Database / Artworks
Artworks
Moses and the Tables of Law
James Thornhill
Pen and brown ink with brush and brown wash, over graphite, on ivory laid paper, laid down on card · 1695
Art Institute of Chicago
Edmond Nicholas
James Thornhill
Pen and brown ink with brush and brown wash, over graphite, on cream laid paper · 1695
Art Institute of Chicago
Grinling Gibbons
James Thornhill
Pen and brown ink with brush and brown wash, over graphite, on cream laid paper · 1695
Art Institute of Chicago
Design for Stage Scenery (Hampton Court) with Mythological Figures
James Thornhill
Pen and brown ink with brush and gray wash, over graphite, on tan laid paper · 1695
Art Institute of Chicago
Five Sketches for the Triumph of Silenus
James Thornhill
Pen and brown ink with brush and green wash, over traces of graphite, on cream laid paper, tipped onto ivory laid paper · 1695
Art Institute of Chicago
Sir J. Thorndale
James Thornhill
Pen and brown ink with brush and brown wash, over graphite, on cream laid paper · 1695
Art Institute of Chicago
Design for the Overmantel of a Chimneypiece with Bust of Pompilius Numa
James Thornhill
Pen and brown ink with brush and green wash, over graphite, on ivory laid paper, tipped onto ivory wove paper · 1695
Art Institute of Chicago
Design for Ceiling Fresco: Apollo and the Muses with Minerva Destroying Ignorance
James Thornhill
Pen and brown ink with brush and gray wash, over black chalk and graphite, on tan laid paper, partially laid down · 1695
Art Institute of Chicago
Deifying of Horofilia
James Thornhill
Pen and brown ink with brush and brown wash, over graphite, on cream laid paper · 1695
Art Institute of Chicago
The Actor Shinomiya Heihachi
Torii Kiyonobu I
Hand-colored woodblock print; o-oban, tan-e · 1695
Art Institute of Chicago
Philip Stanhope, Earl of Chesterfield
John Simon
Mezzotint on ivory laid paper · 1695
Art Institute of Chicago
Salome with the Head of Saint John the Baptist Before Herod
Giovanni Antonio Pellegrini
Pen and brown ink, with brush and brown wash, over red chalk, on ivory laid paper, laid down on tan wove paper · 1695
Art Institute of Chicago
The Actor Nakamura Denkuro I
Torii Kiyonobu
Woodblock print; hosoban, sumizuri-e · 1695
Art Institute of Chicago
The Actor Hanaoka Miyako
Torii Kiyonobu
Hand-colored woodblock print; hosoban, tan-e · 1695
Art Institute of Chicago
Sketch of Horse and Dog
Dirk Valkenburg
Red chalk, on tan laid paper, laid down on ivory laid paper · 1695
Art Institute of Chicago
Seated Dog with Collar
Dirk Valkenburg
Red chalk with stumping, over black chalk, on ivory laid paper, tipped onto cream wove paper · 1695
Art Institute of Chicago
Retriever
Dirk Valkenburg
Red chalk with stumping, squared in black chalk, on ivory laid paper, tipped onto cream wove paper · 1695
Art Institute of Chicago
Growling Dog Ready to Pounce
Dirk Valkenburg
Red and black chalk, with stumping, on ivory laid paper, tipped onto cream wove paper · 1695
Art Institute of Chicago
The Actor Sawamura Kodenji I
Torii Kiyonobu I
Hand-colored woodblock print; hosoban, tan-e · 1695
Art Institute of Chicago
Bracket Clock
Daniel Quare
Wood, tortoiseshell, brass, silver, and gilt bronze · 1695
Art Institute of Chicago
Jumping Furry Dog
Dirk Valkenburg
Red chalk with stumping, on ivory laid paper, tipped onto cream wove paper · 1695
Art Institute of Chicago
Man Lighting a Rocket, also called Peace is Better than a Victory, from Communia Gaudia (The Wide-Spread Rejoicing at the Siege of Namur)
Cornelis Dusart
Mezzotint in black on ivory laid paper · 1695
Art Institute of Chicago
Woman Lighting a Rocket, also called Peace Gets Me Going, from Communia Gaudia (The Wide-Spread Rejoicing at the Siege of Namur)
Cornelis Dusart
Mezzotint in black on ivory laid paper · 1695
Art Institute of Chicago
Ruins of the Merwede Manor seen from the Front with Dordrecht in the Background
Abraham Rademaker
Pen and brown ink, with brush and brown wash, on ivory laid paper, laid down on card · 1695
Art Institute of Chicago