Database / Artworks
Artworks

Fitted Case for Six Cloisonne Enamel Spoons
Pavel Ovchinnikov, Russian
cutlery, decorative arts, case — leather, velvet, silk, brass · 1890
Cooper Hewitt, Smithsonian Design Museum

Florence
John Henry Dearle
Cotton, twill weave with supplementary pile wefts forming cut solid 'velvet'; block printed · 1890
Art Institute of Chicago

Panel
Hubert von Herkomer
Silk and cotton, plain weave with supplementary pile warps forming cut voided velvet · 1890
Art Institute of Chicago

Florence
John Henry Dearle
Block printed cotton velveteen · 1890
Art Institute of Chicago

Panel (Formerly a Furnishing Textile)
Sidney Mawson
Cotton, twill weave with supplementary pile wefts forming cut, solid pile (velveteen); block printed · 1890
Art Institute of Chicago

Fleurs Stylises
Arthur Silver
Cotton, plain weave with supplementary pile warps forming cut solid velvet; block printed · 1888
Art Institute of Chicago

Cherwell
John Henry Dearle
Block printed cotton velveteen · 1887
Art Institute of Chicago

Cherwell
John Henry Dearle
Cotton, twill weave with supplementary pile wefts forming cut solid "velveteen"; block printed · 1887
Art Institute of Chicago

Panel
Charles Lepec
Boxwood, gilt-metal, painted ivory, mounted on gold velvet in a wooden and metal mounted frame · 1886
The Metropolitan Museum of Art

'Crazy Quilt' with Animals
Florence
Pieced and embroidered “crazy” quilt; dyed and printed silk, cotton, wool and metallic plain, twill, satin, velvet and patterned weave fabrics and ribbons; silk, cotton and metallic embroidery threads, raised work embroidered appliques, glass beads, metal spangles · 1886
Art Institute of Chicago

'Crazy Quilt' with Animals
Florence Elizabeth Marvin
Pieced and embroidered “crazy” quilt; dyed and printed silk, cotton, wool and metallic plain, twill, satin, velvet and patterned weave fabrics and ribbons; silk, cotton and metallic embroidery threads, raised work embroidered appliques, glass beads, metal spangles · 1886
Art Institute of Chicago

Panel (Formerly Furnishing Textiles)
Foreman
Cotton, twill weave with supplementary pile wefts forming cut, solid pile (velveteen); block printed · 1885
Art Institute of Chicago

Panel (Formerly Furnishing Textiles)
Lewis Foreman Day
Cotton, twill weave with supplementary pile wefts forming cut, solid pile (velveteen); block printed · 1885
Art Institute of Chicago

Dessert Fork and Knife with Accompanying Case
Francis Higgins III
cutlery, decorative arts, fork, knife and case — gold plated, silver, leather, velvet, silk, satin · 1884
Cooper Hewitt, Smithsonian Design Museum

Tulips panel
Candace Wheeler
Silk and metallic cloth appliqued with silk velvet and embroidered with silk and metallic-wrapped cotton threads · 1883
The Metropolitan Museum of Art

Wey
William Morris
Block printed cotton velveteen · 1883
Art Institute of Chicago

Armchair
Herter Brothers
Gilded wood, mother-of-pearl, and original silk velvet upholstery · 1881
The Metropolitan Museum of Art

Portière
G
Silk, warp-float faced twill weave with supplementary pile warps forming cut solid velvet; embroidered with gilt paper and gold-leafed-paper-strip-wrapped cotton and silk in satin and stem stitches; laid work, couching and French knots; fringe of gilt-paper-strip-wrapped cotton and silk, wrapped and braided; lined with silk, weft-float faced satin weave self-patterned by areas of plain weave · 1880
Art Institute of Chicago

Case for Set of Ten Gilt Demitasse Spoons
Gorham Manufacturing Company, Providence, Rhode Island, USA, founded 1818
containers, decorative arts, case — velvet, brocade, satin, wood, metal · 1880
Cooper Hewitt, Smithsonian Design Museum

Velvet Fabric for a Woman's Ao or Magua (Short Coat), Shoes, and Accessories
Manchu
Silk, warp-float faced 3:1 'Z' twill weave with supplementary pile warps forming cut and uncut solid velvet · 1880
Art Institute of Chicago

Portière
Anna G. Lyman
Silk, warp-float faced twill weave with supplementary pile warps forming cut solid velvet; embroidered with gilt paper and gold-leafed-paper-strip-wrapped cotton and silk in satin and stem stitches; laid work, couching and French knots; fringe of gilt-paper-strip-wrapped cotton and silk, wrapped and braided; lined with silk, weft-float faced satin weave self-patterned by areas of plain weave · 1880
Art Institute of Chicago

'Crazy Quilt'
Hallie Rogers Judd, (Halvania)
Sixteen joined squares, most of silk, plain, satin and twill weaves, some with supplementary pile warps (velvet) and supplementary patterning and brocading wefts; some squares of cotton, plain weave with supplementary weft pile (velveteen); embroidered in silk threads in buttonhole feather, running, stem, herringbone, satin and outline stitches and couching; appliquéd; additional design in paint and human hair; border: silk, plain weave with supplementary pile warps (velvet)
Back: silk, satin weave; four panels joined · 1880
Art Institute of Chicago

Fragment of a Chair Seat
Thomas Wardle
Cotton, twill weave with supplementary pile wefts forming cut solid (velveteen); block printed; fringe: cotton, silk and wool; woven · 1878
Art Institute of Chicago

Fragment of a Chair Seat
Thomas Wardle
Cotton, twill weave with supplementary pile wefts forming cut solid (velveteen); block printed; fringe: cotton, silk and wool; woven · 1878
Art Institute of Chicago