Database / Artworks
Artworks
Flirting on the Sea-Shore and on the Meadow, from Harper's Weekly, September 19, 1874
Winslow Homer
wood engraving on paper · 1874
Smithsonian American Art Museum
Station-House Lodgers, from Harper's Weekly, February 7, 1874
Winslow Homer
wood engraving on paper · 1874
Smithsonian American Art Museum
Raid on a Sand-Swallow Colony--"How Many Eggs?", from Harper's Weekly, June 13, 1874
Winslow Homer
wood engraving on paper · 1874
Smithsonian American Art Museum
On the Beach at Long Branch--The Children's Hour, from Harper's Weekly, August 15, 1874
Winslow Homer
wood engraving on paper · 1874
Smithsonian American Art Museum
Camping Out in the Adirondack Mountains, from Harper's Weekly, November 7, 1874
Winslow Homer
wood engraving on paper · 1874
Smithsonian American Art Museum
Watch-Tower, Corner of Spring and Varick Streets, New York, from Harper's Weekly, February 28, 1874
Winslow Homer
wood engraving on paper · 1874
Smithsonian American Art Museum
Waiting for a Bite, from Harper's Weekly, August 22, 1874
Winslow Homer
wood engraving on paper · 1874
Smithsonian American Art Museum
Watch-Tower, Corner of Spring and Varick Streets, New York
Winslow Homer
Wood engraving on paper · 1874
Art Institute of Chicago
Seesaw—Gloucester, Massachusetts
Winslow Homer
Wood engraving on buff wove paper · 1874
Art Institute of Chicago
Station House Lodgers
Winslow Homer
Wood engraving on paper · 1874
Art Institute of Chicago
Flirting on the Sea-Shore and on the Meadow
Winslow Homer
Wood engraving on paper · 1874
Art Institute of Chicago
On the Beach at Long Branch—The Children's Hour
Winslow Homer
Wood engraving on paper · 1874
Art Institute of Chicago
Gathering Berries
Winslow Homer
Wood engraving on buff wove paper · 1874
Art Institute of Chicago
Camping Out in the Adirondack Mountains
Winslow Homer
Wood engraving on paper · 1874
Art Institute of Chicago
New York Charities—St Barnabas House, 304 Mulberry Street
Winslow Homer
Wood engraving on paper · 1874
Art Institute of Chicago
Weber River, Entrance to Echo Cañon
Thomas Moran, American, b. Britain
Wood engraving on cream wove paper · 1874
Cooper Hewitt, Smithsonian Design Museum
Mountain of the Holy Cross, Colorado
Thomas Moran, American, b. Britain
Wood engraving on cream wove paper · 1874
Cooper Hewitt, Smithsonian Design Museum
Devil's Gate, Weber Cañon
Thomas Moran, American, b. Britain
Wood engraving on cream wove paper · 1874
Cooper Hewitt, Smithsonian Design Museum
Palisade Cañon
Thomas Moran, American, b. Britain
Wood engraving on off-white wove paper · 1874
Cooper Hewitt, Smithsonian Design Museum
Springville Cañon
Thomas Moran, American, b. Britain
Wood engraving on cream wove paper · 1874
Cooper Hewitt, Smithsonian Design Museum
Summit of the Sierras
Thomas Moran, American, b. Britain
Wood engraving on cream wove paper · 1874
Cooper Hewitt, Smithsonian Design Museum
Cliffs of Green River
Thomas Moran, American, b. Britain
Wood engraving on cream wove paper · 1874
Cooper Hewitt, Smithsonian Design Museum
Donner Lake, Nevada
Thomas Moran, American, b. Britain
Wood engraving on cream wove paper · 1874
Cooper Hewitt, Smithsonian Design Museum
A Chiel Among Them (recto); Amusements for the Sea-side (verso)
George Du Maurier
Wood engraving · 1873
The Metropolitan Museum of Art