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Artworks
Untitled from Homage to Picasso (Hommage à Picasso)
Jirí Kolár
Screenprint on three sheets from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art
Homage to Picasso (Hommage à Picasso) from Homage to Picasso (Hommage à Picasso)
Max Bill
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art
Untitled from Homage to Picasso (Hommage à Picasso)
Walasse Ting
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art
Untitled from Homage to Picasso (Hommage à Picasso)
Stefan Wewerka
Etching from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art
Untitled from Homage to Picasso (Hommage à Picasso)
Alan Davie
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art
Untitled from Homage to Picasso (Hommage à Picasso)
Jan Voss
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art
The Fist of the Day (Le Poing du jour) from Homage to Picasso (Hommage à Picasso)
Roberto Matta
Aquatint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1971
Museum of Modern Art
Ladies from Homage to Picasso (Hommage à Picasso)
Lynn Chadwick
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1971
Museum of Modern Art
Palazzo Dario from the portfolio Views of Venice (Vedute di Venezia)
Antonio Frasconi
Woodcut tipped-in to folded sheet from a portfolio of ten woodcuts · 1969
Museum of Modern Art
Palazzo Ducale from the portfolio Views of Venice (Vedute di Venezia)
Antonio Frasconi
Woodcut tipped-in to folded sheet from a portfolio of ten woodcuts · 1969
Museum of Modern Art
Basilica San Marco from the portfolio Views of Venice (Vedute di Venezia)
Antonio Frasconi
Woodcut tipped-in to folded sheet from a portfolio of ten woodcuts · 1969
Museum of Modern Art
Views of Venice (Vedute di Venezia)
Antonio Frasconi
Portfolio of ten woodcuts on and tipped-in to folded sheets · 1969
Museum of Modern Art
Ponte di Rialto from the portfolio Views of Venice (Vedute di Venezia)
Antonio Frasconi
Woodcut tipped-in to folded sheet from a portfolio of ten woodcuts · 1969
Museum of Modern Art
Canale della Giudecca from the portfolio Views of Venice (Vedute di Venezia)
Antonio Frasconi
Woodcut on folded sheet from a portfolio of ten woodcuts · 1969
Museum of Modern Art
Piazetta San Marco from the portfolio Views of Venice (Vedute di Venezia)
Antonio Frasconi
Woodcut tipped-in to folded sheet from a portfolio of ten woodcuts · 1969
Museum of Modern Art
Palazzo Ducale from the portfolio Views of Venice (Vedute di Venezia)
Antonio Frasconi
Woodcut tipped-in to folded sheet from a portfolio of ten woodcuts · 1969
Museum of Modern Art
Isola di San Giorgio from the portfolio Views of Venice (Vedute di Venezia)
Antonio Frasconi
Woodcut on folded sheet from a portfolio of ten woodcuts · 1969
Museum of Modern Art
Basilica della Salute from the portfolio Views of Venice (Vedute di Venezia)
Antonio Frasconi
Woodcut tipped-in to folded sheet from a portfolio of ten woodcuts · 1969
Museum of Modern Art
Bacino San Marco from the portfolio Views of Venice (Vedute di Venezia)
Antonio Frasconi
Woodcut tipped-in to folded sheet from a portfolio of ten woodcuts · 1969
Museum of Modern Art
A Mulher que Engoliu um Par de Tamancos com Ciume do Marido from the portfolio Xilogravura Popular do Nordeste (Popular Woodcuts of the Northeast)
José Costa Leite
One from a portfolio of twenty woodcuts · 1968
Museum of Modern Art
Pau de Sebo from the portfolio Xilogravura Popular do Nordeste (Popular Woodcuts of the Northeast)
José Costa Leite
One from a portfolio of twenty woodcuts · 1968
Museum of Modern Art
Confissão de Caboclo from the portfolio Xilogravura Popular do Nordeste (Popular Woodcuts of the Northeast)
José Costa Leite
One from a portfolio of twenty woodcuts · 1968
Museum of Modern Art
Peleja de Antônio Rocha com Joaquim Pitu from the portfolio Xilogravura Popular do Nordeste (Popular Woodcuts of the Northeast)
José Costa Leite
One from a portfolio of twenty woodcuts · 1968
Museum of Modern Art
A Serpente que engoliu o Vaqueiro no Rio Amazonas from the portfolio Xilogravura Popular do Nordeste (Popular Woodcuts of the Northeast)
José Costa Leite
One from a portfolio of twenty woodcuts · 1968
Museum of Modern Art