger, from Dillinger
Warrington Colescott
Color hard and soft ground etching, aquatint, drypoint, with relief rolls through stencils in brown, red, orange, blue and black, and found object(toy motorcycle) on white wove paper · 1964
Art Institute of Chicago

Head of a Man with a Striped Shirt
Pablo Picasso
Soft ground etching, inked à la poupée in color, on ivory wove paper · 1964
Art Institute of Chicago

Homage to Matthias Grünewald
Igael Tumarkin
Etching and soft ground etching in black on cream wove paper · 1962
Art Institute of Chicago

l'Avanguardia Internazionale, Volume 4/l'Avant-Garde Internationale, Volume 4/The International Avant-Garde, Volume 4
Marcelle Cahn
15 etchings (some with soft ground etching, aquatint, and/or drypoint), 2 soft ground etchings (1 with aquatint), 1 drypoint, and 1 collotype, printed in black; and 1 linoleum cut · 1960
Museum of Modern Art

Burning Rocks
Gabor Peterdi
Relief and soft ground etching in light and dark red on cream wove paper · 1959
Art Institute of Chicago

Witches Sabbath
Stanley William Hayter
Color engraving, soft ground etching and scorper from a copper plate on ivory paper · 1958
Art Institute of Chicago

Untitled
Evelyn Statsinger
Soft ground etching in black on cream wove paper · 1958
Art Institute of Chicago

Untitled
Evelyn Statsinger
Soft ground etching in black and brown on cream Asian paper · 1958
Art Institute of Chicago