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Artworks

74 records · Yarn
Rug Sample
Rug Sample
Marianne Strengell
Cotton, plain weave with wool yarns forming "hooked" pile · 1957
Art Institute of Chicago
Hanging
Hanging
Claire Zeisler
Wool and cotton, with metal coins; plied yarns, twisted, interlaced and knotted with wrapping and embroidery · 1950
Art Institute of Chicago
Rug Sample
Rug Sample
Marianne Strengell
Cotton, plain weave with wool yarns forming "hooked" pile · 1950
Art Institute of Chicago
Rug Sample
Rug Sample
Marianne Strengell
Cotton, plain weave with wool yarns forming "hooked" pile · 1950
Art Institute of Chicago
Rug Sample
Rug Sample
Marianne Strengell
Cotton, plain weave with wool yarns forming "hooked" pile · 1950
Art Institute of Chicago
Rug Sample
Rug Sample
Marianne Strengell
Cotton, plain weave with wool yarns forming "hooked" pile · 1950
Art Institute of Chicago
Rug Sample
Rug Sample
Marianne Strengell
Wool, cotton, linen, rayon, jute and nylon, weft-faced plain weave with weft bands of pile woven from woven fringe and chenille yarn ground wefts and by supplementary wrapping wefts forming cut pile through a technique known as "Ghiordes knots;" knotted warp fringe · 1950
Art Institute of Chicago
Fall Meadow (Sample)
Fall Meadow (Sample)
Marianne Strengell
Cotton, plain weave with wool yarns forming "hooked" pile · 1950
Art Institute of Chicago
Panel (Formerly Window Blind)
Panel (Formerly Window Blind)
Dorothy Liebes
Wood, bamboo, cotton chenille yarns, jute, silk, rayon, metallic strip encased in cellophane film, and metallic strip encased in cellophane film wrapped around a cotton fiber core, warp-stripe, weft rib plain weave; openwork · 1949
Art Institute of Chicago
Carpet
Carpet
Claude Ronald Bentley
Cotton, plain weave with supplementary wool yarns pushed through ground weave to form cut solid pile; gun tufted · 1948
Art Institute of Chicago
Panel (Upholstery Fabric)
Panel (Upholstery Fabric)
Gladys Rogers Brophil
Cotton and rayon (creped yarn), combined twill weave; band of twill orders: weft-float faced twill; twill; warp-float faced twill · 1948
Art Institute of Chicago
Panel (Casement Fabric)
Panel (Casement Fabric)
Ed Rossbach
Linen, cotton, rayon, and cellophane yarns, bouclé yarns, and chenille yarns, plain weave · 1946
Art Institute of Chicago
Panel
Panel
Marianne Strengell
Cotton, wool (bouclé) and rayon, creped and plied yarns, warp stripes in plain weave variations · 1940
Art Institute of Chicago
Panel (Curtain Material)
Panel (Curtain Material)
Robert D. Sailors
Wool, nylon, and rayon bouclé yarns, plain weave; open work · 1940
Art Institute of Chicago
Fragment
Fragment
Dorothy Liebes
Linen, cotton, silk, cotton chenille yarns and wool bouclé yarns, plain weave · 1928
Art Institute of Chicago
Panel (Curtain)
Panel (Curtain)
Josef Hillerbrand
Cotton, machine-made net; embroidered with cotton yarns in machine laid work and couching · 1920
Art Institute of Chicago
Hanging
Hanging
Ernest Boiceau
Linen, wool, silk and gilt-strip on silk core; weft-float faced reversed twill weave; with areas of uncut pile formed by hooking; signature embroidered in "chain" stitches covered with wrapping yarns of gilt-strip on silk core and wool · 1920
Art Institute of Chicago
Costume design (Androcles and the Lion) for artist's ballet Orphée of the Quat-z-arts
Costume design (Androcles and the Lion) for artist's ballet Orphée of the Quat-z-arts
Florine Stettheimer
Oil, yarn, fabric, and lace on wood · 1912
Museum of Modern Art
Costume design (Georgette) for artist's ballet Orphée of the Quat-z-arts
Costume design (Georgette) for artist's ballet Orphée of the Quat-z-arts
Florine Stettheimer
Oil, cloth, fur, yarn, and hair on canvas · 1912
Museum of Modern Art
Penny Doily Quilt
Penny Doily Quilt
Erna E. (Hucke) Postel
Cotton, plain weave; pieced; quilted; embroidered with cotton yarns in back, Roumanian, running, satin and stem stitches; couching and French knots; folded triangles forming zig-zag edges · 1908
Art Institute of Chicago
Curtain Panel
Curtain Panel
John Scott
Cotton, plain weave; appliqued with linen, plain weave; machine embroidered with silk yarn and cotton thread in looped stitch · 1905
Art Institute of Chicago
Curtain Panel
Curtain Panel
John Scott Bradstreet
Cotton, plain weave; appliqued with linen, plain weave; machine embroidered with silk yarn and cotton thread in looped stitch · 1905
Art Institute of Chicago
Curtain Panel
Curtain Panel
John Scott Bradstreet
Cotton, plain weave; appliqued with linen, plain weave; machine embroidered with silk yarn and cotton thread in looped stitch · 1905
Art Institute of Chicago
Man's Overskirt
Man's Overskirt
Kuba
Center field: raffia, plain weave; stamped or painted; borders: alternating bands of cotton and raffia, plain and twill weaves; resist dyed, painted, or stamped; and raffia, plain weave; embroidered with raffia in running stitches cut to form pile; all edged with raffia, plain weave with knotted, cut pompons; end: raffia, plain weave; tie-dyed; joined with raffia yarns in pearl stitches · 1901
Art Institute of Chicago
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