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Artworks

274 records · Velvet
Muse with Violin Screen
Muse with Violin Screen
Paul Fehér
Steel, brass; silver and gold plating, cotton velveteen · 1925
Cleveland Museum of Art
Muse with Violin Screen
Muse with Violin Screen
Paul Fehér
Steel, brass; silver and gold plating, cotton velveteen · 1925
Cleveland Museum of Art
Muse with Violin Screen
Muse with Violin Screen
Paul Fehér
Steel, brass; silver and gold plating, cotton velveteen · 1925
Cleveland Museum of Art
Muse with Violin Screen
Muse with Violin Screen
Paul Fehér
Steel, brass; silver and gold plating, cotton velveteen · 1925
Cleveland Museum of Art
Muse with Violin Screen
Muse with Violin Screen
Paul Fehér
Steel, brass; silver and gold plating, cotton velveteen · 1925
Cleveland Museum of Art
Muse with Violin Screen
Muse with Violin Screen
Rose
Steel, brass; silver and gold plating, cotton velveteen · 1925
Cleveland Museum of Art
Muse with Violin Screen
Muse with Violin Screen
Rose
Steel, brass; silver and gold plating, cotton velveteen · 1925
Cleveland Museum of Art
Rotary Demisphere (Precision Optics)
Rotary Demisphere (Precision Optics)
Marcel Duchamp
Painted papier-mâché demisphere fitted on velvet-covered disk, copper collar with plexiglass dome, motor, pulley, and metal stand · 1925
Museum of Modern Art
Nude and Flowers
Nude and Flowers
Marguerite Zorach
Linen, plain weave; cotton, wool and silk, plain and twill weaves, velvet and knitted strips forming “hooked” pile; edges with wool, single crochet · 1922
Art Institute of Chicago
Fragment
Fragment
Paul Follot
Cotton, plain weave with supplementary pile warps forming cut solid velvet; block or screen printed; some selvages present · 1921
Art Institute of Chicago
Two Joined Panels of "Fortuny Painted Velvet"
Two Joined Panels of "Fortuny Painted Velvet"
Fortuny
velvet, painted · 1920
Cleveland Museum of Art
Two Joined Panels of "Fortuny Painted Velvet"
Two Joined Panels of "Fortuny Painted Velvet"
Y?
velvet, painted · 1920
Cleveland Museum of Art
Two Joined Panels of "Fortuny Painted Velvet"
Two Joined Panels of "Fortuny Painted Velvet"
Y?
velvet, painted · 1920
Cleveland Museum of Art
Panel
Panel
Maria Monaci Gallenga
Cotton, plain weave with supplementary pile warps forming cut solid velvet; stenciled · 1920
Art Institute of Chicago
Tea Gown
Tea Gown
Jessie Franklin Turner
Dress: silk, plain weave; embroidered in silk floss in cross stitch; sleeves: plain weave with paired wefts, with supplementary patterning warps forming cut pile (velvet); dress trimed with sleeve fabric · 1920
Art Institute of Chicago
Textile
Textile
Herman A. Elsberg, American
woven textiles, textile — medium: silk and metallic threads technique: cut and voided supplementary warp pile in a plain compound foundation (velvet) · 1919
Cooper Hewitt, Smithsonian Design Museum
Samples
Samples
Herman A. Elsberg, American
sample books, samples — medium: silk warp, cotton weft technique: cut and voided supplementary warp pile (velvet) in a satin foundation · 1919
Cooper Hewitt, Smithsonian Design Museum
Upholstery Fabric for the Fisher Theater
Upholstery Fabric for the Fisher Theater
Mrs. Howard C. Blake
Cotton and wool, plain weave with supplementary pile warps forming cut solid velvet; printed · 1918
Art Institute of Chicago
Midnight Sun
Midnight Sun
Herman A. Elsberg, American
woven textiles, textile — medium: silk, metallic technique: cut and voided supplementary warp pile (velvet) in a plain compound foundation · 1915
Cooper Hewitt, Smithsonian Design Museum
Textile
Textile
Herman A. Elsberg, American
woven textiles, textile — medium: silk technique: cut, uncut and voided supplementary warp pile in a plain weave foundation (ciselé velvet) · 1915
Cooper Hewitt, Smithsonian Design Museum
Textile
Textile
Herman A. Elsberg, American
woven textiles, textile — medium: silk technique: cut and voided supplementary warp pile (velvet) in plain weave foundation · 1915
Cooper Hewitt, Smithsonian Design Museum
Midnight Sun
Midnight Sun
Herman A. Elsberg, American
Medium: silk, metal wrapped cotton core Technique: cut and voided supplementary warp pile (velvet) in a plain compound foundation · 1915
Cooper Hewitt, Smithsonian Design Museum
Pair of Tango Shoes
Pair of Tango Shoes
Costa
Machine-made lace; backed with silk warp-float faced 7:1 satin weave; silk, warp-float faced 15:1 satin weave with supplementary pile warps foaming cut solid velvet ribbon wrap rhinestone and metal buckle's ribbon ties; silk warp-float faced 7:1 satin weave; silk loops and plain weave edge; leather · 1914
Art Institute of Chicago
Cushion Cover
Cushion Cover
Maria Monaci Gallenga
Cotton and silk, plain weave with supplementary pile warps forming cut, solid velvet; stenciled · 1911
Art Institute of Chicago
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