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Artworks

Paper Lanterns from The Geldzahler Portfolio
David Salle
Solar plate intaglio from a portfolio of three lithographs, two etchings (one with aquatint), two screenprints, one digital print, one offset lithograph, one solar plate intaglio, and one video transfer · 1998
Museum of Modern Art

A Flower In the Forest, from the portfolio by various artists, The Geldzahler Portfolio
Louise Bourgeois
Lithograph from a portfolio of three lithographs, two etchings (one with aquatint), two screenprints, one digital print, one offset lithograph, one solar plate intaglio, and one video transfer · 1998
Museum of Modern Art

Untitled from The Geldzahler Portfolio
Jasper Johns
Etching from a portfolio of three lithographs, two etchings (one with aquatint), two screenprints, one digital print, one offset lithograph, one solar plate intaglio, and one video transfer · 1998
Museum of Modern Art

Panama Hat with a Bow Tie on a Chair from The Geldzahler Portfolio
David Hockney
Etching and aquatint from a portfolio of three lithographs, two etchings (one with aquatint), two screenprints, one digital print, one offset lithograph, one solar plate intaglio, and one video transfer · 1998
Museum of Modern Art

Still Life from The Geldzahler Portfolio
Roy Lichtenstein
Screenprint from a portfolio of three lithographs, two etchings (one with aquatint), two screenprints, one digital print, one offset lithograph, one solar plate intaglio, and one video transfer · 1997
Museum of Modern Art

Henry's Arrival on the Art World Causes Gravity from The Geldzahler Portfolio
James Rosenquist
Lithograph from a portfolio of three lithographs, two etchings (one with aquatint), two screenprints, one digital print, one offset lithograph, one solar plate intaglio, and one video transfer · 1997
Museum of Modern Art

Untitled from The Geldzahler Portfolio
Ellsworth Kelly
Lithograph from a portfolio of three lithographs, two etchings (one with aquatint), two screenprints, one digital print, one offset lithograph, one solar plate intaglio, and one video transfer · 1997
Museum of Modern Art

Andy Warhol, David Hockney, Henry Geldzahler and Jeff Goodman from "Out of the 60's" from The Geldzahler Portfolio
Dennis Hopper
Offset lithograph from a portfolio of three lithographs, two etchings (one with aquatint), two screenprints, one digital print, one offset lithograph, one solar plate intaglio, and one video transfer · 1997
Museum of Modern Art

Untitled from The Geldzahler Portfolio
Francesco Clemente
Digital print from a portfolio of three lithographs, two etchings (one with aquatint), two screenprints, one digital print, one offset lithograph, one solar plate intaglio, and one video transfer · 1997
Museum of Modern Art

Picasso from Homage to Picasso (Hommage à Picasso)
Ernest Trova
Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1975
Museum of Modern Art

Paloma Picasso from Homage to Picasso (Hommage à Picasso)
Andy Warhol
Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1975
Museum of Modern Art

A Proposed Fountain of Trickling Water with Ultra-Violet Underlighting, in Memory of Pablo Picasso from Homage to Picasso (Hommage à Picasso)
Dan Flavin
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974
Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)
Arman
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974
Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)
Larry Rivers
Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974
Museum of Modern Art

Picasso Cufflink from Homage to Picasso (Hommage à Picasso)
Claes Oldenburg
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974
Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)
Bernard Schultze
Etching from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974
Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)
Louise Nevelson
Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974
Museum of Modern Art

Homage to Picasso (Hommage à Picasso) from Homage to Picasso (Hommage à Picasso)
Günther Uecker
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974
Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)
Walter De Maria
Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974
Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)
Blinky Palermo
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974
Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)
Donald Judd
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974
Museum of Modern Art

Picasso from Homage to Picasso (Hommage à Picasso)
Robert Indiana
Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974
Museum of Modern Art

Acide doux from Homage to Picasso (Hommage à Picasso)
Wifredo Lam
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art

Earth Ritual from Homage to Picasso (Hommage à Picasso)
Joe Tilson
Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art