Database / Artworks
Artworks

Dish
Lead-glazed earthenware with slip decoration · 1690
Art Institute of Chicago

Project for a Monument
Pen and brown ink, with brush and gray and brown wash, over traces of graphite, with gold paint in borders on ivory laid paper · 1690
Art Institute of Chicago

Nymphs Bathing
Pen and brown ink, with brush and gray wash, over traces of graphite, on ivory laid paper · 1690
Art Institute of Chicago

Caudle Cup
Silver · 1690
Art Institute of Chicago

The Nativity
Etching on ivory laid paper · 1690
Art Institute of Chicago

Madonna and Child with Angels
Pen and brown ink, heightened with white gouache, on gray laid paper with blue fibers, laid down on ivory laid card · 1690
Art Institute of Chicago

Sampler
Linen, plain weave; bands of cut and drawn thread work in darning, interlocking lace, satin, and needle lace filling stitches; bands of needle lace or a cut and drawn thread grid and bands embroidered with silk and linen in Algerian eye, back, cross, long-armed cross, two-sided Italian cross, double running, running, satin and a variety of buttonhole stitches · 1690
Art Institute of Chicago

Mercury Rescues the Disguised Io after Beheading Argus
Oil on canvas · 1690
Art Institute of Chicago

Mercury Entrusting Infant Bacchus to Nymphs
Pen and gray brown ink, with brush and gray wash, with additions of blue and green pastel, on pale green tinted paper · 1690
Art Institute of Chicago

Mercury Entrusting Infant Bacchus to Nymphs
Pen and gray brown ink, with brush and gray wash, with additions of blue and green pastel, on pale green tinted paper · 1690
Art Institute of Chicago

Venus and Cupid at the Forge of Vulcan
Oil on canvas · 1690
Art Institute of Chicago

Wall with Hunting Designs
Pen and brown ink, with brush and gray wash, over graphite, on cream laid paper, tipped on buff wove paper · 1690
Art Institute of Chicago

Man Seated in Front of Trees
Pen and brown and black ink with brush and brown wash, with black chalk and graphite, on ivory laid paper, laid down on ivory laid paper · 1689
Art Institute of Chicago

William III, King of England
Mezzotint and engraving in black on ivory laid paper · 1689
Art Institute of Chicago

Study
Red chalk, heightened with white gouache, over traces of graphite on tan laid paper, laid down on cream laid paper · 1689
Art Institute of Chicago

Study
Red chalk, heightened with white gouache, over traces of graphite on tan laid paper, laid down on cream laid paper · 1689
Art Institute of Chicago

William III, King of England
Mezzotint and engraving in black on ivory laid paper · 1689
Art Institute of Chicago

Caricature of Man Writing
Pen and brown ink on ivory laid paper, laid down on ivory wove paper · 1689
Art Institute of Chicago

Caricature of Man Writing
Pen and brown ink on ivory laid paper, laid down on ivory wove paper · 1689
Art Institute of Chicago

Man Seated in Front of Trees
Pen and brown and black ink with brush and brown wash, with black chalk and graphite, on ivory laid paper, laid down on ivory laid paper · 1689
Art Institute of Chicago

Sampler
Linen, plain weave; with bands of cut and drawn thread work in back, buttonhole, darning, double hem, interlocking lace, overcast, and needle lace filling stitches; bands of linen, needle lace; and bands embroidered with silk in Algerian eye, Antwerp edge, back, cross, double hem, double running, long-armed cross, two-sided Italian cross, satin, squared ground, and a variety of buttonhole stitches · 1688
Art Institute of Chicago

The Elephant, from The Berain Grotesques Series
Wool and silk, slit and double interlocking tapestry weave · 1688
Art Institute of Chicago

Figure Crossing a Bridge in a Rainstorm
Hanging scroll; ink on paper · 1688
Art Institute of Chicago

The Elephant, from The Berain Grotesques Series
Wool and silk, slit and double interlocking tapestry weave · 1688
Art Institute of Chicago