Database / Artworks

Artworks

1,324 records · Tracing
Disease Thrower #5
Disease Thrower #5
Guadalupe Maravilla
Gong, glass, steel, wood, glue mixture, cotton, wood, plastic, loofah, paint, straw, Florida Water, and objects collected from a ritual retracing the artist's original migration route · 2019
Museum of Modern Art
Ceramics Factory and Distillery, Altos de Jalisco, México (Sketch)
Ceramics Factory and Distillery, Altos de Jalisco, México (Sketch)
Salvador Macias
Pencil on tracing paper · 2017
Museum of Modern Art
Asakusa Culture Tourist Information Center (Elevation sketch)
Asakusa Culture Tourist Information Center (Elevation sketch)
Kengo Kuma
Pencil on tracing paper · 2012
Museum of Modern Art
Asakusa Culture Tourist Information Center (Elevation sketch)
Asakusa Culture Tourist Information Center (Elevation sketch)
Kengo Kuma
Pencil on tracing paper · 2012
Museum of Modern Art
Asakusa Culture Tourist Information Center (Elevation sketch)
Asakusa Culture Tourist Information Center (Elevation sketch)
Kengo Kuma
Pencil on tracing paper · 2012
Museum of Modern Art
Asakusa Culture Tourist Information Center (Elevation sketch)
Asakusa Culture Tourist Information Center (Elevation sketch)
Kengo Kuma
Pencil on tracing paper · 2012
Museum of Modern Art
Asakusa Culture Tourist Information Center (Elevation sketche)
Asakusa Culture Tourist Information Center (Elevation sketche)
Kengo Kuma
Pencil on tracing paper · 2012
Museum of Modern Art
La Tallera Siqueiros, Cuernavaca, Mexico, Initial Axonometry, Sketch
La Tallera Siqueiros, Cuernavaca, Mexico, Initial Axonometry, Sketch
Frida Escobedo
Black ink and white correction fluid on tracing paper · 2010
Art Institute of Chicago
La Tallera Siqueiros, Cuernavaca, Mexico, Mural Movement, Sketch
La Tallera Siqueiros, Cuernavaca, Mexico, Mural Movement, Sketch
Frida Escobedo
Black and red ink on tracing paper · 2010
Art Institute of Chicago
Building
Building
Susan Hefuna
Brush and black ink and graphite on two sheets of white tracing paper (sandwiched) · 2010
Art Institute of Chicago
GC Prostho Museum Research Center, Kasugai, Aichi, Japan (Elevation sketch)
GC Prostho Museum Research Center, Kasugai, Aichi, Japan (Elevation sketch)
Kengo Kuma
Pencil on tracing paper · 2010
Museum of Modern Art
GC Prostho Museum Research Center, Kasugai, Aichi, Japan (Elevation sketch)
GC Prostho Museum Research Center, Kasugai, Aichi, Japan (Elevation sketch)
Kengo Kuma
Pencil on tracing paper · 2010
Museum of Modern Art
GC Prostho Museum Research Center, Kasugai, Aichi, Japan (Elevation sketch)
GC Prostho Museum Research Center, Kasugai, Aichi, Japan (Elevation sketch)
Kengo Kuma
Pencil on tracing paper · 2010
Museum of Modern Art
GC Prostho Museum Research Center, Kasugai, Aichi, Japan (Elevation sketch)
GC Prostho Museum Research Center, Kasugai, Aichi, Japan (Elevation sketch)
Kengo Kuma
Pencil on tracing paper · 2010
Museum of Modern Art
Fernando Botero Park Library, San Cristóbal, Medellín, Colombia (Cross section H-H, studies of light and shadow)
Fernando Botero Park Library, San Cristóbal, Medellín, Colombia (Cross section H-H, studies of light and shadow)
Orlando Garcia
Colored pencil on tracing paper · 2009
Museum of Modern Art
Fernando Botero Park Library, San Cristóbal, Medellín, Colombia (Perforations)
Fernando Botero Park Library, San Cristóbal, Medellín, Colombia (Perforations)
Orlando Garcia
Colored pencil on paper and tracing paper · 2009
Museum of Modern Art
Building
Building
Susan Hefuna
Brush and black ink and graphite on two sheets of white tracing paper (sandwiched) · 2008
Art Institute of Chicago
Mirror (London Ladies Print)
Mirror (London Ladies Print)
Fiona Banner
Lithograph on tracing paper · 2007
Museum of Modern Art
Kanagawa Institute of Technology Workshop, Atsugi, Kanagawa, Japan (Study for the orientation of columns and sightlines)
Kanagawa Institute of Technology Workshop, Atsugi, Kanagawa, Japan (Study for the orientation of columns and sightlines)
Junya Ishigami
Pencil, colored pencil, and ink on tracing paper · 2005
Museum of Modern Art
Kanagawa Institute of Technology Workshop, Atsugi, Kanagawa, Japan (Study for the orientation of columns and sightlines)
Kanagawa Institute of Technology Workshop, Atsugi, Kanagawa, Japan (Study for the orientation of columns and sightlines)
Junya Ishigami
Pencil, colored pencil, and ink on tracing paper · 2005
Museum of Modern Art
Kanagawa Institute of Technology Workshop, Atsugi, Kanagawa, Japan (Study for the orientation of columns and sightlines)
Kanagawa Institute of Technology Workshop, Atsugi, Kanagawa, Japan (Study for the orientation of columns and sightlines)
Junya Ishigami
Pencil, colored pencil, and ink on tracing paper · 2005
Museum of Modern Art
Kanagawa Institute of Technology Workshop, Atsugi, Kanagawa, Japan (Study for the orientation of columns and sightlines)
Kanagawa Institute of Technology Workshop, Atsugi, Kanagawa, Japan (Study for the orientation of columns and sightlines)
Junya Ishigami
Pencil, colored pencil, and ink on tracing paper · 2005
Museum of Modern Art
Kanagawa Institute of Technology Workshop, Atsugi, Kanagawa, Japan (Study for the orientation of columns and sightlines)
Kanagawa Institute of Technology Workshop, Atsugi, Kanagawa, Japan (Study for the orientation of columns and sightlines)
Junya Ishigami
Pencil, colored pencil, and ink on tracing paper · 2005
Museum of Modern Art
Holy Redeemer Church, San Cristóbal de la Laguna, Tenerife, Spain (Plan)
Holy Redeemer Church, San Cristóbal de la Laguna, Tenerife, Spain (Plan)
Fernando Martín Menis
Pencil on tracing paper · 2005
Museum of Modern Art
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