Database / Artworks
Artworks
Design for a Ceiling Decoration
Gravelot, French
pen and ink, brush and watercolor on white paper · 1750
Cooper Hewitt, Smithsonian Design Museum
The Monumnental Tablet, from the Grotteschi
Giovanni Battista Piranesi
Etching, engraving, and drypoint on off-white paper · 1747
Art Institute of Chicago
Roman Ruins with Figures
Giovanni Paolo Panini, Italian
sculpture, drawing — graphite, brush and watercolor on white paper · 1745
Cooper Hewitt, Smithsonian Design Museum
Ornament Panel with a Double Cartouche Showing a River God, a Nymph, and a Fountain
Pierre Edme Babel, French
print — etching on off-white paper · 1743
Cooper Hewitt, Smithsonian Design Museum
Fountain in the Form of a Cartouche
Pierre Edme Babel, French
print — etching on off-white paper · 1743
Cooper Hewitt, Smithsonian Design Museum
Fountain in the Form of a Cartouche
Pierre Edme Babel, French
print — etching on off-white paper · 1743
Cooper Hewitt, Smithsonian Design Museum
Title Page
Pierre Edme Babel, French
print — etching on off-white paper · 1743
Cooper Hewitt, Smithsonian Design Museum
Title Page
Pierre Edme Babel, French
print — etching on off-white paper · 1743
Cooper Hewitt, Smithsonian Design Museum
Cartouche in Front of an Obelisk
Pierre Edme Babel, French
print — etching on off-white paper · 1743
Cooper Hewitt, Smithsonian Design Museum
Cartouche Decorated with a Helmet and a Mask
Pierre Edme Babel, French
print — etching on off-white paper · 1743
Cooper Hewitt, Smithsonian Design Museum
Fountain in the Form of a Cartouche
Pierre Edme Babel, French
print — etching on off-white paper · 1743
Cooper Hewitt, Smithsonian Design Museum
Title Page
Pierre Edme Babel, French
print — etching and engraving on off-white paper · 1743
Cooper Hewitt, Smithsonian Design Museum
Cartouche in Front of a Pedestal
Pierre Edme Babel, French
print — etching on off-white paper · 1743
Cooper Hewitt, Smithsonian Design Museum
Saint Mark Saving a Slave from Torture, from Opera Selectiora
John Jackson
Chiaroscuro woodcut printed in buff, warm gray, brown, and dark brown on off-white paper · 1740
Art Institute of Chicago
Saint Mark Saving a Slave from Torture, from Opera Selectiora
John Baptist Jackson
Chiaroscuro woodcut printed in buff, warm gray, brown, and dark brown on off-white paper · 1740
Art Institute of Chicago
Saint Mark Saving a Slave from Torture, from Opera Selectiora
John Jackson
Chiaroscuro woodcut printed in buff, warm gray, brown, and dark brown on off-white paper · 1740
Art Institute of Chicago
Stage Design: Garden Scene with a Fountain, Part V, Plate 8, "Architettura e Prospettive," Augsburg
Giuseppe Galli Bibiena, Italian
theater, print — etching with engraving in black ink on white paper · 1740
Cooper Hewitt, Smithsonian Design Museum
Saint Mark Saving a Slave from Torture, from Opera Selectiora
John Baptist Jackson
Chiaroscuro woodcut printed in buff, warm gray, brown, and dark brown on off-white paper · 1740
Art Institute of Chicago
Saint Mark Saving a Slave from Torture, from Opera Selectiora
John Jackson
Chiaroscuro woodcut printed in buff, warm gray, brown, and dark brown on off-white paper · 1740
Art Institute of Chicago
St. Paschal Baylon Adorning the Blessed Sacrament
Mariano Salvador Maella
Black chalk (verso); brush and brown wash over black chalk underdrawing (recto) on off-white paper · 1739
The Metropolitan Museum of Art
Panelling of the Cabinet in Palais Bourbon
Jacques Gabriel
Black ink on white paper · 1737
Cooper Hewitt, Smithsonian Design Museum
Standing and Kneeking Figures
Giovanni Paolo Panini, Italian
Red chalk on white paper, laid down · 1735
Cooper Hewitt, Smithsonian Design Museum
Elevation of the wall of the salon of Princess Czartorinska.
Juste-Aurèle Meissonnier, French, b. Italy
print — engraving, black ink on white paper · 1730
Cooper Hewitt, Smithsonian Design Museum
The Carnival of Venice
Martin Engelbrecht, German
toys & games, peep-show — engraving, brush and watercolor on white paper · 1730
Cooper Hewitt, Smithsonian Design Museum