Database / Artworks
Artworks
Hedging and Ditching, plate 47 from Liber Studiorum
Joseph Mallord William Turner
Etching and engraving in brown on off-white paper · 1812
Art Institute of Chicago
The Temple of Minerva Medica, plate 23 from Liber Studiorum
Joseph Mallord William Turner
Etching and aquatint on off-white paper · 1811
Art Institute of Chicago
Lauffenbourg on the Rhine
James Mallord William Turner, British
Etching and mezzotint on white paper · 1811
Cooper Hewitt, Smithsonian Design Museum
Throne
Giuseppe Barberi, Italian
architecture, drawing — pen and brown ink, brush and brown wash on blued-white paper, lined · 1810
Cooper Hewitt, Smithsonian Design Museum
Noble Interior: Stage Design for the Teatro Marsigli-Rossi in Bologna
Antonio Giuseppe Basoli, Italian
theater, drawing — pen and gray ink, brush and watercolor over black chalk on white paper · 1810
Cooper Hewitt, Smithsonian Design Museum
John Quincy Adams
Henry Williams
White paper · 1809
National Portrait Gallery
Louisa Catherine Johnson Adams
Henry Williams
Hollow-cut silhouette, white paper on modern black paper · 1809
National Portrait Gallery
Morpeth, Northumberland, from the Liber Studiorum
James Mallord William Turner, British
Mezzotint and etching on white paper · 1809
Cooper Hewitt, Smithsonian Design Museum
Pembury Mill, Kent, plate 12 from Liber Studiorum
Joseph Mallord William Turner
Etching and engraving in brown on off-white paper · 1808
Art Institute of Chicago
Archbishop's Throne and Canopy; Six Separate Studies for a Throne, Prie-Dieu, and Canopy
Hippolyte-François Joseph Equennez
Pen and black ink, brush and watercolor, white gouache, traces of black chalk, ruled border in pen and black ink on heavy white paper · 1808
Cooper Hewitt, Smithsonian Design Museum
Plate 19, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion)
Carle Vernet, French
costume & accessories, print — engraving, hand-colored with brush and watercolor on off-white paper · 1807
Cooper Hewitt, Smithsonian Design Museum
Plate 51, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion)
Carle Vernet, French
costume & accessories, print — engraving, hand-colored with brush and watercolor on off-white paper · 1807
Cooper Hewitt, Smithsonian Design Museum
State Carriage of George III
Giovanni Battista Cipriani, Italian
Black and various colored inks on white paper · 1805
Cooper Hewitt, Smithsonian Design Museum
Alexander MacWhorter
Isaac Todd, ? - c. 1811
White paper on black fabric · 1803
National Portrait Gallery
Head of Christ
John Chamberlaine, English
print — stipple engraving in color and black ink on white paper · 1802
Cooper Hewitt, Smithsonian Design Museum
Drawing
Carlo Amati, Italian
Pen, ink, watercolors on white paper · 1802
Cooper Hewitt, Smithsonian Design Museum
Design for a Chimneypiece
Luigi Righetti, Italian
architecture, interiors, drawing — pen and black ink, brush and watercolor, graphite on white paper · 1800
Cooper Hewitt, Smithsonian Design Museum
Panel with Grotesque Design and Scenes of the Labors of Hercules
Charles Normand, French
ornament, drawing — pen and black ink, brush and watercolor on off-white paper, lined with white heavy paper and framed by blue color paper colored light brown and black · 1800
Cooper Hewitt, Smithsonian Design Museum
Plan of Hospital of Trinita de Pellegrini
Giuseppe Barberi, Italian
architecture, drawing — pen and brown ink, blue pencil on blue-white paper · 1800
Cooper Hewitt, Smithsonian Design Museum
Cupid and Psyche
Francesco Bartolozzi, Italian, active England
print — engraving in brown ink on white paper · 1800
Cooper Hewitt, Smithsonian Design Museum
Women doing washing near a cow-herd
Jean-Baptiste Huet, French
Red chalk on white paper · 1800
Cooper Hewitt, Smithsonian Design Museum
Abraham Entertaining Three Angels
John Chamberlaine, English
print — etching and line engraving in brown ink on white paper · 1797
Cooper Hewitt, Smithsonian Design Museum
Birth of Pyrrhus
John Chamberlaine, English
print — line and stipple engraving in brown ink on white paper · 1797
Cooper Hewitt, Smithsonian Design Museum
Jacob's Vision
John Chamberlaine, English
print — line engraving in brown ink on white paper · 1797
Cooper Hewitt, Smithsonian Design Museum