Database / Artworks
Artworks
overnight
Michael Raedecker
Oil paint, acrylic paint, wood veneer, wool and cotton thread on canvas · 1998
Tate
spot
Michael Raedecker
Oil paint, acrylic paint, wool and cotton thread on canvas · 1998
Tate
Sonata
Leonardo Nierman
Wool and cotton; tapestry weave · 1976
Art Institute of Chicago
Upholstery Fabric Sample
Marli Ehrman
Wool and cotton · 1975
Museum of Modern Art
Josephine Baker
Robert Emmet Brady
Wool and cotton; tapestry weave · 1974
Art Institute of Chicago
Terra/Mare (Collaboration with Pamela Campion)
Ian Hamilton Finlay
Textile, wool and cotton thread · 1973
Tate
Untitled
Roberto Burle Marx
Wool and cotton; slit tapestry weave · 1971
Art Institute of Chicago
Untitled
Roberto Burle Marx
Wool and cotton; slit tapestry weave · 1971
Art Institute of Chicago
Hindu Kush
Jan Yoors
Wool and cotton, slit tapestry weave · 1969
Art Institute of Chicago
Les Saltimbanques (The Entertainers)
Liliane Badin
Wool and cotton; tapestry weave · 1959
Art Institute of Chicago
Sample
Mary Evans Landis
Bands of wool and silk, 3:3 and 1:1 interlacings in simple alternating float weave and of wool and cotton, plain weave; main warp fringe · 1951
Art Institute of Chicago
Faja
Sheila Hicks
Wool and cotton · 1950
Art Institute of Chicago
Hanging
Claire Zeisler
Wool and cotton, with metal coins; plied yarns, twisted, interlaced and knotted with wrapping and embroidery · 1950
Art Institute of Chicago
Rug Sample
Marianne Strengell
Linen, wool and cotton, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "Ghiordes knots;"knotted warp fringe · 1950
Art Institute of Chicago
Rug Sample
Marianne Strengell
Linen, wool and cotton, weft band plain weave, weft-wrapping and 'countered' weft-wrapping; knotted warp fringe · 1950
Art Institute of Chicago
Zodiac
Mariska Karasz
Wool, plain weave; embroidered with wool and cotton and hemp in buttonhole, cable chain, chain, open chain, detached chain, double feather, feather, herringbone, interlaced back, ladder, long-armed cross, running, single surface satin, simple looping, raised stem and Van dyke stitches; couching · 1948
Art Institute of Chicago
Rug Sample
Marianne Strengell
Linen, wool and cotton, weft-faced plain weave with supplementary wrapping wefts forming cut pile through a technique known as "Ghiordes Knots;" knotted warp fringe · 1943
Art Institute of Chicago
Rug Sample
Marianne Strengell
Linen, wool and cotton, weft-faced plain weave with supplementary wrapping wefts forming cut pile through a technique known as "Ghiordes Knots" · 1941
Art Institute of Chicago
Skol (Copper)
Knoll International, Inc.
Wool and cotton · 1940
Art Institute of Chicago
Skol (Brown/Black)
Knoll International, Inc.
Wool and cotton · 1940
Art Institute of Chicago
Skol (Black)
Knoll International, Inc.
Wool and cotton · 1940
Art Institute of Chicago
Skol (Brown/Black)
Knoll International, Inc.
Wool and cotton · 1940
Art Institute of Chicago
Skol (Henna)
Knoll International, Inc.
Wool and cotton · 1940
Art Institute of Chicago
Skol (Orange/Persimmon)
Knoll International, Inc.
Wool and cotton · 1940
Art Institute of Chicago