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Artworks

74 records · Yarn
Lion with Palms (Rug)
Lion with Palms (Rug)
Ebenezer Ross
Jute, plain weave with wool and cotton yarns, knitted and woven strips forming "hooked" pile; edged with cotton, twill weave · 1890
Art Institute of Chicago
Crazy Quilt
Crazy Quilt
Lydia Caldwell Morphew
various fabrics and yarn · 1889
Smithsonian American Art Museum
Man's Moccasins
Man's Moccasins
Arapaho
Leather, yarn, and glass beads · 1885
Art Institute of Chicago
Tunic (Jibbeh)
Tunic (Jibbeh)
Mahdist peoples
Layers of cotton, plain weave; pieced and quilted; appliquéd with wool and wool and cotton plain weaves and wool twill weaves; embroidered with cotton in chain, cross, and a derivative of herringbone stitches; applied plied yarn edging; lined with cotton plain weaves; pieced · 1885
Art Institute of Chicago
Child's Moccasins
Child's Moccasins
Arapaho
Leather, trade cloth, yarn, and glass beads · 1881
Art Institute of Chicago
Man's Shoulder Bag
Man's Shoulder Bag
Potawatomi
Cotton, velvet, yarn, and glass seed beads · 1850
Art Institute of Chicago
Sampler
Sampler
Elizabeth Romans
Linen, plain weave; embroidered with wool yarns in Algerian eye, cross, crossed back, hem, and Rice stitches · 1838
Art Institute of Chicago
The Harp that Once through Tara's Halls
The Harp that Once through Tara's Halls
Mary R. Glenn
Silk, satin weave; embroidered with silk and silk chenille yarns in satin, single satin, split, and stem stitches; couching; painted; lined and edged with linen, plain weave · 1827
Art Institute of Chicago
L'Hiver (Winter)
L'Hiver (Winter)
Pierre Antoine Mongin
Silk, warp-float faced satin weave; embroidered with silk and chenille yarns in chain and satin stitches; couching; surface pigment added to embroidered stitches · 1801
Art Institute of Chicago
Bed Rug
Bed Rug
Hannah Johnson
Wool, plain weave; with cut pile formed by wool yarns embroidered in looped running stitches · 1796
Art Institute of Chicago
Sampler
Sampler
Polly Bedford
Wool, plain weave; embroidered with silk floss and silk yarns in back, chain, Cretan, individual back, individual running, Roman, satin, stem, and surface satin stitches; laid work, couching, and Roumanian couching · 1791
Art Institute of Chicago
Le Triomphe de Voltaire
Le Triomphe de Voltaire
Manufacture de Dubern & Comp. a Nantes
printed, dyed & painted textiles, textile with chef de piece — medium: cotton technique: printed by engraved copper plate on plain weave; all z-twist yarns · 1790
Cooper Hewitt, Smithsonian Design Museum
Le Marchand d'Orvietan
Le Marchand d'Orvietan
Manufacture de Dubern & Comp. a Nantes
printed, dyed & painted textiles, textile with chef de piece — medium: cotton technique: printed by engraved copper plate on plain weave; all yarns z-twist · 1785
Cooper Hewitt, Smithsonian Design Museum
Panel
Panel
Philippe de La Salle
Silk and silk chenille yarns, satin weave with brocading wefts · 1775
Art Institute of Chicago
Branche de Corail
Branche de Corail
Philippe de La Salle
Silk and silk chenille yarns, plain weave with twill interlacings of secondary binding warp and facing wefts and with plain interlacings of secondary binding warps and brocading wefts · 1770
Art Institute of Chicago
Chair Seat
Chair Seat
Abigail Davenport (Williams)
Linen, plain weave; embroidered with wool yarns in bullion, flat, Roman, satin, stem, and surface satin stitches · 1712
Art Institute of Chicago
Chair Seat
Chair Seat
Abigail Davenport (Williams)
Linen, plain weave; embroidered with wool yarns in bullion, flat, Roman, satin, stem, and surface satin stitches · 1712
Art Institute of Chicago
Sampler
Sampler
Lucy Garland
Linen, plain weave; embroidered with silk floss and yarns in Algerian eye, buttonhole, chain, half cross, individual back, marking cross, two-sided cross and trammed cross stitches; laid work, couching and French knots · 1704
Art Institute of Chicago
Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus
Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus
Jan van Leefdael
Wool and silk, slit and double interlocking tapestry weave Warp: Count: 8 warps per cm; wool: S-ply of three Z-spun elements; diameter: 0.8–1.0 mm Weft: Count: varies from 17 to 30 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.3–1.0 mm; silk: three yarns of S-ply of two Z-twisted elements; diameters: 0.6–1.0 mm; wool and silk: paired yarns of S-ply of two Z-spun wool elements and S-ply of two Z-twisted silk elements; diameters: 0.5–1.2 mm · 1640
Art Institute of Chicago
Cabinet or Box Depicting Scenes from the Old Testament
Cabinet or Box Depicting Scenes from the Old Testament
Rebecca Stonier Plaisted
Silk, warp-float faced satin weave; embroidered with silk floss, silk yarns, and silk-wrapped-metal purl in brick, bullion, Ceylon, chain, knot, lattice filling, overcast, running, satin, Smyrna cross, tent, and a variety of buttonhole stitches; laid work, couching, and padded couching; French and Turkey knots; applied areas of linen, plain weave; seed pearls, coral beads, and mica; and silk, plain weave with ground weft fringe; edged with gilt-metal-strip-wrapped silk and gilt-metal strip, plain weave; silver hardware; wooden frame; lined with marbled paper; silk, plain weave; and silk, plain weave with supplementary pile warps forming cut solid velvet · 1628
Art Institute of Chicago
Diana and Her Nymphs with the Ox Hunt
Diana and Her Nymphs with the Ox Hunt
Hans Bol
Wool and silk, slit and double interlocking tapestry weave Warp: Count: 6–7 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.8–1.0 mm Weft: Count: varies from 20 to 34 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.3–1.1 mm; silk; S-ply of two Z-twisted elements; pairs of S-ply of two Z-twisted elements; three yarns of S-ply of two Z-twisted silk elements; diameters: 0.7–1.2 mm · 1590
Art Institute of Chicago
Alexander Kneeling before Jaddus at the Gates of Jerusalem [left section] from The Story of Alexander the Great
Alexander Kneeling before Jaddus at the Gates of Jerusalem [left section] from The Story of Alexander the Great
Nicolaas van Orley
Wool and silk; slit, dovetailed, and double interlocking tapestry weave Warp: Count; 6 warps per cm; wool: S-ply of three Z-spun elements; diameter: 1.5 mm Weft: Count: varies from 17 to 28 wefts per cm; wool; S-ply of two Z-spun elements; pairs of S-ply ol two Z-spun elements; diameters: 0.5–1.5 mm; silk: S-ply of two Z-twisted elements; pairs of S-ply of two Z-twisted elements; diameters: 0.35–1.0 mm; wool and silk: paired yarns of S-ply of two Z-spun wool elements and S-ply of two Z-twisted silk elements; diameter: 0.8 mm · 1590
Art Institute of Chicago
Justitia (Justice) from Los Honores
Justitia (Justice) from Los Honores
Bernard van Orley
Wool and silk, slit and dovetailed tapestry weave Warp: Count: 6 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.4–0.7 mm Weft: Count: varies from 16 to 38 wefts per cm; wool: S-ply of two Z-spun elements; pairs of S-ply of two Z-spun elements; paired yarns of S-ply of two Z-spun elements and a single Z-spun element; diameters: 0.4–1.5 mm; silk: S-ply of two Z-twisted elements (may be replacement wefts); diameters: 0.4–1.0 mm; wool and silk; paired yarns of S-ply of two Z-spun wool elements and S-ply of two Z-twisted silk elements; diameters: 1.0–1.4 mm. Three-quarters of piece rewoven · 1520
Art Institute of Chicago
Justitia (Justice) from Los Honores
Justitia (Justice) from Los Honores
Bernard van Orley
Wool and silk, slit and dovetailed tapestry weave Warp: Count: 6 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.4–0.7 mm Weft: Count: varies from 16 to 38 wefts per cm; wool: S-ply of two Z-spun elements; pairs of S-ply of two Z-spun elements; paired yarns of S-ply of two Z-spun elements and a single Z-spun element; diameters: 0.4–1.5 mm; silk: S-ply of two Z-twisted elements (may be replacement wefts); diameters: 0.4–1.0 mm; wool and silk; paired yarns of S-ply of two Z-spun wool elements and S-ply of two Z-twisted silk elements; diameters: 1.0–1.4 mm. Three-quarters of piece rewoven · 1520
Art Institute of Chicago
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