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Artworks

60 records · Wool, cotton
Grey Stones
Grey Stones
Laura Foster Nicholson
Wool, cotton, cotton (mercerized), nylon, and acrylic, twill weave with supplementary brocading wefts · 1999
Art Institute of Chicago
Imperale (Furnishing Fabric)
Imperale (Furnishing Fabric)
Gretchen Bellinger
Wool, cotton, rayon, and acrylic, plain weave with two-color supplementary pile warps forming uncut, solid "velvet" · 1988
Art Institute of Chicago
Mysterium
Mysterium
Urszula Plewka-Schmidt
Wool, cotton, linen, rayon, nylon, acrylic, silk, and hemp, slit and single dovetailed tapestry weave with eccentric wefts and laced, overcast and wrapped outlining wefts · 1987
Art Institute of Chicago
Homage to Louis Sullivan (Study)
Homage to Louis Sullivan (Study)
Helena Hernmarck
Wool, cotton, and linen, plain weave of discontinuous wefts with supplementary brocading wefts · 1986
Art Institute of Chicago
Mouzieys Eco System
Mouzieys Eco System
Jolanta Owidzka
Sisal, wool, cotton, copper, and nylon, plain weave with supplementary patterning and brocading wefts · 1980
Art Institute of Chicago
The Nets are Empty
The Nets are Empty
Else Regensteiner
Wool; knotting of double-flat knots terminating in long cut fringe over wool, cotton, silk, mohair, nylon, rayon, and polyester bouclé, plain weave; some bast fiber (jute) and cellophane strip ground weft loop pile (bouclé) and supplementary elements of wood and plant materials; both layers worked over wood branch · 1976
Art Institute of Chicago
Sample (Handbag Material)
Sample (Handbag Material)
Dorothy Liebes
Vicose-rayon and wool, cotton, metal foil laminated in cellulose acetate film, nylon cellulose film, and cellulose fibers in cellulose film, plain weave, paired warps · 1958
Art Institute of Chicago
Cactus
Cactus
Mariska Karasz
Silk, plain weave; appliquéd with cotton, rayon, silk, wool, and metal foil laminated in cellulose acetate film, plain weave with supplementary patterning wefts; cotton, rayon and silk, twill and plain weaves; embroidered with silk, linen, wool, cotton, jute, rayon and cellulose acetate in buttonhole, coral, zig-zag coral, feather, long-armed cross, open chain and stem stitches; laid work and couching · 1958
Art Institute of Chicago
Rug Sample
Rug Sample
Marianne Strengell
Linen, wool, cotton, and rayon, weft-faced, weft band plain weave with supplementary wrapping wefts forming cut pile through a technique known as "Ghiordes Knots;" knotted warp fringe · 1956
Art Institute of Chicago
Remoulade (Furnishing Fabric)
Remoulade (Furnishing Fabric)
Jack Lenor Larsen
Wool, cotton, linen, rayon, gold gilt strip wound around cotton fiber core, metallic strip encased in synthetic film, nylon, and polyethylene, plain weave with supplementary patterning warps · 1956
Art Institute of Chicago
Remoulade (Furnishing Fabric)
Remoulade (Furnishing Fabric)
Jack Lenor Larsen
Wool, cotton, linen, rayon, metallic strip encased in synthetic film, nylon, gold gilt strip wound around a cotton fiber core, polyethylene, plain weave with supplementary patterning warps · 1956
Art Institute of Chicago
Sample (Dr 119 S #1)
Sample (Dr 119 S #1)
Robert D. Sailors
Wool, cotton, rayon, and metallic foil encased in polyester film, plain weave · 1956
Art Institute of Chicago
Sample (Dr 90 T #1)
Sample (Dr 90 T #1)
Robert D. Sailors
Fiberglass, wool, cotton, hemp, and rayon, plain weave · 1955
Art Institute of Chicago
Sample
Sample
Mary Evans Landis
Silk, wool, cotton, wild silk, and rayon, stripes of weft chevron twill weave and of plain weave self-patterned by main warp and ground weft floats; openwork; warp fringe · 1951
Art Institute of Chicago
Sample (Drapery Fabric)
Sample (Drapery Fabric)
Dorothy Liebes
Silk, rayon, wool, cotton, and metallic foil encased in synthetic film, twill weave with supplementary patterning wefts · 1951
Art Institute of Chicago
Sample (Automobile Upholstery Fabric)
Sample (Automobile Upholstery Fabric)
Marianne Strengell
Nylon, wool, cotton and rayon, warp-float faced satin weave with supplementary patterning wefts and self-patterned by areas of ground weft floats · 1950
Art Institute of Chicago
Rug Sample
Rug Sample
Marianne Strengell
Linen, wool, cotton, and jute, plain weave; knotted warp fringe · 1950
Art Institute of Chicago
Rug Sample
Rug Sample
Marianne Strengell
Wool, cotton, linen, rayon, jute and nylon, weft-faced plain weave with weft bands of pile woven from woven fringe and chenille yarn ground wefts and by supplementary wrapping wefts forming cut pile through a technique known as "Ghiordes knots;" knotted warp fringe · 1950
Art Institute of Chicago
Rug Sample
Rug Sample
Marianne Strengell
Linen, wool, cotton, and saran, weft-faced plain weave with supplementary wrapping wefts forming cut and uncut pile through a technique known as "Ghiordes knots;" knotted warp fringe · 1950
Art Institute of Chicago
Miro (Curtain Fabric)
Miro (Curtain Fabric)
Dorothy Liebes
Wool, cotton, silk, and synthetic, plain and twill weaves; with uncut loops · 1950
Art Institute of Chicago
Sample (Dr 117 F #2)
Sample (Dr 117 F #2)
Robert D. Sailors
Rayon, wool, cotton, and mohair, plain weave · 1950
Art Institute of Chicago
Sample (Dr 117 F #7)
Sample (Dr 117 F #7)
Robert D. Sailors
Wool, cotton, acetate, and rayon, plain weave · 1950
Art Institute of Chicago
Upholstery Fabric
Upholstery Fabric
Yvonne Palmer Pacanovsky Bobrowicz
Wool, cotton, rayon, silver colored metallic strip encased in gold colored synthetic film, broken, combined twill weave · 1949
Art Institute of Chicago
Sample (Drapery Fabric)
Sample (Drapery Fabric)
Dorothy Liebes
Wool, cotton, silk, rayon, and metal laminated in cellulose film, combined twill weaves with bands of plain weave · 1949
Art Institute of Chicago
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