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Artworks

232 records · Velvet
High Falutin'
High Falutin'
David Hammons
Metal (some parts painted with oil), oil on wood, glass, dust, chandelier parts, rubber, velvet, plastic, and light bulbs · 1990
Museum of Modern Art
Erase
Erase
Cathy de Monchaux
Denim, velvet, steel bolts and PVC · 1989
Tate
Kyoto Evergreen (Furnishing Fabric)
Kyoto Evergreen (Furnishing Fabric)
Maya Romanoff
Rayon, plain weave with supplementary pile warps forming cut solid velvet; tie-dyed · 1989
Art Institute of Chicago
Anatolia (Furnishing Fabric)
Anatolia (Furnishing Fabric)
Osborne & Little (Firm)
Cotton, plain weave with supplementary pile warps forming uncut solid velvet · 1988
Art Institute of Chicago
Imperale (Furnishing Fabric)
Imperale (Furnishing Fabric)
Gretchen Bellinger
Wool, cotton, rayon, and acrylic, plain weave with two-color supplementary pile warps forming uncut, solid "velvet" · 1988
Art Institute of Chicago
Panel
Panel
Mirella Spinella
Rayon, plain weave with supplementary pile warps forming cut solid velvet; block or screen printed · 1985
Art Institute of Chicago
My Dog Bear
My Dog Bear
Ethel Stein
Cotton, plain weave with discontinuous supplementary wefts bound in twill interlacings and supplementary pile warps forming cut and voided velvet; supplementary warp twining; woven on a loom with a drawloom attachment fabricated by the artist · 1984
Art Institute of Chicago
A Change in the Weather
A Change in the Weather
Ethel Stein
Cotton, plain weave with discontinuous supplementary wefts bound in twill interlacings and supplementary pile warps forming cut and voided velvet; woven on a loom with a drawloom attachment fabricated by the artist · 1984
Art Institute of Chicago
Ancestors
Ancestors
Ethel Stein
Cotton, plain weave with discontinuous supplementary wefts bound in twill interlacings and supplementary pile warps forming cut and voided velvet; woven on a loom with a drawloom attachment fabricated by the artist · 1983
Art Institute of Chicago
Yuan (Furnishing Fabric)
Yuan (Furnishing Fabric)
Ben Rose
Cotton, plain weave with supplementary pile warps forming cut velvet; screen printed · 1982
Art Institute of Chicago
Spice Garden (Furnishing Fabric)
Spice Garden (Furnishing Fabric)
June Groff
Cotton, plain weave; supplementary pile warps forming cut, solid velvet; printed · 1981
Art Institute of Chicago
Drawn from Life
Drawn from Life
Allen Ruppersberg
Pencil and paint on board on velvet in artist's frame · 1981
Museum of Modern Art
"Celebrity Ties" Quilt
"Celebrity Ties" Quilt
Grace C. Wagner
Silk, cotton, linen, wool, polyester, rayon, nylon, cellulose acetate, metal foil laminated in polyester film, and metallized polyester film wrapped rayon, plain, twill, satin, gauze and float weaves, some damask weave, some with complementary warps and/or wefts, some with secondary binding warps, some with supplementary patterning warps or wefts, some double cloth, with some supplementary pile warps forming cut solid velvet, some self-patterned by weave variations or warp or weft floats, some screen printed; oblique interlacing and cords of oblique wrapping; machine knitting; machine embroidering stitches; machine lace; pieced and appliquéd; embroidered with cotton, silk, and polyester in buttonhole, detached chain, fly, herringbone, stem and tent stitches; applied plastic stars and mother-of-pearl flowers; edged and backed with polyester, machine knitting; screen printed · 1980
Art Institute of Chicago
Clearwater (Furnishing Fabric)
Clearwater (Furnishing Fabric)
Larsen Design Studio
Cotton, plain weave with supplementary pile warps forming solid, cut, velvet; screen printed · 1976
Art Institute of Chicago
Relic from "Icarus"
Relic from "Icarus"
Chris Burden
Glass on velvet-covered stand, with case and pedestal · 1973
Museum of Modern Art
Leaves of Grass (Furnishing Fabric)
Leaves of Grass (Furnishing Fabric)
Don Wight
Cotton, velveteen; batik printed · 1971
Art Institute of Chicago
The Madman
The Madman
Waltercio Caldas
Lead figurine on velvet-lined wooden box · 1971
Museum of Modern Art
Sample (93.30.10.3/32.)
Sample (93.30.10.3/32.)
J B. Martin Company, Inc.
Rayon, plain weave with supplementary pile warps forming cut solid velvet; probably screen printed · 1968
Art Institute of Chicago
Sample (93.30.10.3/45.)
Sample (93.30.10.3/45.)
J B. Martin Company, Inc.
Cotton and rayon, plain weave with supplementary pile warps forming cut solid velvet; probably screen printed · 1968
Art Institute of Chicago
Sample (93.30.10.3/61.)
Sample (93.30.10.3/61.)
J B. Martin Company, Inc.
Acetate, rayon and metallized-polyester film, satin weave with two-color discontinuous supplementary pile warps forming cut voided velvet · 1968
Art Institute of Chicago
Sample (93.30.10.3/58.)
Sample (93.30.10.3/58.)
J B. Martin Company, Inc.
Rayon and cotton, plain weave with discontinuous supplementary pile warps forming cut voided velvet · 1968
Art Institute of Chicago
Sample (93.30.10.3/6.)
Sample (93.30.10.3/6.)
J B. Martin Company, Inc.
Rayon and metalized polyester film, plain cut voided velvet · 1968
Art Institute of Chicago
Sample (93.30.10.3/16.)
Sample (93.30.10.3/16.)
J B. Martin Company, Inc.
Rayon and nylon, plain weave with discontinuous supplementary pile warps forming cut voided velvet · 1968
Art Institute of Chicago
Sample (93.30.10.3/25.)
Sample (93.30.10.3/25.)
J B. Martin Company, Inc.
Rayon and acetate, plain cut voided velvet · 1968
Art Institute of Chicago
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