Database / Artworks
Artworks

Alcibiades and Two Philosophers
Raphael
Metalpoint and black chalk, with traces of white chalk, on pale blue-toned cream laid paper · 1700
Art Institute of Chicago

Saints Mark and Marcellian Led to Their Execution, while Comforted by Saint Sebastian
Veronese (Paolo Caliari)
Pen and black ink, with brush and gray wash, heightened with lead white (partly oxidized) and touches of orange gouache, on ivory laid paper, laid down on tan wove paper · 1700
Art Institute of Chicago

Head of a Bearded Man
Raphael
Red chalk on ivory laid paper · 1700
Art Institute of Chicago

Jiasha (Mantle)
Han-Chinese
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; pieced; painted details; edged with silk, warp-float faced 4:1 satin weave; lined with silk, plain weave · 1700
Art Institute of Chicago

The Virgin and Child with Saint Elizabeth and the Infant John the Baptist
Raphael
Charcoal, with stumping, on cream laid paper (discolored to tan), tipped on to tan wove paper · 1700
Art Institute of Chicago

The Risen Christ
Michelangelo Buonarroti
Graphite (recto and verso) on ivory wove paper · 1700
Art Institute of Chicago

Music-Making Angels
Vittorio Maria Bigari
Red chalk, with brush and red chalk wash, over traces of black chalk, on ivory laid paper · 1700
Art Institute of Chicago

Head of Neptune
James Barry
Pen and brown ink with brush and gray wash and traces of graphite, on ivory laid paper, laid down on cream laid paper · 1700
Art Institute of Chicago

Sketch of Actor Standing
John Sell Cotman
Graphite on tan wove paper · 1700
Art Institute of Chicago

Woman Three-Quarter Length with Crossed Arms
Anthony van Dyck
Pen and brown ink, with brush and brown wash, with traces of graphite, on blue wove paper, laid down on ivory laid paper · 1700
Art Institute of Chicago

Sketch of Actor Sitting
John Sell Cotman
Graphite on tan wove paper · 1700
Art Institute of Chicago

Child's Head (Recto) Nude Male Figure (Verso)
Correggio
Black chalk heightened with white chalk, on ivory laid paper, laid down on cream wove paper · 1700
Art Institute of Chicago

View of an Italian Villa and Gardens (the Belvedere of the Vatican)
Jean Jacques de Boissieu
Brush and gray wash heightened with white gouache, over traces of black chalk, on ivory laid paper · 1700
Art Institute of Chicago

Psyche Presenting the Phial of Water to Venus
Raphael-Schwartz
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago

Standing Man
Romeyn de Hooghe
Pen and brown ink, with brush and brown wash, over traces of graphite, on ivory laid paper · 1700
Art Institute of Chicago

Assumption (recto) Portrait Heads, various Sketches (verso)
Guido Canlassi
Red chalk with brush and brown and gray wash (recto). Graphite with brush and gray green and brown wash (verso) on ivory laid paper, tipped onto cream laid paper · 1700
Art Institute of Chicago

Return of Agamemnon
Francesco Primaticcio
Black chalk, with brush and brown wash, heightened with lead white (partly oxidized), on tan laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago

Goldweight in the Form of a Geometric Shape
Asante Malik
Copper alloy · 1700
Art Institute of Chicago

Goldweight with a Geometric Pattern
Asante Malik
Copper alloy · 1700
Art Institute of Chicago

The Fanciful Eight Views in Military Love Affairs (Furyu budo iro-bakkei)
Torii Kiyonobu I
Woodblock printed book, sumizuri-e · 1700
Art Institute of Chicago

Cushion Cover
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit and dovetailed tapestry weave with interlaced outlining wefts; painted details; lined with silk, warp-float faced 7:1 satin weave · 1700
Art Institute of Chicago

Young Woman from Frascati
Nicolas Vleughels
Black chalk with brush and gray wash, on tan laid paper, laid down on buff laid paper · 1700
Art Institute of Chicago

Louis XVI and Marie Antoinette
Benjamin Du Vivier
Bronze · 1700
Art Institute of Chicago

Conversion of Saint Paul
Raphael
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago