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Artworks

7,941 records · aquatint
Dorpsstraat bij avond
Dorpsstraat bij avond
Christoph Nathe
aquatint on paper · 1780
Rijksmuseum
Boerenhut in bos
Boerenhut in bos
Christoph Nathe
aquatint on paper · 1780
Rijksmuseum
Juno and the Peacock
Juno and the Peacock
Angelica Kauffman
Etching and aquatint on ivory laid paper · 1780
Art Institute of Chicago
Juno and the Peacock
Juno and the Peacock
Angelica Kauffmann
Etching and aquatint on ivory laid paper · 1780
Art Institute of Chicago
Bacchanal, the Game of Leap Frog
Bacchanal, the Game of Leap Frog
Laurent Guyot
etching and aquatint on silk · 1780
Cleveland Museum of Art
Old Man Pointing Left, plate 8 from Dessins des meilleurs Peintres d'Italie, d'Allemagne et des Pay-Bas Tirés de divers célebres Cabinets
Old Man Pointing Left, plate 8 from Dessins des meilleurs Peintres d'Italie, d'Allemagne et des Pay-Bas Tirés de divers célebres Cabinets
Maria Katharina Prestel
Etching and aquatint on ivory laid paper · 1780
Art Institute of Chicago
Juno and the Peacock
Juno and the Peacock
Angelica Kauffmann
Etching and aquatint on ivory laid paper · 1780
Art Institute of Chicago
View of the Inside of the Amphitheatre of Vespasian at Rome (called the "Colosseo")
View of the Inside of the Amphitheatre of Vespasian at Rome (called the "Colosseo")
Cooper
Etching and aquatint in bistre (brownish-black) on ivory paper · 1779
Art Institute of Chicago
View of the Inside of the Amphitheatre of Vespasian at Rome (called the "Colosseo")
View of the Inside of the Amphitheatre of Vespasian at Rome (called the "Colosseo")
Cooper, Richard, II
Etching and aquatint in bistre (brownish-black) on ivory paper · 1779
Art Institute of Chicago
The Conversion of Polemon
The Conversion of Polemon
James Barry
Etching with engraving and roulette and traces of aquatint; ninth state of nine · 1778
The Metropolitan Museum of Art
The Nabob of Surat as painted in 1778
The Nabob of Surat as painted in 1778
William Birch
aquatint · 1778
Grand Entry of the Allied Sovereigns Into Paris
Grand Entry of the Allied Sovereigns Into Paris
Robert Bowyer
Handcolored aquatint on paper · 1778
Art Institute of Chicago
View of the Campagna of Rome
View of the Campagna of Rome
Cooper
Etching and aquatint printed in dark brown ink on ivory laid paper · 1778
Art Institute of Chicago
View of the Campagna of Rome
View of the Campagna of Rome
Cooper, Richard, II
Etching and aquatint printed in dark brown ink on ivory laid paper · 1778
Art Institute of Chicago
William Pitt, Earl of Chatham
William Pitt, Earl of Chatham
James Barry
Etching, line engraving and aquatint on paper · 1778
Tate
Le Docteur Francklin Couronné par la Liberté
Le Docteur Francklin Couronné par la Liberté
Jean Claude Richard de Saint-Non
Aquatint on paper · 1778
National Portrait Gallery
View near Blackfriars Bridge
View near Blackfriars Bridge
Valentine Green
aquatint · 1777
Job Reproved by His Friends
Job Reproved by His Friends
James Barry
Etching over traces of aquatint; third state of five · 1777
The Metropolitan Museum of Art
Pont-Aber-Glassin, plate seven from Twelve Views in Wales
Pont-Aber-Glassin, plate seven from Twelve Views in Wales
Paul Sandby
Aquatint with etching on cream laid paper · 1777
Art Institute of Chicago
Pont-Aber-Glassin, plate seven from Twelve Views in Wales
Pont-Aber-Glassin, plate seven from Twelve Views in Wales
Paul Sandby Munn
Aquatint with etching on cream laid paper · 1777
Art Institute of Chicago
Pont-Aber-Glassin, plate seven from Twelve Views in Wales
Pont-Aber-Glassin, plate seven from Twelve Views in Wales
Thomas Paul Sandby
Aquatint with etching on cream laid paper · 1777
Art Institute of Chicago
Philoctetes in the Island of Lemnos
Philoctetes in the Island of Lemnos
James Barry
Etching, line engraving and aquatint on paper · 1777
Tate
A Sunday Concert
A Sunday Concert
James Bretherton
Etching and aquatint in brown on cream laid paper · 1777
Art Institute of Chicago
Windsor Castle from the Lower Court on the Fifth of November—Fireworks
Windsor Castle from the Lower Court on the Fifth of November—Fireworks
Paul Sandby
Aquatint, with etching, in brown on ivory laid paper · 1776
Art Institute of Chicago
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