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Artworks

427 records · Twill weave
Acanthus
Acanthus
Morris
Cotton, twill weave with supplementary pile wefts forming cut "velveteen"; block printed · 1876
Art Institute of Chicago
Belt (Chumpi or Wak’a)
Belt (Chumpi or Wak’a)
Quechua
Wool and cotton, two-color complementary warp weave based on a diamond twill weave; braided warp fringe · 1875
Art Institute of Chicago
Coca or Ceremonial Cloth (Inkuña)
Coca or Ceremonial Cloth (Inkuña)
Quechua
Wool, stripes of plain weave, float weave derived from weft chevron twill weave, and two- and three-color complementary warp weaves · 1875
Art Institute of Chicago
Fragment
Fragment
Charles Francis Annesley Voysey
Cotton, warp-float faced 2:1 twill weave with supplementary pile wefts forming cut solid "velvet"; block printed · 1875
Art Institute of Chicago
Ceremonial Skirt
Ceremonial Skirt
Kuba
Raffia, plain weaves; pieced; appliquéd with plain weaves in pearl stitches; embroidered in pearl stitches; edged with bands of cotton, warp-stripe warp-float faced twill weave; cotton, plain weave; pieced and hemmed in slip and pearl stitches; and cotton, warp-float faced alternating float weave; joined with raffia in pearl and twisted insertion stitches · 1875
Art Institute of Chicago
"Ocean Wave" Quilt Bedcover
"Ocean Wave" Quilt Bedcover
Frances Brooks Wyld
Cotton, plain weaves; printed; cotton, twill weaves; pieced; edged and backed with cotton, plain weave; quilted · 1873
Art Institute of Chicago
Woman's Long Shawl
Woman's Long Shawl
Antony
Wool and cotton, warp threads dyed in multiple colors prior to weaving; center of warp-float faced 1:2 'Z' twill weave; patterned areas of two layers, plain weave and plain weave with seven-color complementary wefts, floats trimmed on reverse; knotted main warp fringe; woven on loom with Jacquard attachment; two selvages present · 1870
Art Institute of Chicago
Woman's Majia (Semiformal or Informal Domestic Vest)
Woman's Majia (Semiformal or Informal Domestic Vest)
Manchu
Silk, 7:1 satin damask weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in satin, single satin, and stem stitches; laid work and couching; ribbon: silk and silver-leaf-over-lacquered-paper-strip-wrapped cotton, plain weave with supplementary patterning warps; facings: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in satin and single satin stitches; laid work and couching; corner cut outs edged with silk, warp-float faced 7:1 satin weave under laid with silk, warp-float faced 3:1 twill weave self-patterned by areas of plain weave; trim and closures: silk, warp-float faced 7:1 satin weave; lined with silk, 3:1, 1:1, 3:1, 1:1... twill weave; metal buttons · 1870
Art Institute of Chicago
Panel
Panel
Mathevon et Bouvard
Silk and gilt-metal-strip-wrapped silk, warp-float faced 7:2 twill weave with twill interlacings of secondary binding warps and supplementary patterning and brocading wefts · 1860
Art Institute of Chicago
Handkerchief
Handkerchief
Celestin Nanteuil
Cotton, twill weave; copperplate printed · 1860
Art Institute of Chicago
Panel
Panel
Mathevon et Bouvard
Silk and cotton, twill weave with supplementary pile warps forming cut pile-on-pile voided velvet; band of partially uncut pile · 1860
Art Institute of Chicago
Shawl
Shawl
Antony
Silk and wool, twill weave with supplementary patterning wefts bound in twill interlacings; main warp fringe; woven on a loom with a Jacquard attachment · 1850
Art Institute of Chicago
Hanging
Hanging
Maison Mathevon et Bouvard, French
woven textiles, hanging — medium: silk technique: lampas; 7&1 satin weave supplemented by a 1s2 twill weave (interlaced connection a 2s1 twill). there are two continuous wefts in each shed of the twill: yellow for the background, and red to create the effect of damask. all other colors are brocaded. · 1850
Cooper Hewitt, Smithsonian Design Museum
Shawl
Shawl
Anthony Berrus
Silk and wool, twill weave with supplementary patterning wefts bound in twill interlacings; main warp fringe; woven on a loom with a Jacquard attachment · 1850
Art Institute of Chicago
Cover (Needlework)
Cover (Needlework)
Susanna Lewis
Cotton, twill weave; embroidered with wool in a variety of stitches · 1850
Art Institute of Chicago
Boy's Baijia Pao ("One Hundred Household" Robe)
Boy's Baijia Pao ("One Hundred Household" Robe)
Han-Chinese
Silk, warp-float faced 3:1 'Z' twill weaves self-patterned by areas of plain weave; pieced; medallions with under drawing in black pigment and trimmed with cords of gold-leaf-over-lacquered-paper-strip-wrapped silk couched with silk; neck facing: silk, warp-float faced 7:1 satin weave; embroidered in satin, single satin, and stem stitches; trimmed with braid of silk, 2:2 oblique interlacing and with ribbon of silk and cotton, warp-float faced 7:1 satin weave with supplementary patterning warps and self-patterned by main warp floats; ties: silk, warp-float faced 3:1 'Z' twill weave self-patterned by areas of plain weave; lined with silk, plain weave · 1850
Art Institute of Chicago
Long Shawl
Long Shawl
Antony
Wool and cotton, warp threads dyed in multiple colors prior to weaving; center of weft-float faced 1:3 'Z' twill weave; patterned areas of warp-float faced 3:1 'Z' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 twill interlacings; main warp fringe;woven on loom with Jacquard attachment · 1848
Art Institute of Chicago
Long Shawl
Long Shawl
Anthony Berrus
Wool and cotton, warp threads dyed in multiple colors prior to weaving; center of weft-float faced 1:3 'Z' twill weave; patterned areas of warp-float faced 3:1 'Z' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 twill interlacings; main warp fringe;woven on loom with Jacquard attachment · 1848
Art Institute of Chicago
Bedcover
Bedcover
Rebecca C. Hayward
Wool, broken twill weave; fulled; embroidered with wool and silk in back, individual back, looped back (cut to form pile), chain, feather, fly, long-armed cross, satin, individual satin, and stem stitches; lined with cotton, plain weave; roller and possibly block printed; glazed · 1844
Art Institute of Chicago
Empress' Jifu (Semiformal Court Robe)
Empress' Jifu (Semiformal Court Robe)
Manchu
Silk, warp-float faced 2:1 'S' twill weave; embroidered with silk, gold-leaf-over-lacquered-paper-strip-wrapped silk, and gilt- and silvered-metal-strip-wrapped silk in knot, satin, and stem stitches; laid work and couching; sleeves: silk, weft-float faced 1:5 and warp-float faced 2:1 twill damask weave; edging and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 5:1 satin weave with weft-float faced 1:2 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts; lined with silk, plain weave; metal buttons · 1840
Art Institute of Chicago
"Lone Star" Variation Quilt
"Lone Star" Variation Quilt
Ruth Hart
Silk, stripes of warp-float faced 7:1 satin weave, warp-float faced 7:1 warp chevron twill weave and plain weave; pieced; stars: silk, warp-float faced 7:1 and 4:1 satin and plain weaves; some self-patterned by complementary ground wefts or by warp and weft floats; some in stripe of both weaves with supplementary patterning warps; some with impressed patterning; some warp ikat dyed; some printed; and silk and cotton, plain weave self-patterned by weft floats; pieced; quilted with silk threads; edged with ribbon of silk, stripes of warp-float facd 4:1 satin weave and plain weave with extended weft loops; backing: cotton, plain weave; glazed; batting: cotton · 1835
Art Institute of Chicago
Emperor's Jifu (Semiformal Court Robe)
Emperor's Jifu (Semiformal Court Robe)
Manchu
Silk, slit tapestry weave; painted details; upper sleeves: silk, satin weave self-patterned by areas of twill weave; lower sleeves: silk, twill weave; impressed ribs · 1825
Art Institute of Chicago
Cover
Cover
Laura Dollaff Dresser
Wool, twill weave; fulled; appliquéd with linen, plain weave; embroidered with wool in running stitches cut to form pile · 1825
Art Institute of Chicago
Emperor's Jifu (Semiformal Court Robe)
Emperor's Jifu (Semiformal Court Robe)
Manchu
Silk, slit tapestry weave; painted details; upper sleeves: silk, satin weave self-patterned by areas of twill weave; lower sleeves: silk, twill weave; impressed ribs · 1825
Art Institute of Chicago
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