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Artworks

98,525 records · Woodcut with gouges, chisel and fretsaw on heavy, cream wove paper · Art Institute Chicago
Goldweight with a Geometric Design
Goldweight with a Geometric Design
Asante
Copper alloy · 1700
Art Institute of Chicago
Goldweight in the Form of a Geometric Shape
Goldweight in the Form of a Geometric Shape
Asante
Copper alloy · 1700
Art Institute of Chicago
Waterfalls and Woods
Waterfalls and Woods
Amos Green
Pen and black ink and brush and black and gray wash on cream wove paper, laid down on cream wove paper, laid down on cream wove paper · 1700
Art Institute of Chicago
Goldweight with a Geometric Design
Goldweight with a Geometric Design
Asante
Copper alloy · 1700
Art Institute of Chicago
Goldweight with a Geometric Design
Goldweight with a Geometric Design
Asante
Copper alloy · 1700
Art Institute of Chicago
Goldweight with a Geometric Pattern
Goldweight with a Geometric Pattern
Asante
Copper alloy · 1700
Art Institute of Chicago
Goldweight with a Geometric Pattern
Goldweight with a Geometric Pattern
Asante
Copper alloy · 1700
Art Institute of Chicago
Saints Mark and Marcellian Led to Their Execution, while Comforted by Saint Sebastian
Saints Mark and Marcellian Led to Their Execution, while Comforted by Saint Sebastian
Veronese (Paolo Caliari)
Pen and black ink, with brush and gray wash, heightened with lead white (partly oxidized) and touches of orange gouache, on ivory laid paper, laid down on tan wove paper · 1700
Art Institute of Chicago
Alcibiades and Two Philosophers
Alcibiades and Two Philosophers
Raphael
Metalpoint and black chalk, with traces of white chalk, on pale blue-toned cream laid paper · 1700
Art Institute of Chicago
Fragment
Fragment
Manchu
Silk brocade · 1700
Art Institute of Chicago
Martyrdom of a Saint Interrupted by Justice
Martyrdom of a Saint Interrupted by Justice
Pupil of Charles Joseph Natoire
Pen and brown ink, with brush and brown wash, heightened with lead white (partly discolored), over black chalk, squared in brown ink, on blue laid paper, laid down on tan laid paper · 1700
Art Institute of Chicago
Jiasha (Mantle)
Jiasha (Mantle)
Han-Chinese
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; pieced; painted details; edged with silk, warp-float faced 4:1 satin weave; lined with silk, plain weave · 1700
Art Institute of Chicago
Portrait of a Sculptor
Portrait of a Sculptor
Jean Baptiste Santerre
Oil on canvas · 1700
Art Institute of Chicago
Madonna and Child with Three Saints
Madonna and Child with Three Saints
Pierre Subleyras
Black chalk, with brush and gray wash, on yellowish-tan laid paper · 1700
Art Institute of Chicago
Two Men Conversing and Gesturing
Two Men Conversing and Gesturing
Raphael
Metalpoint and black chalk, with traces of white chalk, on pale blue-toned cream laid paper · 1700
Art Institute of Chicago
Allegory of Sea Trade
Allegory of Sea Trade
Raphael
Red chalk on ivory laid paper · 1700
Art Institute of Chicago
The Massacre of the Innocents
The Massacre of the Innocents
Francesco Bertos
Bronze · 1700
Art Institute of Chicago
Sheet of Sketches of Mythological Subjects
Sheet of Sketches of Mythological Subjects
Thomas Stothard
Pen and brown ink with graphite on tan tinted laid paper · 1700
Art Institute of Chicago
Sketches of Angels and Putti
Sketches of Angels and Putti
Daniel Gran
Pen and brown ink, with brush and gray wash, on tan laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago
Angel with Putti
Angel with Putti
Sebastiano Conca
Black chalk, heightened with white chalk, on blue laid paper · 1700
Art Institute of Chicago
Angel with Putti Carrying Object
Angel with Putti Carrying Object
Sebastiano Conca
Black chalk, heightened with white chalk, on blue laid paper · 1700
Art Institute of Chicago
Rest on the Flight into Egypt (recto); Madonna of the Rosary (verso)
Rest on the Flight into Egypt (recto); Madonna of the Rosary (verso)
Federico Barocci
Oil paint (recto) and pen and black ink with off-set blue oil paint (verso) on tan laid paper · 1700
Art Institute of Chicago
Look at This Sword, Was it to Be Resisted?, from Eleanora: from the Sorrows of Werter
Look at This Sword, Was it to Be Resisted?, from Eleanora: from the Sorrows of Werter
Haggitt
Pen and brown ink, over graphite, on ivory laid paper · 1700
Art Institute of Chicago
Seated Youth
Seated Youth
Raphael
Black crayon on tan laid paper · 1700
Art Institute of Chicago
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