Database / Artworks
Artworks

Muse with Violin Screen
Paul Fehér
Steel, brass; silver and gold plating, cotton velveteen · 1925
Cleveland Museum of Art

Muse with Violin Screen
Paul Fehér
Steel, brass; silver and gold plating, cotton velveteen · 1925
Cleveland Museum of Art

Muse with Violin Screen
Paul Fehér
Steel, brass; silver and gold plating, cotton velveteen · 1925
Cleveland Museum of Art

Muse with Violin Screen
Paul Fehér
Steel, brass; silver and gold plating, cotton velveteen · 1925
Cleveland Museum of Art

Muse with Violin Screen
Paul Fehér
Steel, brass; silver and gold plating, cotton velveteen · 1925
Cleveland Museum of Art
Muse with Violin Screen
Rose
Steel, brass; silver and gold plating, cotton velveteen · 1925
Cleveland Museum of Art
Muse with Violin Screen
Rose
Steel, brass; silver and gold plating, cotton velveteen · 1925
Cleveland Museum of Art

Rotary Demisphere (Precision Optics)
Marcel Duchamp
Painted papier-mâché demisphere fitted on velvet-covered disk, copper collar with plexiglass dome, motor, pulley, and metal stand · 1925
Museum of Modern Art

Nude and Flowers
Marguerite Zorach
Linen, plain weave; cotton, wool and silk, plain and twill weaves, velvet and knitted strips forming “hooked” pile; edges with wool, single crochet · 1922
Art Institute of Chicago

Fragment
Paul Follot
Cotton, plain weave with supplementary pile warps forming cut solid velvet; block or screen printed; some selvages present · 1921
Art Institute of Chicago
Two Joined Panels of "Fortuny Painted Velvet"
Fortuny
velvet, painted · 1920
Cleveland Museum of Art
Two Joined Panels of "Fortuny Painted Velvet"
Y?
velvet, painted · 1920
Cleveland Museum of Art
Two Joined Panels of "Fortuny Painted Velvet"
Y?
velvet, painted · 1920
Cleveland Museum of Art

Panel
Maria Monaci Gallenga
Cotton, plain weave with supplementary pile warps forming cut solid velvet; stenciled · 1920
Art Institute of Chicago

Tea Gown
Jessie Franklin Turner
Dress: silk, plain weave; embroidered in silk floss in cross stitch; sleeves: plain weave with paired wefts, with supplementary patterning warps forming cut pile (velvet); dress trimed with sleeve fabric · 1920
Art Institute of Chicago

Textile
Herman A. Elsberg, American
woven textiles, textile — medium: silk and metallic threads technique: cut and voided supplementary warp pile in a plain compound foundation (velvet) · 1919
Cooper Hewitt, Smithsonian Design Museum

Samples
Herman A. Elsberg, American
sample books, samples — medium: silk warp, cotton weft technique: cut and voided supplementary warp pile (velvet) in a satin foundation · 1919
Cooper Hewitt, Smithsonian Design Museum

Upholstery Fabric for the Fisher Theater
Mrs. Howard C. Blake
Cotton and wool, plain weave with supplementary pile warps forming cut solid velvet; printed · 1918
Art Institute of Chicago

Midnight Sun
Herman A. Elsberg, American
woven textiles, textile — medium: silk, metallic technique: cut and voided supplementary warp pile (velvet) in a plain compound foundation · 1915
Cooper Hewitt, Smithsonian Design Museum

Textile
Herman A. Elsberg, American
woven textiles, textile — medium: silk technique: cut, uncut and voided supplementary warp pile in a plain weave foundation (ciselé velvet) · 1915
Cooper Hewitt, Smithsonian Design Museum

Textile
Herman A. Elsberg, American
woven textiles, textile — medium: silk technique: cut and voided supplementary warp pile (velvet) in plain weave foundation · 1915
Cooper Hewitt, Smithsonian Design Museum

Midnight Sun
Herman A. Elsberg, American
Medium: silk, metal wrapped cotton core Technique: cut and voided supplementary warp pile (velvet) in a plain compound foundation · 1915
Cooper Hewitt, Smithsonian Design Museum

Pair of Tango Shoes
Costa
Machine-made lace; backed with silk warp-float faced 7:1 satin weave; silk, warp-float faced 15:1 satin weave with supplementary pile warps foaming cut solid velvet ribbon wrap rhinestone and metal buckle's ribbon ties; silk warp-float faced 7:1 satin weave; silk loops and plain weave edge; leather · 1914
Art Institute of Chicago

Cushion Cover
Maria Monaci Gallenga
Cotton and silk, plain weave with supplementary pile warps forming cut, solid velvet; stenciled · 1911
Art Institute of Chicago