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Artworks

On the Street, from A Life
Max Klinger
Aquatint and etching, with drypoint on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago

Chained, plate eleven from A Life
Max Klinger
Aquatint and etching on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago

Temptation, plate four from A Life
Max Klinger
Aquatint and etching, with roulette on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago

Preface I, plate two from A Life
Max Klinger
Aquatint and etching, with burnishing in plate on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago

Finis, from A Life
Max Klinger
Aquatint and etching, with drypoint on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago

Wooded Lane at Pontoise
Camille Pissarro
Aquatint and etching in black on off-white wove card · 1879
Art Institute of Chicago

Otras Leyes por El Pueblo (Other Laws for the People)
Francisco de Goya y Lucientes, Spanish
Aquatint and etching on paper · 1877
Cooper Hewitt, Smithsonian Design Museum

New York from the Steeple of St. Paul's Church, Looking East, South, and West
A. Henry
Color aquatint and etching; second state of three · 1849
The Metropolitan Museum of Art

Landscape (after Claude Lorrain)
Charles François Daubigny
Aquatint and etching in brown ink on rolled paper · 1849
Cooper Hewitt, Smithsonian Design Museum

Satan Sowing Tare (Satan semant l'ivraie)
Félicien Rops
aquatint and etching · 1833
National Gallery of Art
A Selection of Hexandrian Plants, belonging to the natural order of Amaryllidae and Liliacae: Japanese Lily
Robert Havell
aquatint and etching · 1831
Cleveland Museum of Art
A Selection of Hexandrian Plants, belonging to the natural order of Amaryllidae and Liliacae: Japanese Lily
Robert Havell
aquatint and etching · 1831
Cleveland Museum of Art
A Selection of Hexandrian Plants, belonging to the natural order of Amaryllidae and Liliacae: Japanese Lily
Robert Havell
aquatint and etching · 1831
Cleveland Museum of Art

Harlequin Duck
Robert Havell
Hand-colored engraving with aquatint and etching on ivory wove paper · 1826
Art Institute of Chicago

Black Backed Gull
Robert Havell
Hand-colored engraving with aquatint and etching on cream wove paper · 1826
Art Institute of Chicago

Harlequin Duck
Robert Havell
Hand-colored engraving with aquatint and etching on ivory wove paper · 1826
Art Institute of Chicago

Black Backed Gull
Robert Havell
Hand-colored engraving with aquatint and etching on cream wove paper · 1826
Art Institute of Chicago

Shooting: Verse 1
Dean Wolstenholme
Hand-colored aquatint and etching on ivory wove paper · 1819
Art Institute of Chicago

Shooting: Verse 4
Dean Wolstenholme
Hand-colored aquatint and etching on ivory wove paper · 1819
Art Institute of Chicago

Shooting: Verse 2
Thomas Sutherland
Hand-colored aquatint and etching on ivory wove paper · 1819
Art Institute of Chicago

Shooting: Verse 3
Thomas Sutherland
Hand-colored aquatint and etching on ivory wove paper · 1819
Art Institute of Chicago

Landscape
J. Young
Aquatint and etching in black on cream wove paper · 1818
Art Institute of Chicago

Landscape
J. Young
Aquatint and etching in black with hand-coloring on cream wove paper · 1818
Art Institute of Chicago

Maison du Duc d'Orléans à Twickenham
Joseph Constantin Stadler
Hand-colored aquatint and etching on cream wove paper · 1816
Art Institute of Chicago