Database / Artworks
Artworks
Stacking Side Chair
Verner Panton
Fiber-reinforced plastic and synthetic polymer paint · 1959
Museum of Modern Art
Spatial Concept: Expectations
Lucio Fontana
Synthetic polymer paint on slashed burlap · 1959
Museum of Modern Art
Yellow Asymmetry
Guido Molinari
Synthetic polymer paint on canvas · 1959
Museum of Modern Art
Drawing for Stock Page
Chryssa
Ink, synthetic polymer paint, gouache, and pencil on printed paper · 1959
Museum of Modern Art
Sample (Window Blind)
Dorothy Liebes
Silk, cotton, metallic strip encased in synthetic film, and metal, plain weave · 1958
Art Institute of Chicago
Sample (Handbag Material)
Dorothy Liebes
Cotton, metal foil laminated in cellulose acetate film, wool, cellulose film, and synthetic fiber, twill weave · 1958
Art Institute of Chicago
Head
Pablo Picasso
Wood box, nails, buttons, painted plaster, and painted synthetic resin mounted on ceramic dish · 1958
Museum of Modern Art
Russet
Morris Louis
Synthetic polymer paint on canvas · 1958
Museum of Modern Art
Number 5-58
Nassos Daphnis
Synthetic polymer paint on canvas · 1958
Museum of Modern Art
Sample (Drapery Fabric)
Dorothy Liebes
Cotton, synthetic strip, meatl foil laminated in cellulose acetate and metallized polyester film, plain weave with paired warps · 1957
Art Institute of Chicago
Kinechromatic Apparatus S-14
Abraham Palatnik
Wood, metal, synthetic fabric, lightbulbs, and motor · 1957
Museum of Modern Art
A Gold Book
Andy Warhol
Illustrated book with twenty offset lithographs, five with synthetic dye-based ink additions · 1957
Museum of Modern Art
Sample (Window Blind)
Dorothy Liebes
Cotton, silk, rayon, jute, bamboo, and metallic strip encased in synthetic film, plain weave · 1956
Art Institute of Chicago
Remoulade (Furnishing Fabric)
Jack Lenor Larsen
Wool, cotton, linen, rayon, gold gilt strip wound around cotton fiber core, metallic strip encased in synthetic film, nylon, and polyethylene, plain weave with supplementary patterning warps · 1956
Art Institute of Chicago
Remoulade (Furnishing Fabric)
Jack Lenor Larsen
Wool, cotton, linen, rayon, metallic strip encased in synthetic film, nylon,
gold gilt strip wound around a cotton fiber core, polyethylene, plain weave with supplementary patterning warps · 1956
Art Institute of Chicago
Rhyme
Robert Rauschenberg
Fabrics, necktie, paper, oil, enamel, pencil and synthetic polymer paint on canvas · 1956
Museum of Modern Art
Sample (Handbag Material)
Dorothy Liebes
Viscose-rayon, cotton, cellulose file, synthetic cellulose fiber, wool and, ramie, plain weave · 1955
Art Institute of Chicago
Jason (Furnishing Fabric)
Jack Lenor Larsen
Cotton, wool, and metallized polyester film with synthetic coating, plain weave; openwork · 1955
Art Institute of Chicago
Panel (Design 507)
Frank Lloyd Wright
Cotton and metal foil encased in synthetic film wrapped around a rayon core, plain weave · 1955
Art Institute of Chicago
Cover from À la recherche du shoe perdu
Andy Warhol
One from a portfolio of eighteen offset lithographs with synthetic dye-based ink additions · 1955
Museum of Modern Art
Untitled from À la recherche du shoe perdu
Andy Warhol
One from a portfolio of eighteen offset lithographs with synthetic dye-based ink additions · 1955
Museum of Modern Art
Untitled from À la recherche du shoe perdu
Andy Warhol
One from a portfolio of eighteen offset lithographs with synthetic dye-based ink additions · 1955
Museum of Modern Art
Untitled from À la recherche du shoe perdu
Andy Warhol
One from a portfolio of eighteen offset lithographs with synthetic dye-based ink additions · 1955
Museum of Modern Art
Untitled from À la recherche du shoe perdu
Andy Warhol
One from a portfolio of eighteen offset lithographs with synthetic dye-based ink additions · 1955
Museum of Modern Art