Database / Artworks
Artworks

Rug Sample
Marianne Strengell
Cotton, plain weave with wool yarns forming "hooked" pile · 1957
Art Institute of Chicago

Hanging
Claire Zeisler
Wool and cotton, with metal coins; plied yarns, twisted, interlaced and knotted with wrapping and embroidery · 1950
Art Institute of Chicago

Rug Sample
Marianne Strengell
Cotton, plain weave with wool yarns forming "hooked" pile · 1950
Art Institute of Chicago

Rug Sample
Marianne Strengell
Cotton, plain weave with wool yarns forming "hooked" pile · 1950
Art Institute of Chicago

Rug Sample
Marianne Strengell
Cotton, plain weave with wool yarns forming "hooked" pile · 1950
Art Institute of Chicago

Rug Sample
Marianne Strengell
Cotton, plain weave with wool yarns forming "hooked" pile · 1950
Art Institute of Chicago

Rug Sample
Marianne Strengell
Wool, cotton, linen, rayon, jute and nylon, weft-faced plain weave with weft bands of pile woven from woven fringe and chenille yarn ground wefts and by supplementary wrapping wefts forming cut pile through a technique known as "Ghiordes knots;" knotted warp fringe · 1950
Art Institute of Chicago

Fall Meadow (Sample)
Marianne Strengell
Cotton, plain weave with wool yarns forming "hooked" pile · 1950
Art Institute of Chicago

Panel (Formerly Window Blind)
Dorothy Liebes
Wood, bamboo, cotton chenille yarns, jute, silk, rayon, metallic strip encased in cellophane film, and metallic strip encased in cellophane film wrapped around a cotton fiber core, warp-stripe, weft rib plain weave; openwork · 1949
Art Institute of Chicago

Carpet
Claude Ronald Bentley
Cotton, plain weave with supplementary wool yarns pushed through ground weave to form cut solid pile; gun tufted · 1948
Art Institute of Chicago

Panel (Upholstery Fabric)
Gladys Rogers Brophil
Cotton and rayon (creped yarn), combined twill weave; band of twill orders: weft-float faced twill; twill; warp-float faced twill · 1948
Art Institute of Chicago

Panel (Casement Fabric)
Ed Rossbach
Linen, cotton, rayon, and cellophane yarns, bouclé yarns, and chenille yarns, plain weave · 1946
Art Institute of Chicago

Panel
Marianne Strengell
Cotton, wool (bouclé) and rayon, creped and plied yarns, warp stripes in plain weave variations · 1940
Art Institute of Chicago

Panel (Curtain Material)
Robert D. Sailors
Wool, nylon, and rayon bouclé yarns, plain weave; open work · 1940
Art Institute of Chicago

Fragment
Dorothy Liebes
Linen, cotton, silk, cotton chenille yarns and wool bouclé yarns, plain weave · 1928
Art Institute of Chicago

Panel (Curtain)
Josef Hillerbrand
Cotton, machine-made net; embroidered with cotton yarns in machine laid work and couching · 1920
Art Institute of Chicago

Hanging
Ernest Boiceau
Linen, wool, silk and gilt-strip on silk core; weft-float faced reversed twill weave; with areas of uncut pile formed by hooking; signature embroidered in "chain" stitches covered with wrapping yarns of gilt-strip on silk core and wool · 1920
Art Institute of Chicago

Costume design (Androcles and the Lion) for artist's ballet Orphée of the Quat-z-arts
Florine Stettheimer
Oil, yarn, fabric, and lace on wood · 1912
Museum of Modern Art

Costume design (Georgette) for artist's ballet Orphée of the Quat-z-arts
Florine Stettheimer
Oil, cloth, fur, yarn, and hair on canvas · 1912
Museum of Modern Art

Penny Doily Quilt
Erna E. (Hucke) Postel
Cotton, plain weave; pieced; quilted; embroidered with cotton yarns in back, Roumanian, running, satin and stem stitches; couching and French knots; folded triangles forming zig-zag edges · 1908
Art Institute of Chicago

Curtain Panel
John Scott
Cotton, plain weave; appliqued with linen, plain weave; machine embroidered with silk yarn and cotton thread in looped stitch · 1905
Art Institute of Chicago

Curtain Panel
John Scott Bradstreet
Cotton, plain weave; appliqued with linen, plain weave; machine embroidered with silk yarn and cotton thread in looped stitch · 1905
Art Institute of Chicago

Curtain Panel
John Scott Bradstreet
Cotton, plain weave; appliqued with linen, plain weave; machine embroidered with silk yarn and cotton thread in looped stitch · 1905
Art Institute of Chicago

Man's Overskirt
Kuba
Center field: raffia, plain weave; stamped or painted; borders: alternating bands of cotton and raffia, plain and twill weaves; resist dyed, painted, or stamped; and raffia, plain weave; embroidered with raffia in running stitches cut to form pile; all edged with raffia, plain weave with knotted, cut pompons; end: raffia, plain weave; tie-dyed; joined with raffia yarns in pearl stitches · 1901
Art Institute of Chicago