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Artworks

350 records · aquatint and etching
The Water-Snakes from The Rime of the Ancient Mariner
The Water-Snakes from The Rime of the Ancient Mariner
Patrick Procktor
Aquatint and etching from an illustrated book with 12 aquatints (nine with etching) · 1976
Museum of Modern Art
Samuel Taylor Coleridge from The Rime of the Ancient Mariner
Samuel Taylor Coleridge from The Rime of the Ancient Mariner
Patrick Procktor
Aquatint and etching from an illustrated book with 12 aquatints (nine with etching) · 1976
Museum of Modern Art
All Fixed on Me Their Stony Eyes That in the Moon Did Glitter from The Rime of the Ancient Mariner
All Fixed on Me Their Stony Eyes That in the Moon Did Glitter from The Rime of the Ancient Mariner
Patrick Procktor
Aquatint and etching from an illustrated book with 12 aquatints (nine with etching) · 1976
Museum of Modern Art
Charles Newington, Printer from The Rime of the Ancient Mariner
Charles Newington, Printer from The Rime of the Ancient Mariner
Patrick Procktor
Aquatint and etching from an illustrated book with 12 aquatints (nine with etching) · 1976
Museum of Modern Art
And We Did Speak Only to Break The Silence of the Sea! from The Rime of the Ancient Mariner
And We Did Speak Only to Break The Silence of the Sea! from The Rime of the Ancient Mariner
Patrick Procktor
Aquatint and etching from an illustrated book with 12 aquatints (nine with etching) · 1976
Museum of Modern Art
The Spectre Bark (Life-in-Death Winneth the Ancient Mariner) from The Rime of the Ancient Mariner
The Spectre Bark (Life-in-Death Winneth the Ancient Mariner) from The Rime of the Ancient Mariner
Patrick Procktor
Aquatint and etching from an illustrated book with 12 aquatints (nine with etching) · 1976
Museum of Modern Art
A Trip with the Teacher
A Trip with the Teacher
Mike Kelley
Aquatint and etching · 1975
Museum of Modern Art
Landscape with Noses
Landscape with Noses
Claes Oldenburg
Aquatint and etching · 1975
Museum of Modern Art
Rules of Inference
Rules of Inference
Mel Bochner
Aquatint and etching on paper · 1974
Art Institute of Chicago
[title not known]
[title not known]
Robert Mangold
Aquatint and etching on paper · 1973
Tate
[title not known]
[title not known]
Robert Mangold
Aquatint and etching on paper · 1973
Tate
[title not known]
[title not known]
Robert Mangold
Aquatint and etching on paper · 1973
Tate
[title not known]
[title not known]
Robert Mangold
Aquatint and etching on paper · 1973
Tate
[title not known]
[title not known]
Robert Mangold
Aquatint and etching on paper · 1973
Tate
[title not known]
[title not known]
Robert Mangold
Aquatint and etching on paper · 1973
Tate
[title not known]
[title not known]
Robert Mangold
Aquatint and etching on paper · 1973
Tate
The Student from Homage to Picasso (Hommage à Picasso)
The Student from Homage to Picasso (Hommage à Picasso)
David Hockney
Aquatint and etching from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Abstract
Abstract
Victor Pasmore
Aquatint and etching on paper · 1972
Tate
Plate VI from Reels (Dévidoirs)
Plate VI from Reels (Dévidoirs)
Pierre Alechinsky
Aquatint and etching from a series of seven aquatints, two with etching · 1972
Museum of Modern Art
Plate I from Reels (Dévidoirs)
Plate I from Reels (Dévidoirs)
Pierre Alechinsky
Aquatint and etching from a series of seven aquatints, two with etching · 1972
Museum of Modern Art
Self Portrait with White Cap
Self Portrait with White Cap
Karl Schrag
Aquatint and etching · 1972
Museum of Modern Art
Gauloises Bleues (Raw Umber Edge)
Gauloises Bleues (Raw Umber Edge)
Robert Motherwell
Color aquatint and etching on white wove paper · 1971
Art Institute of Chicago
Gauloises Bleues (Raw Umber Edge)
Gauloises Bleues (Raw Umber Edge)
Robert Motherwell
Color aquatint and etching on white wove paper · 1971
Art Institute of Chicago
Gauloises Bleues (Raw Umber Edge)
Gauloises Bleues (Raw Umber Edge)
Robert Motherwell
Color aquatint and etching on white wove paper · 1971
Art Institute of Chicago
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