Database / Artworks
Artworks

Untitled
Marcel Dzama
Ink, watercolour and graphite on paper · 2002
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Study for ‘The Back Door’
William Roberts
Watercolour and graphite on paper · 1942
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Figure with Balls
Julio González
Ink, watercolour and graphite on paper · 1938
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The Colne
Paul Nash
Watercolour and graphite on paper · 1925
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From a Hampstead Window
Charles Ginner
Ink, watercolour and graphite on paper · 1923
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Conversation I
Francis Picabia
Watercolour and graphite on paper · 1922
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The Horsemen
William Roberts
Watercolour and graphite on paper · 1920
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Portrait of Edison
Jean Crotti
Gouache, watercolour and graphite on paper · 1920
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Athletes Exercising in a Gymnasium
William Roberts
Ink, watercolour and graphite on paper · 1920
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Sparring Partners
William Roberts
Watercolour and graphite on paper · 1919
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Seated Female Nude
Claud Lovat Fraser
Watercolour and graphite on paper · 1919
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Study for ‘The Mud Bath’
David Bomberg
Watercolour and graphite on paper · 1914
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Figure of Guinevere
William Morris
Watercolour and graphite on paper · 1858
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Bray on Thames from the Towing Path
Peter De Wint
Watercolour and graphite on paper · 1849
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Lycia: The Valley of Glaucus
William James Muller
Watercolour and graphite on paper · 1843
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Rouen: Hôtel du Bourgtheroulde
William James Muller
Watercolour and graphite on paper · 1840
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Lighthouse, Naples
William James Muller
Watercolour and graphite on paper · 1839
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Athens, with the Acropolis in Middle Distance
William James Muller
Watercolour and graphite on paper · 1838
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Netley Abbey by Moonlight
John Constable
Watercolour and graphite on paper · 1833
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Near the Pont d’Arcole, Paris
David Cox
Watercolour and graphite on paper · 1829
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Calais: Hôtel de Guise
David Cox
Watercolour and graphite on paper · 1829
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Verona, Piazza dell’Erbe
Richard Parkes Bonington
Watercolour and graphite on paper · 1826
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A Scene on the French Coast
Richard Parkes Bonington
Watercolour and graphite on paper · 1825
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15. A Landscape of a Moderate Extent: In Which No One Object is Predominate
John Constable
Ink, watercolour and graphite on paper · 1823
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