Database / Artworks
Artworks
Confissão de Caboclo from the portfolio Xilogravura Popular do Nordeste (Popular Woodcuts of the Northeast)
José Costa Leite
One from a portfolio of twenty woodcuts · 1968
Museum of Modern Art
Peleja de Antônio Rocha com Joaquim Pitu from the portfolio Xilogravura Popular do Nordeste (Popular Woodcuts of the Northeast)
José Costa Leite
One from a portfolio of twenty woodcuts · 1968
Museum of Modern Art
A Serpente que engoliu o Vaqueiro no Rio Amazonas from the portfolio Xilogravura Popular do Nordeste (Popular Woodcuts of the Northeast)
José Costa Leite
One from a portfolio of twenty woodcuts · 1968
Museum of Modern Art
O Sanfoneiro que foi Tocar no Inferno from the portfolio Xilogravura Popular do Nordeste (Popular Woodcuts of the Northeast)
José Costa Leite
One from a portfolio of twenty woodcuts · 1968
Museum of Modern Art
O Rapaz Que Virou Bode from the portfolio Xilogravura Popular do Nordeste (Popular Woodcuts of the Northeast)
José Costa Leite
One from a portfolio of twenty woodcuts · 1968
Museum of Modern Art
O Flagelo do Sertão e o Resultado das Cheias from the portfolio Xilogravura Popular do Nordeste (Popular Woodcuts of the Northeast)
José Costa Leite
One from a portfolio of twenty woodcuts · 1968
Museum of Modern Art
Oração de Milagrosa de Nossa Senhora do Monserrate from the portfolio Xilogravura Popular do Nordeste (Popular Woodcuts of the Northeast)
José Costa Leite
One from a portfolio of twenty woodcuts · 1968
Museum of Modern Art
A Propaganda de um Matuto com um Balaio de Maxixe from the portfolio Xilogravura Popular do Nordeste (Popular Woodcuts of the Northeast)
José Costa Leite
One from a portfolio of twenty woodcuts · 1968
Museum of Modern Art
O Sonho de um Jogador from the portfolio Xilogravura Popular do Nordeste (Popular Woodcuts of the Northeast)
José Costa Leite
One from a portfolio of twenty woodcuts · 1968
Museum of Modern Art
O Côco do Boi Tungão from the portfolio Xilogravura Popular do Nordeste (Popular Woodcuts of the Northeast)
José Costa Leite
One from a portfolio of twenty woodcuts · 1968
Museum of Modern Art
Peleja de Bandeirinha com Cachimbinho from the portfolio Xilogravura Popular do Nordeste (Popular Woodcuts of the Northeast)
José Costa Leite
One from a portfolio of twenty woodcuts · 1968
Museum of Modern Art
Peleja de Otávio Leonardo dos Santos com Hilda Mariana de Carvalho from the portfolio Xilogravura Popular do Nordeste (Popular Woodcuts of the Northeast)
José Costa Leite
One from a portfolio of twenty woodcuts · 1968
Museum of Modern Art
O Ramance do Pavão Misterioso from the portfolio Xilogravura Popular do Nordeste (Popular Woodcuts of the Northeast)
José Costa Leite
One from a portfolio of twenty woodcuts · 1968
Museum of Modern Art
Oração de São Marcos e São Manso from the portfolio Xilogravura Popular do Nordeste (Popular Woodcuts of the Northeast)
José Costa Leite
One from a portfolio of twenty woodcuts · 1968
Museum of Modern Art
Oração do Nosso Senhor do Bom Fim from the portfolio Xilogravura Popular do Nordeste (Popular Woodcuts of the Northeast)
José Costa Leite
One from a portfolio of twenty woodcuts · 1968
Museum of Modern Art
Xilogravura Popular do Nordeste (Popular Woodcuts of the Northeast)
José Costa Leite
Portfolio of twenty woodcuts · 1968
Museum of Modern Art
The End from 9 Prints
Carol Summers
Woodcut from a portfolio of six woodcuts (one with chine collé, one with stencil additions, one with monotype, stencil, and fish print additions), two lithographs (one with stencil additions), and one stencil · 1967
Museum of Modern Art
Choeps from 9 Prints
Carol Summers
Woodcut from a portfolio of six woodcuts (one with chine collé, one with stencil additions, one with monotype, stencil, and fish print additions), two lithographs (one with stencil additions), and one stencil · 1967
Museum of Modern Art
Pool from 9 Prints
Carol Summers
Lithograph with stencil additions from a portfolio of six woodcuts (one with chine collé, one with stencil additions, one with monotype, stencil, and fish print additions), two lithographs (one with stencil additions), and one stencil · 1967
Museum of Modern Art
Portrait of D.M. from 9 Prints
Carol Summers
Woodcut from a portfolio of six woodcuts (one with chine collé, one with stencil additions, one with monotype, stencil, and fish print additions), two lithographs (one with stencil additions), and one stencil · 1967
Museum of Modern Art
Waterfall from 9 Prints
Carol Summers
Woodcut from a portfolio of six woodcuts (one with chine collé, one with stencil additions, one with monotype, stencil, and fish print additions), two lithographs (one with stencil additions), and one stencil · 1967
Museum of Modern Art
9 Prints
Carol Summers
Portfolio of six woodcuts (one with chine collé, one with stencil additions, one with monotype, stencil, and fish print additions), two lithographs (one with stencil additions), and one stencil · 1967
Museum of Modern Art
Homage to Fish (Omaggio a pesce) from 9 Prints
Carol Summers
Woodcut with monotype, stencil, and fish print additions from a portfolio of six woodcuts (one with chine collé, one with stencil additions, one with monotype, stencil, and fish print additions), two lithographs (one with stencil additions), and one stencil · 1967
Museum of Modern Art
Plate (folio 12) from Viet Nam!
Antonio Frasconi
Woodcut from an illustrated book with thirteen woodcuts and seven relief halftones · 1967
Museum of Modern Art