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Artworks

Untitled from Eagle (Adler)
Georg Baselitz
One etching, aquatint, and drypoint from a portfolio of six woodcuts (four with paint additions; including covers), four etchings on chine collé (two with drypoint, one with aquatint and drypoint), and three wood engravings · 1974
Museum of Modern Art

Untitled from Eagle (Adler)
Georg Baselitz
One etching from a portfolio of six woodcuts (four with paint additions; including covers), four etchings on chine collé (two with drypoint, one with aquatint and drypoint), and three wood engravings · 1974
Museum of Modern Art

Eagle (Adler)
Georg Baselitz
Portfolio of six woodcuts (four with paint additions; including covers), four etchings on chine collé (two with drypoint, one with aquatint and drypoint), and three wood engravings · 1974
Museum of Modern Art

Untitled from Eagle (Adler)
Georg Baselitz
One etching and drypoint from a portfolio of six woodcuts (four with paint additions; including covers), four etchings on chine collé (two with drypoint, one with aquatint and drypoint), and three wood engravings · 1974
Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)
Arman
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974
Museum of Modern Art

A Proposed Fountain of Trickling Water with Ultra-Violet Underlighting, in Memory of Pablo Picasso from Homage to Picasso (Hommage à Picasso)
Dan Flavin
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974
Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)
Larry Rivers
Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974
Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)
Louise Nevelson
Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974
Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)
Blinky Palermo
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974
Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)
Walter De Maria
Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974
Museum of Modern Art

Picasso Cufflink from Homage to Picasso (Hommage à Picasso)
Claes Oldenburg
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974
Museum of Modern Art

Homage to Picasso (Hommage à Picasso) from Homage to Picasso (Hommage à Picasso)
Günther Uecker
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974
Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)
Donald Judd
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974
Museum of Modern Art

Picasso from Homage to Picasso (Hommage à Picasso)
Robert Indiana
Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974
Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)
Bernard Schultze
Etching from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974
Museum of Modern Art

Book Eight, from Mas Alla
Eduardo Chillida
Book containing two woodcuts in black with text on two interconnected sheets of d'Auvergne du Moulin Richard de Bas paper · 1973
Art Institute of Chicago

Book Seven, from Mas Alla
Eduardo Chillida
Book containing two woodcuts in black with text on two interconnected sheets of d'Auvergne du Moulin Richard de Bas paper · 1973
Art Institute of Chicago

Book Five, from Mas Alla
Eduardo Chillida
Book containing two woodcuts in black with text on two interconnected sheets of d'Auvergne du Moulin Richard de Bas paper · 1973
Art Institute of Chicago

Book Four, from Mas Alla
Eduardo Chillida
Book containing two woodcuts in black with text on two interconnected sheets of d'Auvergne du Moulin Richard de Bas paper · 1973
Art Institute of Chicago

Book Three, from Mas Alla
Eduardo Chillida
Book containing two woodcuts in black with text on two interconnected sheets of d'Auvergne du Moulin Richard de Bas paper · 1973
Art Institute of Chicago

Untitled from the portfolio With the Grain of the Wood (Au fil du bois)
Pierre Alechinsky
One from a portfolio of six woodcuts · 1973
Museum of Modern Art

Untitled from the portfolio With the Grain of the Wood (Au fil du bois)
Pierre Alechinsky
One from a portfolio of six woodcuts · 1973
Museum of Modern Art

Untitled from the portfolio With the Grain of the Wood (Au fil du bois)
Pierre Alechinsky
One from a portfolio of six woodcuts · 1973
Museum of Modern Art

Untitled from the portfolio With the Grain of the Wood (Au fil du bois)
Pierre Alechinsky
One from a portfolio of six woodcuts · 1973
Museum of Modern Art